Susie e os Baker Boys

Jeff Bridges and Beau Bridges are "The Fabulous Baker Boys" in this 1989 film also starring Michelle Pfeiffer. The Baker Boys have been playing dual pianos on the lounge circuit for years, with Frank (Beau) acting as the booking manager and accountant. When the bookings dry up, the brothers decide to hire a singer. She's Susie Diamond, a gorgeous blond with a sultry voice and sexy appearance that gives the Baker Boys the pizazz that they need to pick up better gigs and more of them. Of course, one can't wait for the handsome, quietly intense Jack (Jeff) and Susie to give into their sexual chemistry, despite Frank's warnings that Jack's hit and run technique will not work with a teammate. When Frank is called away on a family emergency, more than sex happens. Ultimately Susie's bluntness and ability to see a situation for what it is makes Jack realize he hates the act, hates the way his brother handles it, and hates himself for not pursuing work as a jazz musician.

Someone wrote that the plot is thin - not really. The sibling dynamics are real, pent up, and the product of years of lip-biting, Jack becoming more and more introverted and Frank more desperate to work so he can support his family. It takes an outsider to bring tempers to a boil.

The film is very well done, with great music throughout, including some very hot singing by Pfeiffer. The highlight of the movie is Pfeiffer rolling around on the piano as she sings to Jack. She's really at the height of her beauty and can compare favorably to any Hollywood goddess of the past. Her performance as a street-wise singer who's had it tough is excellent, right down to the chewing gum and the crystal jewelry. Beau Bridges is perfectly cast. He plays a working musician for whom music is a job - and yet he's proud of the act, insistent on having "Feelings" in every show they do, and likes songs like "Bali Hai." Then we come to Jeff Bridges, certainly one of the sexiest men to ever come down the pike - tall and handsome, he is the essence of true jazz musician here - passionate on the piano, cool, loving the night life and the attendant bad habits of drinking and smoking. He's all tied up in his inability to break free of his brother, and it's expressed in every non-expression, every puff of his cigarette. He's fantastic.

Another reviewer on this site stated that non-musicians probably can't understand Jack's frustration about the music. It's true, I'm a trained musician and related to his crisis immediately. But I think many people are in jobs they don't like, many people have a book they never finished because the kids came along - I think this is a very appealing story.

I remember this film getting a big build-up when it was released, but many people on IMDb feel it's underrated. I didn't realize it was, but if it is, it shouldn't be. What a movie - a strange kind of a love story for sure, between a man and his music, but a love story nevertheless.

After seeing the rating for this movie, I'm convinced about one thing: the average viewer doesn't want good movies, all they are interested in is some cheap entertainment with big explosions, a lot of violence and shooting and if possible even more car chases. How else could you explain the fact that movies like "Batman Begins" or "Spiderman" and yes even the "The Lord of the Rings"-trilogy make it to the top 250, but a movie like this one doesn't even get a 7/10 (The actual rating is 6.6/10 after 4,563 votes). Am I saying that this movie belongs in that list too? No, I'm not, because it is a very good movie, but there are plenty of better ones. It's just the fact that I don't understand why people no longer seem to appreciate some very good acting and a fine story anymore.

"The Fabulous Baker Boys" tells the story about two professional musicians, Frank Baker and his younger, less committed, but more talented brother Jack, who have been playing as a piano duo in bars and hotel lounges for many years, but who seem to have lost much of their appeal to the audience. They aren't asked for new performances and they realize that something has to be done. They decide to hire a new female singer. During the auditions there isn't one who can sing or keep tone and they are convinced that they will never find one either. But then Suzie Diamond comes stepping in. She's 1.5 hours late, has a big mouth and hasn't got the right 'entertainment' experience (she has worked as an escort girl). But they give her a chance and they are astonished by her qualities. Together they make the act successful again, but when the relation between Suzie and Jack briefly becomes more than professional, tension between all three builds up and forces the band to break up...

Although I didn't know the name of the director, Steven Kloves, I was convinced that this could be a very good movie. The reason for that was because I knew that Sydney Pollack was one of the producers. That's no guarantee for success of course, but it sure helped me to get some confidence in this movie. And it has to be said. Kloves has done a fine job in writing and directing this movie. I'm sure that it will not appeal to a large audience because it isn't very spectacular, but what he has done with it certainly proves that the man has talent. He has written a solid, effective, but simple story without too many extra's and I really appreciate that. Also in his direction he has kept everything quite sober. This is 'just' a love story involving a small band, but it works and that's all that matters.

