Godzilla: Tokyo S.O.S.
Título original: Gojira tai Mosura tai Mekagojira: Tôkyô S.O.S.
AVALIAÇÃO DA IMDb
6,4/10
5,5 mil
SUA AVALIAÇÃO
Mothra e as fadas retornam ao Japão para avisar a humanidade que eles devem retornar Kiryu ao mar, pois os mortos não devem ser perturbados. No entanto, Godzilla sobreviveu para ameaçar o Ja... Ler tudoMothra e as fadas retornam ao Japão para avisar a humanidade que eles devem retornar Kiryu ao mar, pois os mortos não devem ser perturbados. No entanto, Godzilla sobreviveu para ameaçar o Japão, deixando Kiryu como a única defesa do país.Mothra e as fadas retornam ao Japão para avisar a humanidade que eles devem retornar Kiryu ao mar, pois os mortos não devem ser perturbados. No entanto, Godzilla sobreviveu para ameaçar o Japão, deixando Kiryu como a única defesa do país.
- Prêmios
- 1 indicação no total
Mickey Koga
- Mechagodzilla Operator Kyôsuke Akiba
- (as Mitsuki Koga)
Avaliações em destaque
The acting is bad, the plot is simplistic and most of the music is very generic (I saw the movie 5 min ago and I already forgot how the music was). The monster-fight (while not bad), is nothing special, either.
Overall, this movie is pretty boring.
Overall, this movie is pretty boring.
Get ready to crumble because there goes Tokyo! Finally, some continuation in the Millennium series. Previously, Godzilla once again faced off against his mechanical double in "Godzilla Against Mechagodzilla." Both monsters return alongside Mothra in one hell of a battle between man, monster, and goddess. The result is Godzilla Tokyo SOS.
Plot: One year after the epic battle between monster and machine, Mechagodzilla is still undergoing repairs as is Tokyo. Meanwhile, Mothra, Earth's insect guardian, demands that the bones of the original Godzilla creature, currently inside Mechagodzilla, because apparently humans should never touch the souls of the dead. Soon enough, Godzilla returns, forcing the government to make rushed adjustments and send in their mech after the beast with Mothra's help. Can their combined might defeat the King of the Monsters?
Basically, it's Godzilla vs the world and I just love it. This is practically a fan's dream battle as Godzilla faces both Mothra and Mechagodzilla at the same time, the latter two being challenging opponents. The action scenes are totally crazy as these monsters beat the living (and metal) crap out of each other and buildings everywhere get smashed and blown up. The designs of the creatures are just excellent from Godzilla's awesome Hensei/Millenuim hybrid look to Mothra's insectoid features.
The story is pretty interesting, though most of the new human characters are not as charismatic as the ones from the previous film who also show up here. What's really cool, though, is veteran Godzilla actor Hiroshi Koizumi returning as his character Dr. Shinichi Chujo from the original Mothra movie! He has a prominent role here and it's so nice to see an old face from the original series. The music is also a real treat, especially the classic Mothra song sung by none other than the twin fairies, the Shobijin.
Nothing much to say other than this Godzilla film is a blast. With epic action scenes, an intriguing story, good cast, and a surprise creature cameo, this is sure to please any fan and beyond, so check it out. All hail the King of the Monsters!
Plot: One year after the epic battle between monster and machine, Mechagodzilla is still undergoing repairs as is Tokyo. Meanwhile, Mothra, Earth's insect guardian, demands that the bones of the original Godzilla creature, currently inside Mechagodzilla, because apparently humans should never touch the souls of the dead. Soon enough, Godzilla returns, forcing the government to make rushed adjustments and send in their mech after the beast with Mothra's help. Can their combined might defeat the King of the Monsters?
Basically, it's Godzilla vs the world and I just love it. This is practically a fan's dream battle as Godzilla faces both Mothra and Mechagodzilla at the same time, the latter two being challenging opponents. The action scenes are totally crazy as these monsters beat the living (and metal) crap out of each other and buildings everywhere get smashed and blown up. The designs of the creatures are just excellent from Godzilla's awesome Hensei/Millenuim hybrid look to Mothra's insectoid features.
The story is pretty interesting, though most of the new human characters are not as charismatic as the ones from the previous film who also show up here. What's really cool, though, is veteran Godzilla actor Hiroshi Koizumi returning as his character Dr. Shinichi Chujo from the original Mothra movie! He has a prominent role here and it's so nice to see an old face from the original series. The music is also a real treat, especially the classic Mothra song sung by none other than the twin fairies, the Shobijin.
Nothing much to say other than this Godzilla film is a blast. With epic action scenes, an intriguing story, good cast, and a surprise creature cameo, this is sure to please any fan and beyond, so check it out. All hail the King of the Monsters!
The one thing that gets me is how some reviewers rate movies, but only tells the parts that they hated. What about the rest of the movie. This one is much better than the first (Godzilla vs Mechagodzilla 2002) by far. The story is very interesting this go around. The people of Japan are warned that if they do not dismantle Kiryu then Mothra will not fight for them rather against them.
This movie also has key elements from previous movies such as Mothra, and Godzilla vs Mothra, while still staying true to the 2002 flick. The special effects get better with each movie especially Godzilla's thermanuclear blast. The monster battles in this one were good as well, some reviewers think Godzilla has to be super evil to have good monster battles, shame on them. Mothra did her parts to hold off Godzilla until Hio and Mana (the larva) shows up.
