Quick Links Tommy Lee Jones Was Co-Leading Bigger Studio Films The Late '90s Were Tommy Lee Jones' Heyday
Starting as a scene-stealing supporting actor in the 1970s, Tommy Lee Jones has been an asset to the film industry for a long time now. And, when 1980's Coal Miner's Daughter was released, it became clear that the gruff southerner had what it took to be a leading man. Yet, most of his movies throughout the '80s failed to truly take off, whether he was playing someone kindhearted or nefarious, as seen in the underrated Stormy Monday (1988).
Equally adept at playing heroes and villains, Jones started to really see his profile expand throughout the '90s. For instance, his role in the ensemble piece JFK was one of the film's most notable, and he even managed to steal a Steven Seagal movie in 1992 with Under Siege. In other words, he wasn't leading those films,...
Starting as a scene-stealing supporting actor in the 1970s, Tommy Lee Jones has been an asset to the film industry for a long time now. And, when 1980's Coal Miner's Daughter was released, it became clear that the gruff southerner had what it took to be a leading man. Yet, most of his movies throughout the '80s failed to truly take off, whether he was playing someone kindhearted or nefarious, as seen in the underrated Stormy Monday (1988).
Equally adept at playing heroes and villains, Jones started to really see his profile expand throughout the '90s. For instance, his role in the ensemble piece JFK was one of the film's most notable, and he even managed to steal a Steven Seagal movie in 1992 with Under Siege. In other words, he wasn't leading those films,...
- 29/09/2024
- por Benjamin Hathaway
- MovieWeb
Mike Figgis has been shooting a behind-the-scenes documentary for the past 18 months about the making of Francis Ford Coppola’s Megalopolis. It’s called Megadoc.
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
- 21/05/2024
- por Baz Bamigboye
- Deadline Film + TV
It might not be immediately apparent from songs like “Sweet Child o’ Mine” or “November Rain,” but Slash’s roots are in the blues. “Everybody knows me as a rock & roll guitar player,” he tells Rolling Stone. “When I was a kid, though, I was exposed to great blues music from my family. So even though my intention was to be a rock musician when I picked up the guitar, it was always firmly rooted in the blues ideal.”
When he left Guns N’ Roses in the Nineties, Slash dedicated...
When he left Guns N’ Roses in the Nineties, Slash dedicated...
- 15/05/2024
- por Kory Grow
- Rollingstone.com
“Come with me if you want to live!” But don’t bother if you don’t care for James Cameron’s movies. Michael Biehn — who played Kyle Reese in 1984’s The Terminator — revealed that singer Sting turned down playing the character because he didn’t like the director’s previous work…Piranha II: The Spawning.
Biehn — who was also featured in deleted scenes in Terminator 2: Judgment Day — remembered Sting’s fateful words to Cameron during the casting process, telling Michael Rosenbaum on his podcast, “I think originally [James Cameron] wanted Sting because he thought Sting had this unearthly quality about him. And I think he met with Sting, and I think Sting basically said, ‘Yeah, I just saw Piranha 2. I think I’ll take a pass on this thing.’ Something along those lines. I’m not sure how serious Jim was about him. I’ve never heard any other name associated with Kyle Reese.
Biehn — who was also featured in deleted scenes in Terminator 2: Judgment Day — remembered Sting’s fateful words to Cameron during the casting process, telling Michael Rosenbaum on his podcast, “I think originally [James Cameron] wanted Sting because he thought Sting had this unearthly quality about him. And I think he met with Sting, and I think Sting basically said, ‘Yeah, I just saw Piranha 2. I think I’ll take a pass on this thing.’ Something along those lines. I’m not sure how serious Jim was about him. I’ve never heard any other name associated with Kyle Reese.
- 23/01/2024
- por Mathew Plale
- JoBlo.com
Drake’s fans will have to wait a little bit longer than anticipated before hearing his new music.
On Friday, he shared a message via Instagram Story to announced that the release of his upcoming album, For All the Dogs, is being pushed back.
According to the new schedule, the album — which was originally slated to drop Sept. 22 — will now be arriving two weeks later, on Oct. 6.
