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6,2/10
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Um grupo de prisioneiros escapa e forma uma gangue que atravessa o deserto. Entre eles está Zach Provo, um mestiço indígena movido pela vingança contra Sam Burgade, o policial agora aposenta... Ler tudoUm grupo de prisioneiros escapa e forma uma gangue que atravessa o deserto. Entre eles está Zach Provo, um mestiço indígena movido pela vingança contra Sam Burgade, o policial agora aposentado responsável por sua captura e prisão.Um grupo de prisioneiros escapa e forma uma gangue que atravessa o deserto. Entre eles está Zach Provo, um mestiço indígena movido pela vingança contra Sam Burgade, o policial agora aposentado responsável por sua captura e prisão.
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Fans of Andrew V. McLaglen movies (McLintock!, Chisum, and The Wild Geese come to mind) won't mind the dark, nasty, gory The Last Hard Men with James Coburn and Charlton Heston. It's standard revenge stuff until you notice that it's way more violent and sociopathological than something fluffy like McLintock! or the all- purpose, crowd-pleasing Chisum.
What the six years from Chisum to The Last Hard Men wrought. McLaglen had no trouble dabbling in a bit of gore here and a skosh of savagery there, but The Undefeated and Chisum were rated G. TLHM brings you lots of close-up impalings and incinerations and splashy gunshot wounds, sometimes in slow-mo! It seems that ol' Andy McLaglen was watching a lot of Sam Peckinpah and Sergio Leone in the early 70s!
The biggest change might be McLaglen's treatment of women. In McLintock!, John Wayne woos Maureen O'Hara by stripping her to her undies, dragging her through molasses, showering her with feathers, spanking her with a stove shovel, and boinking her as the lights come up.
To quote Judith Crist, "What girl could resist?"
In The Last Hard Men, Barbara Hershey, a woman I find much more real and appealing than the actressy O'Hara, gets pummeled by Coburn, leaving her gasping on the floor of Heston's home, with a sprig of hair across her face, daring not to brush it away for fear of getting hit again.
Jump to Coburn releasing two of his henchmen to chase down Hershey, as her dad, Heston, watches from a distance. They catch her and rape her while Coburn taunts Heston with "They're xxxxxxx your daughter!"
The switch from chauvinism to sadism, from the early 60s to the mid- 70s, couldn't be a pleasant one for the likes of Hershey's character.
With that said, I sat engrossed in The Last Hard Men when I saw it as the lead up to The Enforcer in December, 1976. It was just the sort of intense, brutal movie that I grooved on in my late teens. I learned to really like Charlton Heston and James Coburn, so much so that I have searched out movies with these two actors, long before I really noticed them.
I got my prurient kicks some years later seeing Barbara Hershey nekkid in the imbecilic The Entity, but the more I think about it, I realize she was more appealing, sexier when she was fighting back against the thugs in the western.
Cripes, where am I going with this?
I miss Heston and Coburn. I miss Wayne (and the PC police in California can pound sand with their complaining about John Wayne being a hater).
I think I liked The Last Hard Men not in spite of its sadism, but because of it. Kind of like The Professionals and The Dirty Dozen.
Does that make any sense?
What the six years from Chisum to The Last Hard Men wrought. McLaglen had no trouble dabbling in a bit of gore here and a skosh of savagery there, but The Undefeated and Chisum were rated G. TLHM brings you lots of close-up impalings and incinerations and splashy gunshot wounds, sometimes in slow-mo! It seems that ol' Andy McLaglen was watching a lot of Sam Peckinpah and Sergio Leone in the early 70s!
The biggest change might be McLaglen's treatment of women. In McLintock!, John Wayne woos Maureen O'Hara by stripping her to her undies, dragging her through molasses, showering her with feathers, spanking her with a stove shovel, and boinking her as the lights come up.
To quote Judith Crist, "What girl could resist?"
In The Last Hard Men, Barbara Hershey, a woman I find much more real and appealing than the actressy O'Hara, gets pummeled by Coburn, leaving her gasping on the floor of Heston's home, with a sprig of hair across her face, daring not to brush it away for fear of getting hit again.
Jump to Coburn releasing two of his henchmen to chase down Hershey, as her dad, Heston, watches from a distance. They catch her and rape her while Coburn taunts Heston with "They're xxxxxxx your daughter!"
The switch from chauvinism to sadism, from the early 60s to the mid- 70s, couldn't be a pleasant one for the likes of Hershey's character.
With that said, I sat engrossed in The Last Hard Men when I saw it as the lead up to The Enforcer in December, 1976. It was just the sort of intense, brutal movie that I grooved on in my late teens. I learned to really like Charlton Heston and James Coburn, so much so that I have searched out movies with these two actors, long before I really noticed them.
I got my prurient kicks some years later seeing Barbara Hershey nekkid in the imbecilic The Entity, but the more I think about it, I realize she was more appealing, sexier when she was fighting back against the thugs in the western.
Cripes, where am I going with this?
I miss Heston and Coburn. I miss Wayne (and the PC police in California can pound sand with their complaining about John Wayne being a hater).
I think I liked The Last Hard Men not in spite of its sadism, but because of it. Kind of like The Professionals and The Dirty Dozen.
Does that make any sense?
