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Godzilla vs. Biollante

Título original: Gojira vs. Biorante
  • 1989
  • PG
  • 1 h 44 min
AVALIAÇÃO DA IMDb
6,5/10
7,9 mil
SUA AVALIAÇÃO
Godzilla vs. Biollante (1989)
Desolate by the loss of his daughter, a geneticist creates a monstrous new mutation.
Reproduzir trailer2:00
1 vídeo
99+ fotos
Ação épicaAventura de dinossauroDesastreÉpicoÉpico de ficção científicaFantasia épicaFantasia sobrenaturalFantasia sombriaKaijuTerror monstruoso

Adicionar um enredo no seu idiomaDesolate by the loss of his daughter, a geneticist creates a monstrous new mutation.Desolate by the loss of his daughter, a geneticist creates a monstrous new mutation.Desolate by the loss of his daughter, a geneticist creates a monstrous new mutation.

  • Direção
    • Kazuki Ômori
    • Kôji Hashimoto
    • Kenjirô Ohmori
  • Roteiristas
    • Shinichiro Kobayashi
    • Shinichiro Kobayashi
    • Shin'ichi Sekizawa
  • Artistas
    • Kunihiko Mitamura
    • Yoshiko Tanaka
    • Masanobu Takashima
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    7,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Kazuki Ômori
      • Kôji Hashimoto
      • Kenjirô Ohmori
    • Roteiristas
      • Shinichiro Kobayashi
      • Shinichiro Kobayashi
      • Shin'ichi Sekizawa
    • Artistas
      • Kunihiko Mitamura
      • Yoshiko Tanaka
      • Masanobu Takashima
    • 71Avaliações de usuários
    • 72Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    Trailer [OV]
    Trailer 2:00
    Trailer [OV]

    Fotos179

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    Elenco principal55

    Editar
    Kunihiko Mitamura
    • Kazuhito Kirishima
    Yoshiko Tanaka
    Yoshiko Tanaka
    • Asuka Okouchi
    Masanobu Takashima
    Masanobu Takashima
    • Major Sho Kuroki
    Kôji Takahashi
    • Dr. Genichiro Shiragami
    Tôru Minegishi
    • Lieutenant Goro Gondo
    Megumi Odaka
    • Miki Saegusa
    Toshiyuki Nagashima
    Toshiyuki Nagashima
    • Director Seiichi Yamamoto
    Ryûnosuke Kaneda
    Ryûnosuke Kaneda
    • Seizo Okouchi
    Kazuma Matsubara
    • Self Defense Forces Officer
    Yoshiko Kuga
    Yoshiko Kuga
    • Keiko Owada, Prime Minister's Representative
    Yasunori Yuge
    • Prime Minister's Aide
    Yasuko Sawaguchi
    • Erika Shiragami
    Haruko Sagara
    • TV Reporter
    Kôichi Ueda
    • Joint-Chief of Staff Yamaji
    Kôsuke Toyohara
    Kôsuke Toyohara
    • Osamu Amesawa
    • (as Kosuke Toyohara)
    Katsuhiko Sasaki
    Katsuhiko Sasaki
    • Sci-Tech Chief Takeda
    Hirohisa Nakata
    • Defense Minister Minoru Koyama
    Kenzo Ogiwara
    • Takeo Shimura
    • Direção
      • Kazuki Ômori
      • Kôji Hashimoto
      • Kenjirô Ohmori
    • Roteiristas
      • Shinichiro Kobayashi
      • Shinichiro Kobayashi
      • Shin'ichi Sekizawa
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários71

    6,57.8K
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    Avaliações em destaque

    7TheUnknown837-1

    Although it's not one of the classics, "Godzilla vs. Biollante" works due to a refreshingly imaginative premise and a strong visual presentation

    Out of the twenty-eight entries in the long-running Japanese Godzilla series, one of the more artistic and welcomingly imaginative ones is the unfortunately overlooked "Godzilla vs. Biollante", a film that is so-so in its story and characters (although that is a standard for most Godzilla movies), but tremendously entertaining in its premise and its visual style. The movie follows the majestic monster movie masterpiece "The Return of Godzilla", in which Godzilla is released from his volcanic prison on Oshima Island and begins to wreck the countryside of Japan again around the same time that a scientist's (Koji Takahashi) experiment to preserve his dead daughter's spirit in an immortal plant species goes awry.

    "The Return of Godzilla" was not only a great Godzilla movie, but one of the finest monster movies, Japanese or otherwise, that I have ever seen and I do like to sometimes pretend that "Godzilla vs. Biollante" and the not-so-special sequels that followed never existed, that it ended with Godzilla falling into Mount Mihara and being imprisoned there forever. But although this movie does kind of ruin that feeling, it's quickly forgiven once its slow beginning departs and its truly majestic middle begins.