Of course he has been helped by his excellent cast. Jeff Bridges and Beau Bridges are really very good in playing the two pianists, but it was Michelle Pfeiffer who had me completely in her power. Not only does she look and act very sensual in this movie, she sings like an angel. I knew that she was a very talented actor, but that she could sing that well, really was a big surprise to me.

Overall this movie deserves to be seen by a bigger audience, although I'm convinced that it will never happen. It lacks everything to draw in a big crowd and even when they give it a try, they will probably not like it because it's nothing special in their opinions. Personally I liked it a lot. A good story, some very fine acting, very good directing,... make me believe that this movie doesn't deserve a rating lower than a 7.5/10.

This a good movie and one which has gone down as just that.

The story is not particularly original and there were times which I could guess what would happen next, but the acting job more than made up for that in my book. I could never get Jeff's performance in the Vanishing out of my head until this movie. He did a great job in this one. Beau was also very good.

The one person who I must make a special note of is, or course, Ms. Pfeiffer. She simply blew me away. The piano scene is near legendary now. She is a VERY talented actress and I am glad she is getting everything she deserves now. She is sexy and talented, two traits which do not often go together. I love her and watch most movies she is in because she is talented and immense fun to watch onscreen.

I think I am biased, though, but, hey, everyone needs some actress/actor that they love to watch.

The Baker brothers, Frank and Jack, played by real-life siblings Beau Bridges and Jeff Bridges, have presumably never performed with the Boston Symphony nor rocked on the stage at Woodstock. In the music profession, they are closer to the equivalent of bottom feeders, plying their trade as two-piano lounge musicians. Moreover, gigs in Seattle, where they are based, are getting harder and harder to extract from nightclub owners. Lack of pizazz is beginning to show. The brothers thus reach a business decision to audition for a female singer to enliven their act, leading to Michelle Pfeiffer, whose character is named Susie Diamond and looks every bit the name.

As even those who have not seen the movie may be aware, the highlight is Pfeiffer's show-stopping performance of "Makin' Whoopee" in a sleek red dress atop Jeff Bridges' piano. It occurs, as the trio ascends to better venues, in the ballroom of a getaway resort hotel on New Year's Eve. Pfeiffer won a Golden Globe and other awards for best actress, but Jessica Tandy won the corresponding Oscar for Driving Miss Daisy.

My vote still goes to Pfeiffer, and to Susie. The intriguing, charisma-challenged character, however, is the punctilious Frank, a devoted family man and manager of the act. Frank's pitches to his audiences, making segues from one song to another, are schmaltzy to the point of embarrassment, and yet he applies a time-honored work ethic to his calling, and construes the approach as professionalism. To his brother Jack, in contrast, it's just a job, the relative status of which may be what is life-grating and produces his usual sullenness. Jack would rather be doing a sneak-away stint at a jazz club than pursuing the everyday career into which he is slotted.

So... Pfeiffer is great. Beau Bridges, in her shadow, is more overlooked than he should be. As is the movie. Jeff Bridges rounds out the cast and has his moments. It's a good rental option for a New Year's Eve.

The Fabulous Baker Boys is a movie with a plot that's been done countless times before. There's two partners (in this case, the Baker Boys) who have had a lounge act for over fifteen years and suddenly have their lives thrown upside down when a gorgeous lounge singer enters the act. Jack (the unsettled playboy brother played by Jeff Bridges) falls for the showstopping Suzie (Michelle Pfeiffer), much to the dismay of responsible family man Frank (Beau Bridges). The whole setup is so corny and predictable that it's hard to believe writer/director Steve Kloves fashioned something so wonderful out of it. The Fabulous Baker Boys overflows with style and class. The cinematography by Michael Ballhaus is lush and atmospheric. Kloves' direction is smart and so his script, which artlessly combines humor, romance, and drama in a surprisingly poignant story about hopes and dreams. Dave Grusin's jazzy score and the gorgeous melodies only enhance the mood. Best of all, though, are the performances. Casting the Bridges brothers as the Baker boys was inspired. It's fascinating to determine how much of their real-life relationship is played out here. Beau brings numerous grace notes to what could have been a stereotypical character and Jeff gives one of his best performances as the miserable Jack. But, the big news in this movie is Pfeiffer, who became a star with this sharp, confident, stunningly sexy turn. The screen literally jolts to life when she appears. And that now-classic scene where she sings "Makin' Whoopee" on a piano is certain to immortalize her as one of the great movie stars of this century (and one of the best of current actresses as well). Pfeiffer's in a class all by herself, and so is this movie.