I won't spoil the movie or the ending for you, but the doorway for Godzilla Final Wars has been busted open. Again don't trust reviews from critics whom couldn't tell you the difference between Godzilla and Zilla. This is a definite buy and an enjoyable movie. Who says you have to be a kid to appreciate the action of a Godzilla movie? Check this one out, you won't be disappointed.
This movie also has key elements from previous movies such as Mothra, and Godzilla vs Mothra, while still staying true to the 2002 flick. The special effects get better with each movie especially Godzilla's thermanuclear blast. The monster battles in this one were good as well, some reviewers think Godzilla has to be super evil to have good monster battles, shame on them. Mothra did her parts to hold off Godzilla until Hio and Mana (the larva) shows up.
I won't spoil the movie or the ending for you, but the doorway for Godzilla Final Wars has been busted open. Again don't trust reviews from critics whom couldn't tell you the difference between Godzilla and Zilla. This is a definite buy and an enjoyable movie. Who says you have to be a kid to appreciate the action of a Godzilla movie? Check this one out, you won't be disappointed.
I agree with reviewers who write that the film is competently made and reasonably entertaining, but I also agree that with this movie, the series seemed to have gotten stuck in a rut.
In fact, towards the end of what is known as the "Hesei" period of Godzilla films, the film-makers of the series developed a formula which became standardized for the "Millenium" phase: as the movie opens, we find the humans worried about a possible attack from Godzilla. Then they either build another monster, or have one flown in. The two (or three) monsters have a big fight in down-town Tokyo, Godzilla is tossed back into the sea, the end.
Of course, all genre films use formulas and conventions. But the stronger entries in any genre are precisely those in which the film-makers try out new approaches and variations to these formulas. In the so-called "Showa" phase of the Godzilla films (1954- 1985), there were plenty of multi-monster wrestling matches and attacks on Tokyo, etc.; but there were also some weird experiments, some that worked (Son of Godzilla is highly entertaining, if one doesn't ask for much) and some that didn't (Godzilla's Revenge). But the real point is that they were different, and challenged their viewers to decide whether the differences ought to be kept or scratched for the next episode in the series.
But with Tokyo S.O.S, it became clear that the 'Millenium" series writers and directors could only rarely innovate or improvise. The fight scenes in Tokyo became pretty much same-old same-old, film-to-film, and this is a dangerous thing to do when your protagonist is a guy in a rubber monster suit. When we see the same thing, film after film, we start getting bored, and when we start getting bored, we get distracted, and notice things like, hey, isn't that really just a guy in a rubber monster suit? Tokyo S.O.S. isn't quite down to this level; it is very professionally made. But there's no doubt that by the time it was made, it was time for something new.
In fact, towards the end of what is known as the "Hesei" period of Godzilla films, the film-makers of the series developed a formula which became standardized for the "Millenium" phase: as the movie opens, we find the humans worried about a possible attack from Godzilla. Then they either build another monster, or have one flown in. The two (or three) monsters have a big fight in down-town Tokyo, Godzilla is tossed back into the sea, the end.
Of course, all genre films use formulas and conventions. But the stronger entries in any genre are precisely those in which the film-makers try out new approaches and variations to these formulas. In the so-called "Showa" phase of the Godzilla films (1954- 1985), there were plenty of multi-monster wrestling matches and attacks on Tokyo, etc.; but there were also some weird experiments, some that worked (Son of Godzilla is highly entertaining, if one doesn't ask for much) and some that didn't (Godzilla's Revenge). But the real point is that they were different, and challenged their viewers to decide whether the differences ought to be kept or scratched for the next episode in the series.
But with Tokyo S.O.S, it became clear that the 'Millenium" series writers and directors could only rarely innovate or improvise. The fight scenes in Tokyo became pretty much same-old same-old, film-to-film, and this is a dangerous thing to do when your protagonist is a guy in a rubber monster suit. When we see the same thing, film after film, we start getting bored, and when we start getting bored, we get distracted, and notice things like, hey, isn't that really just a guy in a rubber monster suit? Tokyo S.O.S. isn't quite down to this level; it is very professionally made. But there's no doubt that by the time it was made, it was time for something new.
Direct sequel to Godzilla Against Mechagodzilla. Surprise, surprise, Godzilla returns for revenge against his robotic counterpart. This time the end of the world may also follow suit, as humans have managed to annoy Mothra as well. I loved the way in which Godzilla's bones helped create Mechagodzilla, and save humanity, are now the cause of all the controversy may destroy humanity. There is less human conflict in this film, but the action more than makes up for it. Another wonderful Godzilla movie then. I'm sad I only have one left to watch. But I must stress, don't just tune into this and expect the effects to win you over. You have to make an effort.
Você sabia?
- CuriosidadesIn this film, Hiroshi Koizumi reprises his role of Professor Shin'ichi Chûjô from the original Mothra, a Deusa Selvagem (1961), which he starred in 40 years earlier. According to director Masaaki Tezuka, he had to confirm with producer Shogo Tomiyama that Koizumi would be involved in order to start writing the script.
- Cenas durante ou pós-créditosAfter the final credits, its is revealed that an unnamed lab is ready to create ANOTHER Godzilla clone.
- ConexõesEdited into Godzilla Tales: Primetime TV Battle (2020)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Godzilla, Mothra, Mechagodzilla: Battle for Tokyo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 10.724.345
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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