Nowadays, people would take a different meaning if you told them you were watching a movie called The Last Hard Men. But this film in question is a Sam Peckinpah styled Western that has two leading men that were cast in Peckinpah's films going head to head against each other in this vicious revenge western. James Coburn escapes from Yuma prison on the chain gang and instead of going on the run, he plots revenge on the lawman that brought him in and kidnapped his daughter. This puts his old nemesis taking himself out of retirement to put down his long time enemy and get back his daughter. Both Heston and Coburn are fantastic and the film is tense, violent and nasty, but is totally well made overall. I can't say that this comes close to Peckinpaw's best work, but for something similar The Last Hard Men gets the job done and is a pretty solid lesser known western.
This is a minor 70s Western, directed with rather too much stolidity by Andrew V. McLaglen. Heston hasn't quite got the form in the genre to pull off the ageing lawman role, although you can certainly see his ornery old Republican role being practised before your eyes; Coburn is good as the psychotic halfbreed outlaw looking for revenge, but he needed a director who encouraged him to loosen up more and go loco.
The film does score points, though, in its nastiness. There is a genuinely sadistic universe on show here, as if in the last days of the Wild West the outlaw and the marshal both were reduced to being little more than collections of violent spasms, each twitch aimed at causing some torment to another human being, and each situation causing more twitchin'.
The film does score points, though, in its nastiness. There is a genuinely sadistic universe on show here, as if in the last days of the Wild West the outlaw and the marshal both were reduced to being little more than collections of violent spasms, each twitch aimed at causing some torment to another human being, and each situation causing more twitchin'.
A nice departure from the mainstream, "good guys wear white hats", product typical of the genre. First released in the 1970's, the movie followed in the experimental trend of the day begun with the "Spaghetti Westerns" starring Clint Eastwood, Eli Wallach, etc.
Both the protagonist and antagonist are throwbacks to an earlier time. Charlton Heston is somewhat dismayed and bewildered by the technological changes thrust upon him while James Coburn's character simply disregards them. The two men become locked in an ego battle that disregards all those around them except to the extent others are useful in pursuing their own personal goals. Both characters are incredible "hard men", physically, mentally, and emotionally and this aspect of their personalities plays out in single-minded, intense violence and cruelty.
The plot is nothing new, however. Coburn plays an escaped convict bent on avenging himself against Heston, the lawman who captured him. Coburn manipulates a gang of mostly dimwitted but dangerous criminals who kidnap Heston's daughter. Heston then chases them across hill and dale in an attempt to save her.
Both the protagonist and antagonist are throwbacks to an earlier time. Charlton Heston is somewhat dismayed and bewildered by the technological changes thrust upon him while James Coburn's character simply disregards them. The two men become locked in an ego battle that disregards all those around them except to the extent others are useful in pursuing their own personal goals. Both characters are incredible "hard men", physically, mentally, and emotionally and this aspect of their personalities plays out in single-minded, intense violence and cruelty.
The plot is nothing new, however. Coburn plays an escaped convict bent on avenging himself against Heston, the lawman who captured him. Coburn manipulates a gang of mostly dimwitted but dangerous criminals who kidnap Heston's daughter. Heston then chases them across hill and dale in an attempt to save her.
I've seen this film on Sky Cinema not too long ago.. I must admit, it was a really good Western which features 2 of the big names.. On one side, there's Charlton Heston, playing the infamous and retired lawman Samuel Burgade. On the other.. The late James Coburn playing the villainous Zach Provo.. seeking revenge on Burgade no matter what the cost..!
The good thing about this film was there was some really good characters.. Most of the actors played it out really well.. Especially James Coburn, who I find that he was really mean in this film.. But that how it was..
Christopher Mitchum, who I've seen everywhere in other films.. Playing Hal Brickman.. I felt his character was left out in the cold, but he manage to get himself back in by teaming up with Burgade, to bring down Provo's posse's!
All in all, it was a great film.. Very good to watch.. Great score from the late Jerry Goldsmith..
Wonderful piece of Western persona..! 8 out of 10.
The good thing about this film was there was some really good characters.. Most of the actors played it out really well.. Especially James Coburn, who I find that he was really mean in this film.. But that how it was..
Christopher Mitchum, who I've seen everywhere in other films.. Playing Hal Brickman.. I felt his character was left out in the cold, but he manage to get himself back in by teaming up with Burgade, to bring down Provo's posse's!
All in all, it was a great film.. Very good to watch.. Great score from the late Jerry Goldsmith..
Wonderful piece of Western persona..! 8 out of 10.
Você sabia?
- CuriosidadesAfter award-winning composer Leonard Rosenman recorded a score for the film, which he personally didn't care for but was given freedom to be experimentally creative, the score was rejected. While Jerry Goldsmith is credited with "Music" on the film's credits, the credit is misleading as he composed no original score for the film, instead it was tracked with cues from four other films he scored: 100 Rifles (1969); Rio Conchos (1964); Morituri (1965) and A Última Diligência (1966) . Which is why he did not receive a credit like "Original Music composed & Conducted by".
- Erros de gravaçãoJames Coburn is using an Army Colt M1911 .45 caliber automatic pistol that, as its name indicates, was produced in 1911, but the story takes place in 1909.
- Citações
Zach Provo: You don't die for women. You kill for them.
- ConexõesReferenced in Film Junk Podcast: Episode 365: The Cabin in the Woods and Titanic 3D (2012)
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- How long is The Last Hard Men?Fornecido pela Alexa
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- Tempo de duração1 hora 38 minutos
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- Proporção
- 2.35 : 1
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By what name was Os Últimos Machões (1976) officially released in India in English?
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