Read More: Drake’s New Album ‘For All The Dogs’: Everything We Know So Far
As he explained, the decision sprang from his “dilemma” of being in the midst of his It’s All a Blur tour with 21 Savage at the same time he’s releasing a new album.
“Okay my dilemma I am faced with is either cancel shows to finish the album or I complete the mission and drop the album before the last show,” he explained.
Drake/Instagram
“I...
On Friday, he shared a message via Instagram Story to announced that the release of his upcoming album, For All the Dogs, is being pushed back.
According to the new schedule, the album — which was originally slated to drop Sept. 22 — will now be arriving two weeks later, on Oct. 6.
Read More: Drake’s New Album ‘For All The Dogs’: Everything We Know So Far
As he explained, the decision sprang from his “dilemma” of being in the midst of his It’s All a Blur tour with 21 Savage at the same time he’s releasing a new album.
“Okay my dilemma I am faced with is either cancel shows to finish the album or I complete the mission and drop the album before the last show,” he explained.
Drake/Instagram
“I...
- 16/09/2023
- por Brent Furdyk
- ET Canada
Fans have been waiting for Drake’s new album, For All the Dogs, since he announced the news earlier this summer. Finally, after teasing the record for months, the rapper revealed that the upcoming album will drop on Sept. 22.
Drake made the announcement via a video posted on Wednesday evening, featuring his father Dennis Graham singing back in the day. In the throwback clip, Graham is introduced as “Cousin Dennis” from Memphis, Tenn. and performs on Stormy Monday With Danny Marks, a local television series in Toronto that aired during the Nineties.
Drake made the announcement via a video posted on Wednesday evening, featuring his father Dennis Graham singing back in the day. In the throwback clip, Graham is introduced as “Cousin Dennis” from Memphis, Tenn. and performs on Stormy Monday With Danny Marks, a local television series in Toronto that aired during the Nineties.
- 07/09/2023
- por Charisma Madarang
- Rollingstone.com
The director worked with his friend Julian Sands on eight films – and one fitness regime. Here he remembers an actor unlike any other: impish, charismatic and unafraid to shock
I adored Julian. I’ve never met anyone like him. Our first encounter was in 1987, when I was casting my first film, Stormy Monday. We had a coffee in the Hyatt hotel on Sunset Boulevard and he basically thrust himself forward and said: “I’ve got to play this part! This is me.”
He was so pushy but I found his boldness very endearing. He was wrong for the role; I ended up casting Sean Bean. But I was very tickled by his enthusiasm and we became friends.
I adored Julian. I’ve never met anyone like him. Our first encounter was in 1987, when I was casting my first film, Stormy Monday. We had a coffee in the Hyatt hotel on Sunset Boulevard and he basically thrust himself forward and said: “I’ve got to play this part! This is me.”
He was so pushy but I found his boldness very endearing. He was wrong for the role; I ended up casting Sean Bean. But I was very tickled by his enthusiasm and we became friends.
- 28/06/2023
- por As told to Catherine Shoard
- The Guardian - Film News
Rolling Stone interview series Unknown Legends features long-form conversations between senior writer Andy Greene and veteran musicians who have toured and recorded alongside icons for years, if not decades. All are renowned in the business, but some are less well known to the general public. Here, these artists tell their complete stories, giving an up-close look at life on music’s A list. This edition features drummer Sonny Emory.
When Sonny Emory was a kid growing up in Atlanta, the largest poster on his bedroom wall was the cover of the 1977 Earth,...
When Sonny Emory was a kid growing up in Atlanta, the largest poster on his bedroom wall was the cover of the 1977 Earth,...
- 24/03/2021
- por Andy Greene
- Rollingstone.com
Bill Gavin, the former Goldcrest executive and general manager of Australia’s Hoyts Theatres, has died at the age of 83 at his home in Auckland, New Zealand, after a short illness.
