Aventuras satíricas de uma família da classe trabalhadora na cidade desajustada de Springfield.Aventuras satíricas de uma família da classe trabalhadora na cidade desajustada de Springfield.Aventuras satíricas de uma família da classe trabalhadora na cidade desajustada de Springfield.
- Ganhou 37 Primetime Emmys
- 187 vitórias e 372 indicações no total
Explorar episódios
Resumo
Reviewers say 'The Simpsons' is celebrated for its groundbreaking satire, clever writing, and iconic characters. Early seasons are praised for sharp wit and social commentary. However, later seasons face criticism for repetitive humor and character inconsistencies. Changes in writing staff and creative direction are noted as reasons for the decline. Despite this, the show remains a cultural phenomenon with lasting impact.
Avaliações em destaque
When I was 10, I adored the Simpsons, America's favourite dysfunctional family. Me and my brother and sisters watched it every day after school, and got a bagful of laughs. Two years ago though, I stopped watching it. Maybe I didn't find it as funny, creative or as original anymore. Well after seeing the Simpsons Movie, I decided to give the show another chance. And I am glad I did, because it is smart, creative, funny AND original. It is true that the show has been declining in written quality the past three years or so, but the more recent seasons are still watchable, thanks to the animation and the endearing characters.
The show's animation is fantastic. In animated shows, I like animation that is colourful and fluid, and the animation in this show is exactly that. The theme tune is irresistibly catchy and the story lines are outstandingly good. Other than the voice acting what made the show so good was its writing. Not obnoxious or childish, but smart and most importantly funny. And the visual jokes are also impressive.
And the voice acting is exceptional bringing the dysfunctional family to life. Homer is a type of father figure who repeatedly lets down his family, has a love for doughnuts and beer and pretty much hates his job. Dan Castallenetta, a talented voice actor whom I fondly remember as Megavolt from Darkwing Duck, does a great job not only as Homer but as Grandpa and Krusty, not loud and abrasive at all but just right. Julie Kavner is also great as Marge, a caring matriarch who genuinely cares for her family. Nancy Cartwright is perfect as Bart, who is quite naughty and hates school, same with Yeardley Smith as studious Lisa. Plus Maggie is absolutely adorable.
Then there are the supporting characters. My favourite is Grandpa, he is absolutely hilarious. Hank Azaria is amusing as Moe and Chief Wiggum, and Harry Shearer is suitably chirpy as Ned and impresses equally with his monotonic drawls for Principal Skinner and Reverend Lovejoy. There are many memorable guest performances from various celebrities, and frequent appearances from Phil Hartmann and Tress MacNeille. My favourite is Kelsey Grammar as Sideshow Bob, a reprising villain I enjoy watching, sinister yet funny. All in all, despite the fact it isn't as enjoyable as it was, The Simpsons is still a great show. 9.5/10 Bethany Cox
The show's animation is fantastic. In animated shows, I like animation that is colourful and fluid, and the animation in this show is exactly that. The theme tune is irresistibly catchy and the story lines are outstandingly good. Other than the voice acting what made the show so good was its writing. Not obnoxious or childish, but smart and most importantly funny. And the visual jokes are also impressive.
And the voice acting is exceptional bringing the dysfunctional family to life. Homer is a type of father figure who repeatedly lets down his family, has a love for doughnuts and beer and pretty much hates his job. Dan Castallenetta, a talented voice actor whom I fondly remember as Megavolt from Darkwing Duck, does a great job not only as Homer but as Grandpa and Krusty, not loud and abrasive at all but just right. Julie Kavner is also great as Marge, a caring matriarch who genuinely cares for her family. Nancy Cartwright is perfect as Bart, who is quite naughty and hates school, same with Yeardley Smith as studious Lisa. Plus Maggie is absolutely adorable.
Then there are the supporting characters. My favourite is Grandpa, he is absolutely hilarious. Hank Azaria is amusing as Moe and Chief Wiggum, and Harry Shearer is suitably chirpy as Ned and impresses equally with his monotonic drawls for Principal Skinner and Reverend Lovejoy. There are many memorable guest performances from various celebrities, and frequent appearances from Phil Hartmann and Tress MacNeille. My favourite is Kelsey Grammar as Sideshow Bob, a reprising villain I enjoy watching, sinister yet funny. All in all, despite the fact it isn't as enjoyable as it was, The Simpsons is still a great show. 9.5/10 Bethany Cox
The Simpsons is a show that has sustained ten years of constant humor. The stories have gradually become better and the second fiddle characters were getting more screen time which translates into a much more realized show. The pop culture references abound and delight those who can pick them out. My personal favorite is the Citizen Kane references in the episode called "Rosebud." Plus, anything with C. Montgomery Burns is hysterical. The guest stars aren't there as a "special appearance" touted by the networks. They actually work into the storyline, and that makes it all the more enjoyable. Where else can you see The Moody Blues acting like thugs in a Vegas casino?
