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O Rastreador

Título original: The Tracker
  • Filme para televisão
  • 1988
  • R
  • 1 h 38 min
AVALIAÇÃO DA IMDb
6,2/10
567
SUA AVALIAÇÃO
Poster for video release, 1 sheet video release movie poster
DramaOcidente

Adicionar um enredo no seu idiomaAfter a series of vicious crimes by a renegade group of cowboys, led by "Red Jack" Stilwell, a legendary tracker, Noble Adams is pulled out of retirement to capture Stilwell, dead or alive. ... Ler tudoAfter a series of vicious crimes by a renegade group of cowboys, led by "Red Jack" Stilwell, a legendary tracker, Noble Adams is pulled out of retirement to capture Stilwell, dead or alive. Reluctantly, needing more men, he allows his son, Tom to tag along, revealing to Tom a who... Ler tudoAfter a series of vicious crimes by a renegade group of cowboys, led by "Red Jack" Stilwell, a legendary tracker, Noble Adams is pulled out of retirement to capture Stilwell, dead or alive. Reluctantly, needing more men, he allows his son, Tom to tag along, revealing to Tom a whole brutal side of ruthlessness Noble thought he left behind.

  • Direção
    • John Guillermin
  • Roteirista
    • Kevin Jarre
  • Artistas
    • Kris Kristofferson
    • Scott Wilson
    • Mark Moses
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    567
    SUA AVALIAÇÃO
    • Direção
      • John Guillermin
    • Roteirista
      • Kevin Jarre
    • Artistas
      • Kris Kristofferson
      • Scott Wilson
      • Mark Moses
    • 17Avaliações de usuários
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos9

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    Elenco principal29

    Editar
    Kris Kristofferson
    Kris Kristofferson
    • Noble Adams
    Scott Wilson
    Scott Wilson
    • John 'Red Jack' Stillwell
    Mark Moses
    Mark Moses
    • Tom Adams
    David Huddleston
    David Huddleston
    • Lane Crawford
    John Quade
    John Quade
    • Lomax
    Don Swayze
    Don Swayze
    • Brewer
    Geoffrey Blake
    Geoffrey Blake
    • Miller
    Leon Rippy
    Leon Rippy
    • Chub Dumont
    Ernie Lively
    Ernie Lively
    • Bob
    Karen Kopins
    Karen Kopins
    • Sarah Bolton
    Celia Xavier
    Celia Xavier
    • Inez
    Jennifer Snyder
    • Mary Bolton
    Brynn Thayer
    Brynn Thayer
    • Lottie Adams
    Jose Rey Toledo
    • Redondo
    Jeff Celentano
    Jeff Celentano
    • Lon
    • (as Jeff Weston)
    Kip Allen
    • Cornishman
    John Barks
    • Drunk
    Michael D. Blum
    • Bartender
    • Direção
      • John Guillermin
    • Roteirista
      • Kevin Jarre
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,2567
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    Avaliações em destaque

    8marylizautos

    I really enjoyed this film

    I am a big Western fan..and it seems the older I get, the more I like them..However, I had not watched this film before..and I really liked it a lot..It had all the prerequisites of great Western..Terrific scenery..good musical score..a time tested plot..and very good characters..It reminded me greatly of 1 of my favorite films, The Last Hard Men...where Charlton Heston/James Coburn starred as the retired lawman and escaped convict..Both films shared 1 thing that is hard to find in a western..a general sense of foreboding where at every turn there was danger lurking in every turn.. In this film's case 2 terrific actors, Kris Kristofferson and Scott Wilson who as leads developed a personal hatred for each other..Both films had young men finding their way in a world they had not experienced in the manner of the lawman, which made the lawman uneasy for relying on him as a back-up..and both films had the beginnings of a love interest that involved a kidnapped hostage and young apprentice..I highly recommend this film, and then decide which 1 you enjoy better..In my case, for different reasons I give it a tie!!!
    7dworldeater

    Solid western

    The Tracker is a made for HBO western movie starring Kris Kristopher son.Kistopherson is perfect for this role and in my opinion, very underrated as an actor. He must come out of retirement to track down a vicious gang. Scott Wilson is great also as the leader of the gang as well as a psychotic holy roller. The story moves along at a steady pacea looks great as well. The acting and characterization is also pretty solid and has the right amount of action and gunplay. Overall, I thought The Tracker was quite good and should please most fans of the genre. It definitely is deserving of more fanfare and was a well made western.
    6merklekranz

    Predictable but entertaining HBO western...........