Gavin moved to the UK in the early 1960s after securing a contract to cover New Zealand’s then highly successful Formula One drivers, going on to write a biography of UK driver Jim Clark. He segued initially into the music business and established Gto Films to promote glam rock acts, the company then branched into distribution and worked on the UK release of Weir’s classic Picnic At Hanging Rock and the original version of Swept Away.
In 1978 he moved to Australia to become general manager of Hoyts Theatres and spearheaded the company’s entry into distribution. His down under success distributing the first Muppet Movie caught the eye of Lew Grade, who invited him to join Itc Films’ sales team in London.
Gavin moved to the UK in the early 1960s after securing a contract to cover New Zealand’s then highly successful Formula One drivers, going on to write a biography of UK driver Jim Clark. He segued initially into the music business and established Gto Films to promote glam rock acts, the company then branched into distribution and worked on the UK release of Weir’s classic Picnic At Hanging Rock and the original version of Swept Away.
In 1978 he moved to Australia to become general manager of Hoyts Theatres and spearheaded the company’s entry into distribution. His down under success distributing the first Muppet Movie caught the eye of Lew Grade, who invited him to join Itc Films’ sales team in London.
- 28/05/2020
- por Tom Grater
- Deadline Film + TV
Gavin worked on films including ‘Gandhi’ and ‘Whale Rider’.
Bill Gavin, a former executive at the UK’s Goldcrest Films who worked on films including Gandhi and Whale Rider, has died aged 83 at his home in Auckland, New Zealand after a short illness.
The industry veteran worked on several award-winning features throughout his career as an independent sales agent, distributor, exhibitor and producer.
Born in Wellington, New Zealand, Gavin began his career as a motor racing journalist and moved to the UK in the early 1960s after securing a contract to report on successful Kiwi Formula One drivers competing overseas.
Bill Gavin, a former executive at the UK’s Goldcrest Films who worked on films including Gandhi and Whale Rider, has died aged 83 at his home in Auckland, New Zealand after a short illness.
The industry veteran worked on several award-winning features throughout his career as an independent sales agent, distributor, exhibitor and producer.
Born in Wellington, New Zealand, Gavin began his career as a motor racing journalist and moved to the UK in the early 1960s after securing a contract to report on successful Kiwi Formula One drivers competing overseas.
- 28/05/2020
- por 1100453¦Michael Rosser¦9¦
- ScreenDaily
Tributes pour in for the veteran producer, best known for his work on films including ‘The Magdalene Sisters’.
Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, died yesterday in Glasgow aged 67. He had been diagnosed with cancer.
An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.
Born in Ayr, on the west coast of Scotland, he started his career in the 1970s in theatre before moving into screen work as an associate producer on features including Mike Figgis’ 1988 crime drama...
Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, died yesterday in Glasgow aged 67. He had been diagnosed with cancer.
An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.
Born in Ayr, on the west coast of Scotland, he started his career in the 1970s in theatre before moving into screen work as an associate producer on features including Mike Figgis’ 1988 crime drama...
- 18/05/2020
- ScreenDaily
Tributes pour in for the veteran producer, best known for his work on films including ‘The Magdalene Sisters’.
Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, has died aged 67. He passed away yesterday (May 17) in Glasgow, having been diagnosed with cancer.
An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.
Born in Ayr, on the west coast of Scotland, his early credits were as an associate producer on Mike Figgis’ 1988 crime drama Stormy Monday and David Hayman’s 1990 gritty drama Silent Screen.
Alan J. ‘Willy’ Wands, a producer of The Magdalene Sisters and detective series Rebus, has died aged 67. He passed away yesterday (May 17) in Glasgow, having been diagnosed with cancer.
An outspoken advocate of the Scottish production industry, Wands had more than 35 feature film credits and numerous TV drama series to his name.
Born in Ayr, on the west coast of Scotland, his early credits were as an associate producer on Mike Figgis’ 1988 crime drama Stormy Monday and David Hayman’s 1990 gritty drama Silent Screen.
- 18/05/2020
- ScreenDaily
The Allman Brothers Band has announced the release of Trouble No More: 50th Anniversary Collection, a box set of rarities, unreleased tracks, live performances and classic songs. The box set, out February 28th via Island Mercury/UMe, celebrates the 50th anniversary of the rock band, and is available as a 10-lp or 5-cd box set or on digital.