    As I mentioned earlier, this is one of the more artistic Godzilla movies there is. Most entries in the series are formulaic and repetitive. And although this is okay for the fans, it is refreshing to see one that tries something new and original. And "Godzilla vs. Biollante" most certainly is original. Basically everything except the human characters tries something new. The movie boasts a battle between Godzilla and his new monstrosity of an opponent, but it's not all about their clash, it's really more following the spirit of the preceding movie with military trying to eliminate Godzilla. What's more, the movie boasts some incredibly visionary and impressive special effects. Godzilla's appearance is one of his finest yet. There are a few shots where he didn't look very good, such as this one where the way he was positioned reminded me more of a bear than a reptile, but other times the mobility that he had in his jaws and his neck provided some surprisingly convincing movements. The miniatures for the destruction scenes are thoroughly impressive, and the effects used to create Biollante are a pure triumph without a single weak shot.

    Even the music score is something new. The movie reuses three classic Godzilla themes by Akira Ifukube, but most of the score, as with the first film, is done by a new composer and he does it with a completely new style. Now Koichi Sugiyama's score is not incredible as Reijiro Koroku's was for the preceding movie. There are some weak moments and some parts are recycled too much throughout the movie. In addition, after having reviewed the whole soundtrack on CD form, I discovered that the best of Sugiyama's score was left out. Why Toho opted to do this, I have no idea. But as for what we do here, it's mincemeat of visionary triumph and minor letdowns.

    I do have some complaints about the movie, however. It does take a while to get started. Whereas "The Return of Godzilla" had great characters and a strong story so that I could stay interested even when Godzilla was not on screen, this movie struggles a little more. And again, some parts of Koichi Sugiyama's dare-deviling soundtrack simply don't work as well as they should have. And the ending of the final battle between Godzilla and Biollante was a flat letdown.

    However, despite its flaws, "Godzilla vs. Biollante" is a more unique and interesting and certainly enjoyable entry in this deservedly famous long-running motion picture series. Now I don't think Godzilla will ever be considered art by any major organization. But there are three films starring the big lizard that do stand out pretty strongly due to either their strong allegorical content or their tremendous style. This is one of them.
    Ozzdan85

    Godzilla hails!!!

    Being Toho's most mature kaiju film, "Godzilla vs. Biollante" placed Godzilla in the age of bio-terrorism. Your cliché 80's folks are seen here...the shy teen girl, the military hero, the villain with sunglasses and leather gloves, etc. What many fans don't like about this movie is the adult-oriented nature of it, considering that Godzilla films were seen as kiddie fun at this point. Personally, I would say this is the best of the series since "King Kong vs. Godzilla" (1962). The Godzilla design remains the best and most realistic to date, and the final form of Biollante is such an awesome sight, one of the most impressive screen monsters in film. Overall, "Godzilla vs. Biollante" stands out from the rest of the series, and has a poetic touch to it...something I've never seen in a monster movie. This film is much appreciated by me.
    6visualsbyalan

    Burning Roses and Psychic Predictions

    Godzilla vs. Biollante is a decent entry in the Godzilla franchise, particularly within the Heisei era. Surprisingly, for a sequel, it delves into the aftermath of a giant monster attack, exploring how the world grapples with Godzilla's existence. International corporations scramble for Godzilla cells, hoping to harness their power for their own gain. A fictional Middle Eastern nation, Saradia, seeks to weaponize these cells to create vegetation in their desert, while the American company Bio-Major resorts to terrorism to acquire them for a project to neutralize nuclear threats. Somehow, a giant rose monster emerges from all of this, only to be incinerated by Godzilla's atomic breath.

    The plot is refreshingly complex, but the characters are forgettable. Their scenes feel disjointed, offering little backstory or development. Even the scientist who creates Biollante faces no consequences for his actions. The storytelling feels like watching an episode of a monster-of-the-week television show, where character arcs are secondary to the action. This episodic quality creates a strange listlessness, where characters change their minds on a whim and arguments have no weight. It's as if the narrative forgets about itself at times, with characters seemingly unaware of the giant monster battle happening nearby.

    Despite its flaws, Godzilla vs. Biollante boasts some impressive visuals. The miniature effects, showcasing Godzilla amidst real-world locations, are well-done considering the film's reduced budget compared to its predecessor. The setting for the first Godzilla-Biollante fight is particularly striking, resembling an arena shrouded in fog with spotlights reaching towards the sky. There's a strange beauty to Godzilla movies, evident in the scene where Biollante explodes into glowing spores drifting towards the heavens.

    It's almost a miracle these films work at all, considering their rapid production schedules and studio interference. Biollante even features a somewhat self-aware portrayal of humanity's anti-Godzilla strategies. The JSDF attempts to predict Godzilla's movements with the help of psychics and even hatches a plan to lure him into a zone rigged with lightning attacks. The military's monitoring of Godzilla's advance on transparent maps feels almost reminiscent of Evangelion. There's also a team of soldiers tasked with deploying bacteria engineered from Godzilla cells to consume radioactive material. One scene has a soldier firing a bio-warfare RPG from a destroyed office window - a bizarre but oddly captivating moment that injects the fantastic into the mundane. However, this soldier then inexplicably fails to escape the collapsing building, leaving his demise confusing and unearned.

    Godzilla vs. Biollante is a film brimming with ideas - psychics, genetic engineering, corporate espionage - that never quite coalesce into a cohesive whole. The titular battle feels disconnected from the narrative, ultimately failing to deliver on the film's intended metaphor. This isn't necessarily a bad thing, however, as the original Godzilla metaphor itself is somewhat generic. Biollante offers a unique addition to the Godzilla bestiary - a monstrous rose, a mockery of its enemy with its otherworldly crocodile jaws. The film excels in depicting the chaos of a city preparing for a Godzilla attack, with construction vehicles working alongside tanks and soldiers. There's a sense of purpose in their actions, unlike the static defenses of previous films. Biollante is an improvement over its predecessor, but stumbles in its lack of a focused narrative. That being said, it's a film with Godzilla fighting a giant bio-engineered rose, and that's reason enough for most monster movie fans to enjoy it.

    6.175/10.
    8apache8706

    A great Godzilla flick

    I was lucky enough to find a VHS copy and I have to say that this is my favorite Godzilla film. The reason I liked it is because it was so different than any other Godzilla movies. Godzilla vs. Boillante is violent, very dark, looks really good, and actually has a solid plot. I almost didn't want to watch it cuz the darkness of this flick made me feel so uncomfortable by about 45 mins in. Both monsters are great, and Biollante's horrendousness gives this movie power that no other G movie can stand up against. The monster makes this movie so ugly and creates such a dark atmosphere that it is kind of beautiful. I'm not big fan of Japanese movies (I hate anime), but this is a true accomplishment.
    8SnakesOnAnAfricanPlain

    Gojira vs. Biorante (1989)

    Another great entry into the rebooted franchise. It picks up where the last Godzilla films left of. However, it soon turns into an espionage thriller, Americans and, most dangerously of all, middle eastern folk, try and steal a Godzilla fragment to experiment with. It leads to the creation of a giant plant. Nothing too dangerous you might think, but as it mutates, the design is really quite breathtaking. This film once again takes it up a notch. It feels so genuine in its portrayal of the events, and even manages to convince the audience that this is all very real. As always, the score is truly dominant. It flows throughout the film bringing both dread and excitement. I loved how they gradually introduce the more "out there" ideas. This time, it's telekinesis with flowers. Like the classics, it is a story of man and nature, and how fooling around could lead to absolute destruction by giant monsters. There were also a number of humane touches and some maturity lacking from earlier attempts. When asked if he will go to America a young man says that he wont, as every country has bad things about it. For once, the foreign devils aren't to blame. Just humanity as a whole.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Was voted the best Godzilla movie by fans in a 2014 Japanese fan poll. Ironically, its original release was not a success. The film had a reported $10.7 million budget making it not only the most expensive Godzilla film up until that point, but also one of the most expensive live-action Japanese films made at the time. Middling box offices results lead the studio to rethink their handling of the property and, in order to please fans, began re-incorporating classic (and therefore more marketable) monsters and stories into the following films instead of creating new ones. Toho would also begin to reduce the time and budget spent on subsequent Heisei films.
    • Erros de gravação
      After Shiragami is briefly interviewed by the media, Biollante is shown for a brief second appearing regular, but in the very next shot with Biollante, it's fully blossomed.
    • Citações

      Dr. Shiragami: Godzilla and Biollante aren't monsters. It's the unscrupulous scientists who create them that are monsters.

    • Versões alternativas
      Deleted scenes:
      • When Godzilla comes ashore at Abarishi, a scene of him walking past a lighthouse and smashing it with his tail was cut.
      • After Godzilla's first confrontation with Biollante in Lake Ashino, which is set ablaze by Godzilla's radioactive breath, spores from the plant creature shower the surrounding countryside causing flowers to suddenly bloom.
      • Originally Godzilla was to attack the Kansai Airport in Osaka, which was under construction at the time of filming, but permission could not be obtained. Instead, Godzilla and Miki engage in a telepathic battle near a heliport for the site in the Ise Channel.
      • A discarded concept was to have Biollante attempt to physically absorb Godzilla during the climactic battle. This was scrapped due to time and budgetary considerations but was the concept was visualized for the climax of 'Godzilla 2000'.
    • Conexões
      Edited from Gojira (1984)

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    Perguntas frequentes17

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    Detalhes

    Editar
    • Data de lançamento
      • 16 de dezembro de 1989 (Japão)
    • País de origem
      • Japão
    • Idiomas
      • Japonês
      • Inglês
    • Também conhecido como
      • Godzilla versus Biollante
    • Locações de filme
      • Osaka, Japão
    • Empresas de produção
      • Toho Eizo Co.
      • Toho Pictures
      • Toho
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 5.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 44 min(104 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 1.85 : 1

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