AVALIAÇÃO DA IMDb
5,2/10
1,4 mil
SUA AVALIAÇÃO
Eric se muda para a casa do pai no Oregon após disparar acidentalmente um foguete contra a escola onde estudava. Ele faz amizade com Mara e um astronauta aposentado.Eric se muda para a casa do pai no Oregon após disparar acidentalmente um foguete contra a escola onde estudava. Ele faz amizade com Mara e um astronauta aposentado.Eric se muda para a casa do pai no Oregon após disparar acidentalmente um foguete contra a escola onde estudava. Ele faz amizade com Mara e um astronauta aposentado.
- Direção
- Roteirista
- Artistas
Don S. Davis
- Phil Clawson
- (as Don Davis)
William S. Taylor
- Dr. Willis
- (as William Taylor)
Terence Kelly
- Al Fletcher
- (as Terrence Kelly)
William B. Davis
- Hal Simon
- (as William Davis)
Robert Benedetti
- NASA
- (narração)
- (as Bob Benedetti)
Avaliações em destaque
Whereas the background story about an ageing astronaut who has found something or someone on the Moon proved sufficiently effective despite not being resolved satisfyingly, the plot around teenage love stories and trite father-son relationships did the film no real favour. On the other hand did the film avoid entering into the domain of hard sci-fi, making it accessible and even enjoyable for a wider audience.
Unfortunately, the photography, score and direction were mediocre at best. The acting wasn't really bad but the performances aren't memorable, either.
The film is hard to recommend because there's too little science fiction for fans of this genre and unnecessarily much for audiences interested in personal relationships. As a cinematic product, the film is quite negligible.
My review was written in May 1989 after a Cannes Film Festival Market screening.
Martin Sheen's ever-ready support for liberal causes isn't enough to put over "Personal Choice", a sappy, heavy-handed message picture aimed at theaters but too weak to qualify as even a made-for-tv feature.
"Cocoon" author Davod Saperstein offers a lifeless tale of an astronaut (Sheen) stricken with eventually fatal radiation poisoning during his moonwalk on a mid-1970s Apollo mission.
His bitter memories and disillusionment are rekindled when a gung-ho teen (Christian Slater) who idolizes him befriends the hermit-like Sheen while visting his divorced father, who lives nearby. Script contrivance has dad (Robert Foxworth), a NASA scientist who has been laod off, cuing a late-in-film confrontation with Sheen over who really did the work, the space scientists or the flyboys.
Despite the presence of beautiful leading ladies Olivia D'Abo and Sharon Stone (as Slater's and Foxworth's girlfriends), pic is all talk and almost no physical action. Characters remain remote and Saperstein muffs an emotional climax scene by framing a sentimental photo of a character with an in-joke of a "Cocoon" paperback in the foreground.
With cryptic flashbacks of Sheen's moonwalk ladled out every so often, film finally delives it message direct to the camera long after viewers have lost interest: from out in space one can obtain the perspective to see what we're doing on Earth, and want to fix it right now.
Icing on he cake is a laughable cameo by no less than F. Murray Abraham as a wheelchair-bound scientist (injured in an incident with a nasty Japanese whaling ship!) who exhorts us to stop killing the whales. Saperstein's message is, of course, correct and timely, but delivered in a form suitable for showing only at fundraisers attended by the committed.
Sheen is relentlessly earnest and boring, while Slater still displays those annoying Jack Nicholon inflections and mannerims (apparenty internalized) that have plagued his recent roles. If Nicholson had been cast as the astronaut (a la "Terms of Endearment") Slater's idolizing might have come off.
Lensed largely in Vancouve (with a touristy stopoff in Huntsville, Alabama, to visit NASA artifacts), pic is visually bland. A brief special-effects finale looks tacked-on and silly.
Martin Sheen's ever-ready support for liberal causes isn't enough to put over "Personal Choice", a sappy, heavy-handed message picture aimed at theaters but too weak to qualify as even a made-for-tv feature.
"Cocoon" author Davod Saperstein offers a lifeless tale of an astronaut (Sheen) stricken with eventually fatal radiation poisoning during his moonwalk on a mid-1970s Apollo mission.
His bitter memories and disillusionment are rekindled when a gung-ho teen (Christian Slater) who idolizes him befriends the hermit-like Sheen while visting his divorced father, who lives nearby. Script contrivance has dad (Robert Foxworth), a NASA scientist who has been laod off, cuing a late-in-film confrontation with Sheen over who really did the work, the space scientists or the flyboys.
