Sedução

It took many years before an Elmore Leonard book was given celluloid justice - Jackie Brown. However, this is a brave stab mainly thanks to an interesting cast, notably a sleazy Charles Durning in an unusual role.

It takes all of about five minutes to realise that this is not a Ferrara movie, the Direction is haphazard and uninspiring. Weller does his best but the character is so one-dimensional, he becomes a supporting character in his own movie. This movie has a lot of promise and deserves a revisit, casting maybe a George Clooney, Alec Baldwin or Val Kilmer in the Moran role.

File under forgettable Eighties thriller.

This movie was beset by corporate problems which may account for its rough edges. Elmore Leonard is one of the best detective story writers today, but even as a co-script writer, he couldn't do much with this confusing picture, made from one of his books (a terrific read, incidentally). .Aside from the beautiful art direction, an excellent Chick Correa score that's never gotten much play, and a nicely edgy appearance by the late Charles Durning, the poor man's Sidney Greenstreet, "Cat Chaser," set in the sultry, tropical Dominican Republic, is like wasting away in Margueritaville, sans Margueritas. .One saving grace is the dialogue -- vintage Elmore Leonard, especially the lines given to Charles Durning's character. Leonard is at the top of his game here and Durning's delivery, in his patented New York Irish accent, doesn't let him down. Peter Weller and Kelly McGillis are as unfetching a couple as possible. Director Abel Ferrara has done much better work elsewhere.

Story is so flat as to be practically catatonic

acting flat and wooden McGillis and Weller dull as dishwater here

Charles Dunning often inaudible speech off-putting .... why mumble when you could speak; does it make you sound more of a villain?

The historical point about US barging into Dominican Republic to stave off one more communist island a shameful chapter in an endless history of shameful chapters

... and yet and yet there is a charm here ... maybe the locale maybe Elmore maybe The Dominican vibe ... ha maybe Chick Corea playing the score ... maybe just 80s Noir special charm

a sort of bad version of Graham Greene on the corner of Raymond Chandler (hey i have just summarized Leonard here)

not a great film but not awful ... might watch it again see if i can understand more of Dunning this time ,... collecting 80s Noir US on VHS of late just because we can :)

PS someone was saying they did not know what Cat Chaser referred to: It was the name of his platoon/unit in 65. (sez so in the book)

PS 2 got intrigued by the story so got the book Leonard wrote and adapted for scenario with co-writer. Turns out they stayed REALLY CLOSE to the book; even lifting entire conversations practically verbatim Really enjoying the book AFTER the film as I can see scenes from the film whilst reading ...

It's no secret that "Cat Chaser" was taken away from director Abel Ferrara and slapped together by committee right around the time of the Vestron bankruptcy. Consequently, Ferrara has disavowed this film. But he shouldn't. While it has some murky plotting, no doubt due to the re-editing, it's quite an interesting, evocative adaptation of an Elmore Leonard novel. Ferrara always impresses with his sharp direction, and the wonderful art direction really captures the feel of sleazy bars, motel rooms, and the Dominican Republic. Peter Weller is fine, Kelly McGillis is quite uninhibited in her numerous nude scenes, and it's fun to hear Charles Durning pronounce "toilet" as "tur-let." "Cat Chaser" is a lost treasure from the late 80's worthy of rediscovery and a director's edition DVD.

Could have been so much more, given the supporting cast and Elmore Leonard's script, but it's a flat beer of a movie. Maybe Ferrara got homesick, but the pacing and editing is unusually lethargic, so perhaps impending bankruptcy was driving the whole production into the throes of despair. The performances are so underwhelming as to be invisible. Weller is a B-movie actor. Robocop is still his finest hour. McGillis looks fairly lantern-jawed and mannish throughout. Was Ferrara taking the mickey by shooting her profile so often?. Tree-like in every scene, could anyone seriously find her charms so irresistible?

The bogus history lessons and lightweight back story are dull as ditchwater. And the mushy love scenes between the two leads just don't cut it. A clunker for completists. Catch it on afternoon TV if you're paralysed from the neck up.

Hard to believe that Ferrara had anything at all to do with this movie.