[Find It Here]
The box set was produced by Allman Brothers Band historians and aficionados Bill Levenson, John Lynskey, and Kirk West, and collects 61 Allman Brothers Band classics, live performances and rarities, and includes seven previously unreleased tracks,...
[Find It Here]
The box set was produced by Allman Brothers Band historians and aficionados Bill Levenson, John Lynskey, and Kirk West, and collects 61 Allman Brothers Band classics, live performances and rarities, and includes seven previously unreleased tracks,...
- 15/01/2020
- por Emily Zemler
- Rollingstone.com
Even though Kanard Thomas and Jt Rodriguez failed to earn a chair turn during “The Voice” Season 16 blind auditions, their journeys weren’t quite over as fifth coach Bebe Rexha asked both of them to return for the Comeback Stage. Just like last season, the Comeback Stage is a place where eliminated artists have a chance of ultimately returning in the live shows. So who won this all-important battle between Kanard and Jt and advanced to the next round? Watch the second “The Voice” Comeback Stage video above.
See‘The Voice’ comeback stage: How will this work on season 16 with Bebe Rexha as the fifth coach?
Bebe decided to pair up Kanard and Jt because, “I thought it’d be cool to have two soulful singers go at each other.” As a reminder, Kanard is a loving father who works on a B.B. King blues ship where he’s gone for months at a time,...
See‘The Voice’ comeback stage: How will this work on season 16 with Bebe Rexha as the fifth coach?
Bebe decided to pair up Kanard and Jt because, “I thought it’d be cool to have two soulful singers go at each other.” As a reminder, Kanard is a loving father who works on a B.B. King blues ship where he’s gone for months at a time,...
- 06/03/2019
- por Marcus James Dixon
- Gold Derby
Win Emily Atack’s Latest Movie! To celebrate the release of Lies We Tell we are giving away a copy on DVD. Stars of Pulp Fiction and Miller’s Crossing are brought together for Mitu Misra’s unflinching, award-winning British thriller about loyalty and revenge, a Northern Noir in the tradition of Mike Hodge’s Get Carter and Mike Figgis’ Stormy Monday.
When his billionaire boss Demi (Harvey Keitel) dies, chauffeur Donald (Gabriel Byrne) is given one final job – to wipe out any evidence of Demi’s relationship with his mistress, the enigmatic and beautiful Amber (Sibylla Deen). Donald’s task soon unravels when Amber’s life is threatened, and he finds himself her reluctant protector. Unwittingly drawn into a dangerous urban underworld, he encounters dark, harrowing practices, and a sinister underworld figure who will test him to his very limits.
Lies We Tell is a unique, gritty thriller that...
When his billionaire boss Demi (Harvey Keitel) dies, chauffeur Donald (Gabriel Byrne) is given one final job – to wipe out any evidence of Demi’s relationship with his mistress, the enigmatic and beautiful Amber (Sibylla Deen). Donald’s task soon unravels when Amber’s life is threatened, and he finds himself her reluctant protector. Unwittingly drawn into a dangerous urban underworld, he encounters dark, harrowing practices, and a sinister underworld figure who will test him to his very limits.
Lies We Tell is a unique, gritty thriller that...
- 23/11/2018
- por Phil Wheat
- Nerdly
This August, Arrow Video enters the deranged mind of Herbert West with their limited edition 4K restoration of Stuart Gordon's Re-Animator (which was initially slated for a July 25th release), and we now have the full list of special features for the anticipated release, along with two other horror Blu-rays coming out this month from Arrow: The Slayer and a limited edition steelbook of Society.
Press Release: The summer really hots up in August, as Arrow Video releases a special edition of an 80s classic, a white-knuckle thriller, a splatter horror masterpiece, a box set of crime classics, a rare Italian sword-and-sandal epic, and an amazing new limited edition steelbook.