What more can I possibly say about a TV show that has already been praised to death? I was 15 when the Simpsons first aired and I'm 25 now. I've seen every single episode, and I'd have to say it's a rare combination of factors that come together to make The Simpsons the best show ever.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
No one, not even Matt Groening himself, could've imagined that The Simpsons would become as big as it did. Nor could anyone anticipate it could become so cultural. "D'oh" is in the dictionary, and it has spawned off several catch-phrases and one liners. Truly, The Simpsons is the biggest thing since Seinfeld! The first three seasons showed them as if they were an actual family. Like the kind of family you'd meet on the street (only a lot more dysfunctional). Homer trying to do the fatherly thing in each episode. Marge being the voice of reason all the time. Lisa and Bart with their sibling rivalry. These first three seasons are not usually sighted as being the best, but they are often brought up when one speaks of "The Best Episode Ever!" By Season four, the show took a turn for what may have been the best. It left it's more realistic roots and became more of a satire. With more zany antics and more clever, witty, and often times sophisticated humor, The Simpsons became the most popular family on television. Each episode still contained it's own merits, themes and messages. Seasons 4 to about 10 are often said to be the "Golden Age" of The Simpsons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
However, as the year 2000 came, fans began to see themselves divided. Those who stuck with the show since it came about in 1989 were quick to jump on how the show changed. The humor became more lurid and toilet like, with antics becoming heavily more unrealistic and zany (to the point where some even say it isn't funny... but stupid). Some characters becoming unrealistically stupid, and the show shifting gears from focusing on Bart to Homer... to everyone outside of the Simpson family. The show also began to see more cumbersome and meaningless plots. Plots that didn't focus on current issues, or that didn't seem to be as strong as older episodes. Despite this, new fans seem to have come about to replace then, and the show continues to remain at the top of its game, even today.
I'm sure you all know where I stand on that debate. Nine stars to nine fantastic seasons.
The Simpsons is one of the best TV shows of all times. It is a perfect mirror of the American culture and has many memorable moments that will always be remembered . I don't know anybody who doesn't like this show, it's impossible not to be a fan of it. You could watch each episode 20 times and never get tired, you will always find a new funny thing every time you watch it
Unfotunatley the show is getting worse and worse with every new season, Maybe it's time to let "The Simpsons" die with dignity before the audience starts to hate it.
My rating: 11/10
Unfotunatley the show is getting worse and worse with every new season, Maybe it's time to let "The Simpsons" die with dignity before the audience starts to hate it.
My rating: 11/10
Former "Simpsons" Writers Who Shaped Comedy
Former "Simpsons" Writers Who Shaped Comedy
Through 30+ years of hearing Homer yell, "Do'h," you must have asked,"Who writes this stuff?" Well, Conan O'Brien and Greg Daniels for starters. Who else started in Springfield?
Você sabia?
- CuriosidadesAfter Phil Hartman was murdered, the various characters he played, such as lawyer Lionel Hutz and actor Troy McClure, were retired, rather than re-cast. However, they continued to appear silently in crowd scenes. Season ten, episode three, "Bart the Mother" (September 27, 1998) was his final voice performance.
- Erros de gravaçãoRalph Wiggum is in Bart's class in some episodes and Lisa's in others. The same can be said about a few other recurring students.
- Cenas durante ou pós-créditosThere is one episode where Homer complains about how rich all the people listed in the closing credits (save for one) are. When the Gracie film logo comes up, Homer says, "Don't 'SSSHHH' me, you rich bastard!"
- Versões alternativasBeginning with the show's cable syndication run on FXX on August 21, 2014, new syndication masters have been created. Each episode has been restored to its full length, and is now presented in 16X9 high definition. In addition, credits for the Spanish SAP Translation have been added to the end credits of each episode.
- ConexõesEdited into Springfield's Most Wanted (1995)
- Trilhas sonorasThe Simpsons Theme
Written by Danny Elfman
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente