Inocente ou Culpado?

I really wanted to like this film because it had two of my favourite actors in it- Gary Oldman and Kevin Bacon. Their performance is great, as with some of Martin Campbell's (Goldeneye) direction, but it is the story-line that ruins this film comprising of some decent scenes but overall the plot is unbelievable and ridiculous.

See this film if you're a huge fan of either Gary Oldman and Kevin Bacon! 'Criminal Law' has got some good moments but it equally has it's tedious ones due to a poor storyline and unbelievable plot! Visually, director Martin Campbell has a unique style and the performances from it's two leads are very good and intense in parts, but unfortunately doesn't save this film! 'Criminal Law' gets a **1/2 out of *****!

I keep seeing the word 'mess' when reading reviews for Criminal Law, & after having watched it for myself - I understand why. Great character leads, a promising plot, & attempts at bringing light to the spectrum of human morality, cannot save the fact that the story crumbles in on itself about halfway into the movie.

Had the writers kept it simple instead of dabbling into the history of the antagonist, Bacon, what with the topic of abortions & the view of good/evil in the eyes of God, it might've made for a more exciting film. It would've garnered a higher rating from me if it hadn't all fallen apart at the end. Characters change into totally different people, their actions not suiting the personality they've established for the audience. In the last 10 minutes, you can see how everything is going to unfold, as much as you may wish it wouldn't... leaving little to no resolution & one of the worst cuts to the credits I've seen. All in all, a decent mess of an 80s thriller.

I guess I'm not amongst the average viewers who found this a mediocre film. For sure it is slow-paced in places, but there are some fantastic scenes and great filmography. Oldman is the undoubted star and this is one of the few films in which I quite liked his character. He's a good actor. Bacon is mediocre in this, but the plot although nothing special does allow a great scene in which the baddie (Bacon) fights with Oldman's lastest flame and that is one very very good scene. She fights like a real woman would fight when cornered - feisty, no rules, all instinct, a real cornered rat. That is one cool scene! I reckoned the film was worth watching, just for that alone, but Oldman is good, very good. Questionable hair, but great acting.

In 1988's Criminal Law, Gary Oldman plays Ben Chase, an attorney who defends a man, Martin Thiel (Kevin Bacon) accused of a particularly vicious murder. With clever lawyering, he gets Thiel off, only to realize shortly afterward that Thiel is guilty and out there killing again.

This time, though, Thiel is playing a mind game with Chase and wants to retain him when suspicion falls on him for a second murder that Ben knows he committed. Ben wants to right the wrong of the first "not guilty" plea so he agrees to work as Thiel's attorney, hoping for inside information that will convict the man.

This is very interesting premise, though the various themes get lost in an uneven script that tries to do too much. The focus actually becomes the performances of Oldman and Bacon - Oldman giving a very emotional performance and Bacon a very cold one.

Posts here have pronounced Oldman as hammy - hammy to me is when a performance is bigger than the emotions underneath so that the performance seems phony. Here, the character of Ben seemed to be truly overwrought, and the emotions came from a real place.

Oldman at any rate is an interesting actor, and this material in the hands of a lesser one would have made it dismissible. As it is, the film survives on the basis of the work of the two actors.

Honing in on one theme rather than several would have helped "Criminal Law." It tries to tackle psychosis, legal technicalities, the law versus justice, attorney-client privilege, mystery and romance in one script. When it comes out of the Mixmaster, it's all pretty vague.

There are indications that the script has some interesting things to say about vigilante justice and law enforcement (among other subjects), but they're lost in a film that's much too long, too slow and too dark (when it's night, you can barely make out what's happening). The characters are very sketchy, and the plot has almost no surprises. Perhaps the film would've worked better if Oldman (who's over-the-top as the lawyer) and Bacon had switched roles. (**)