    The story is very linear, and you've seen it all before. There are a few amusing incidents along the trail, and the acting by Scott Wilson, Kris Kristofferson, and David Huddleston is really pretty good. Some of Scott Wilson's religious ramblings seem strange and unnecessary. To keep things interesting, you have father-son relationship wrangling, beautiful scenery, and a very appropriate musical score. The movie moves slowly at times, but character development is above average, thanks to the deliberate pace. Despite a couple lapses in logic, the script is totally acceptable. What you wind up with is a fully developed, familiar story, that most viewers will enjoy. Recommended. - MERK
    shampoojones

    An all around good western

    This western may not stray to far from the norm but it does have a great cast and a good script. Kris Kristofferson is as usual great. So is Scott Wilson (I) who plays a crazed killer who thinks that he is on a mission of God. Mark Moses plays Tom Adams, son of Noble Adams, (K.K.) and does a fine job as the son who learns to believe in his fathers ways as his father learns to count on him. A fine movie made by the people at HBO. If you like westerns then you will like this one.
    rrichr

    Tougher Than Nails

    The Western never quite seems to die, despite repeated pronouncements to that effect. Westerns are not cool, although their heroes can certainly be. But so what? Cool is far too transient to be taken seriously by anyone but marketers and adolescents. For the latter, knowing what's cool is merely practice for knowing something but without the burden of actual knowledge. It's a place to be for people who, in essence, know almost nothing and need something to grip. So, instead of dying, the Western seems merely to periodically cop some Z's than awaken again to take a currently acceptable shape. Witness HBO's critically well-received new series, Deadwood. What's the secret here? I think it's simple. The Western is simply too innately and indelibly cinematic to completely die. Also, if one has a knack for location shooting, westerns can be relatively easy to make - at least as easy as any feature film can be, although they can be hard to make well. For example, Lawrence Kasdan's Silverado, despite its excellent cast, top-shelf production values, and sprinkling of good moments, never quite managed to escape a certain perfunctoriness. Compare it to a similar ensemble work in the genre: Clint Eastwood's superb Unforgiven, and you can begin to get the almost indefinable sense of what makes a Western right. The Western requires a certain element of restraint to really work; restraint on all levels, behind and in front of the camera. The made-for-TV, The Tracker, also screened as Dead or Alive, is a blueprint for that restraint.

    The Tracker is a simple manhunt story set in the canyon country of southern Utah. If you've ever spent time in the high country, especially when autumn is drawing its final breaths, with the first major snowfall just a hair-trigger pull away, you'll know how beautiful that time of the season is. A buttery light seems to glow out from everywhere: rocks, dust, the explosion of golden Cottonwood leaves. Into this beautiful and unforgiving world Kris Kristofferson's almost supernaturally tough Marshal Noble Adams pursues his quarry. And what a great quarry it is. The under-sung Scott Wilson plays Jack Stillwell, a bible-quoting maniac, kidnapper, and murderer; a cross between Donald Pleasance's vicious lay preacher in Will Penny and the Wild Bill character in The Green Mile. Stillwell is on the loose, out of his gourd, and loving every minute of his headlong ride to perdition. Marshal Adams, his longtime friend and deputy (the ursine David Huddleston), and Adams's son, on leave from school `in the East', whom the Marshal deputizes to give him some real work to do, set out in pursuit of Stillwell, and they're not coming back without him.

    The story swings between Jack Stillwell's fever-pitch lunacy and Marshal Adams' granitic resolve. Kris Kristofferson was born to be a western lead; always displaying the entire palette of mood required for the work. His Billy the Kid is, essentially, definitive although I remain very fond of Emilio Estevez' wild-eyed embodiment in Young Guns. Despite the relatively unknown status of this film, Kristofferson's Noble Adams is one of the finest western characters ever portayed: American Gothic from the Dark Side in service of The Light and is also some of this actor's best work ever. Trailing Stillwell into country where, as a younger man, Adams lost his wife, whom it is clear that he dearly loved, pulls the the Marshal across hallowed ground to boot. Tragi-comic relief occurs in the form of grim humor when a pack of bounty hunters, knockabout cowpokes also tracking Stillwell and completely out of their collective depth, cross Adams's trail. They get one warning to drop their act which, of course, they ignore in a manner entirely consistent with a group intelligence just a notch or two above the pathetics who rode with Robert Ryan's Deke Thornton in the Wild Bunch.

    Adams' weapon of choice is a long-barreled Sharps. The Marshal shoots well and the outcome is somewhat foregone, yet one still emerges with a certain compassion for the dull-witted.

    And there you have it. And it's all you need. As a film, The Tracker is a very solid B movie; a perfectly good place for a western to be. But as a genre piece, once the action departs the somewhat too-manicured 1880's railhead set, it's right down the pipe: compact, credible, nonsense-free, poignant, and engrossing. Any fan of the genre should collect it.

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    Ocidente

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Last film directed by John Guillermin.
    • Erros de gravação
      Several times during the course of the movie, aircraft con trails are clearly visible in the sky. At the time this movie takes place, the Wright brothers had not yet flown their Flyer.

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 26 de março de 1988 (Estados Unidos da América)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Der gnadenlose Jäger
    • Locações de filme
      • Durango and Silverton Narrow Gauge Railroad, Colorado, EUA(railroad scenes)
    • Empresas de produção
      • Eaves Movie Ranch
      • HBO Pictures
      • Incorporated Television Company (ITC)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.800.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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