Despite the presence of beautiful leading ladies Olivia D'Abo and Sharon Stone (as Slater's and Foxworth's girlfriends), pic is all talk and almost no physical action. Characters remain remote and Saperstein muffs an emotional climax scene by framing a sentimental photo of a character with an in-joke of a "Cocoon" paperback in the foreground.
With cryptic flashbacks of Sheen's moonwalk ladled out every so often, film finally delives it message direct to the camera long after viewers have lost interest: from out in space one can obtain the perspective to see what we're doing on Earth, and want to fix it right now.
Icing on he cake is a laughable cameo by no less than F. Murray Abraham as a wheelchair-bound scientist (injured in an incident with a nasty Japanese whaling ship!) who exhorts us to stop killing the whales. Saperstein's message is, of course, correct and timely, but delivered in a form suitable for showing only at fundraisers attended by the committed.
Sheen is relentlessly earnest and boring, while Slater still displays those annoying Jack Nicholon inflections and mannerims (apparenty internalized) that have plagued his recent roles. If Nicholson had been cast as the astronaut (a la "Terms of Endearment") Slater's idolizing might have come off.
Lensed largely in Vancouve (with a touristy stopoff in Huntsville, Alabama, to visit NASA artifacts), pic is visually bland. A brief special-effects finale looks tacked-on and silly.
Beyond the Stars is one of those surprising movies. It has a great cast that give very good performances despite the low-budget feel of the film. While the underlying subjects of the movie may not apeal to many people, the time-honored coming of age story that involves all of the main characters should be appreciated by the most basic of movie viewers.
The surprising "twist," which is not much of a twist at all, is a nice addition for those that are the "dreamers" for whom the film was obviously written.
Beyond the Stars is a much under-appreciated film that deserves a look. I'm sure you'll be surprised as well.
The surprising "twist," which is not much of a twist at all, is a nice addition for those that are the "dreamers" for whom the film was obviously written.
Beyond the Stars is a much under-appreciated film that deserves a look. I'm sure you'll be surprised as well.
This is quite a nice movie about a boy getting to know an old austronaut(Matin Sheen) and getting closer to his father. Matin Sheen plays very good and so does Christian Slater. It never gets boring it's a movie you wanna watch on an saturday afternoon, The end is a bit stange however,,,and was kind of a disappointment. But see it!
This feel good film with a little touch of SF is a little gem and I don't think it gets the appreciation it deserves.
You shouldn't take the film too seriously but it has its heart in the right place and that's what I think is most important.
Eric dreams of a future as an astronaut, when he is more or less forced to stay with his father for a few weeks he accidentally gets the chance to meet his idol, the famous austronaut Paul Andrews, through a new girlfriend.
That first meeting doesn't go so well but gradually a friendship develops between the two.
Ok that aspect could have been worked out a bit better but basically the story is entertaining enough.
Christian Slater, Martin Sheen, and also Sharon Stone do well in their roles.
You shouldn't take the film too seriously but it has its heart in the right place and that's what I think is most important.
Eric dreams of a future as an astronaut, when he is more or less forced to stay with his father for a few weeks he accidentally gets the chance to meet his idol, the famous austronaut Paul Andrews, through a new girlfriend.
That first meeting doesn't go so well but gradually a friendship develops between the two.
Ok that aspect could have been worked out a bit better but basically the story is entertaining enough.
Christian Slater, Martin Sheen, and also Sharon Stone do well in their roles.
Você sabia?
- CuriosidadesMartin Sheen and Christian Slater, co-stars of this film, both went on to appear in The West Wing. Sheen played President Josiah Bartlett for all 7 seasons. Slater appeared in 3 episodes in Season 4 as Lt. Cmdr Jack Reese. They did not share any screentime.
- Erros de gravaçãoAn early scene shows Laurie driving Eric from Portland, Oregon, to Cedar Bay, Oregon. They cross a major waterway on a 3-lane suspension bridge. The only waterway that big near Portland is the Columbia River; if you cross it you are in Washington, and the only bridges are Interstate highway bridges with more than 3 lanes. (It's actually the Lions Gate Bridge in Vancouver.)
- Cenas durante ou pós-créditos(Closing quote) "In honor of their heroic deeds and the sacrifices they made so that all of humanity might someday walk among the stars."
Principais escolhas
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- How long is Beyond the Stars?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Más alla de las estrellas
- Locações de filme
- Huntsville, Alabama, EUA(US Space & Rocket Center)
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 28 min(88 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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