First up, one of the most wildly popular horror movies of all-time, Stuart Gordon's enduring splatter-comedy classic Re-Animator returns to Blu-ray in a stunning restoration packed with special features. According to the distributor (Mvd), this awesome package is officially sold out already,...
Press Release: The summer really hots up in August, as Arrow Video releases a special edition of an 80s classic, a white-knuckle thriller, a splatter horror masterpiece, a box set of crime classics, a rare Italian sword-and-sandal epic, and an amazing new limited edition steelbook.
First up, one of the most wildly popular horror movies of all-time, Stuart Gordon's enduring splatter-comedy classic Re-Animator returns to Blu-ray in a stunning restoration packed with special features. According to the distributor (Mvd), this awesome package is officially sold out already,...
- 03/08/2017
- por Derek Anderson
- DailyDead
Stormy Monday starring Melanie Griffith will be available on Blu-ray July 18th From Arrow Video
In 1988, Mike Figgis (Internal Affairs, Leaving Las Vegas) made his feature directorial debut with Stormy Monday, a taut, noir-influenced gangster movie that drew on his key formative influences, including his youth in the Newcastle of the late ’50s and early ’60s, and the city’s vibrant jazz scene.
Sean Bean (Ronin) plays Brendan, a young loafer taken under the wing of jazz club owner Finney (Sting, Quadrophenia), who’s under pressure from American mobster Cosmo (Tommy Lee Jones, The Fugitive) to sell up in exchange for a cut of a local land development deal. Brendan just wants to earn an honest crust, but his burgeoning relationship with Cosmo’s ex-lover Kate (Melanie Griffith, Body Double) threatens to drag him into the middle of the impending showdown…
A romantic crime thriller with genuine heart, Stormy Monday features striking,...
In 1988, Mike Figgis (Internal Affairs, Leaving Las Vegas) made his feature directorial debut with Stormy Monday, a taut, noir-influenced gangster movie that drew on his key formative influences, including his youth in the Newcastle of the late ’50s and early ’60s, and the city’s vibrant jazz scene.
Sean Bean (Ronin) plays Brendan, a young loafer taken under the wing of jazz club owner Finney (Sting, Quadrophenia), who’s under pressure from American mobster Cosmo (Tommy Lee Jones, The Fugitive) to sell up in exchange for a cut of a local land development deal. Brendan just wants to earn an honest crust, but his burgeoning relationship with Cosmo’s ex-lover Kate (Melanie Griffith, Body Double) threatens to drag him into the middle of the impending showdown…
A romantic crime thriller with genuine heart, Stormy Monday features striking,...
- 07/07/2017
- por Tom Stockman
- WeAreMovieGeeks.com
Partycrashers is an on-going series of video dispatches from critics Michael Pattison and Neil Young.Newcastle is a technically neutral meeting-point for two likely lads from Sunderland (Neil) and Gateshead (me). Yet England’s northernmost city is still near enough to both that any notion of partycrashing flies right out of an eighth-floor window. With 53 foreign film festivals notched up between us this year, though, Neil and I might be forgiven for feeling like tourists on home turf. Not that we do: I never walk taller than when I’m on Tyneside, while Neil’s swagger is never anything other than an unwavering forward charge.In fact, nothing but a very fine river separates Newcastle from Gateshead: in the background of this latest video dispatch, we see the winter dark gradually fall upon the latter town. Similar views can be seen in Mike Figgis’s first feature, Stormy Monday (1988), and...
- 08/01/2016
- por Michael Pattison
- MUBI
Recently I went to the BFI (British Film Institute) Mediatheque in Newcastle upon Tyne, not far from the WhatCulture! head office. Inside the old building of the Discovery Museum where the Mediatheque is located, I found a small dimly lit art-deco room, and was able to choose from a huge selection of British films available to view for free from the BFI archives and collections. Browsing through the list of clips, scenes, shorts and films, I stopped and chose one immediately. Stormy Monday.
Stormy Monday is a 1988 British romantic thriller, the feature-film directorial debut of Mike Figgis, who went on to direct the Oscar-winning Leaving Las Vegas in 1995. Figgis creates a special atmosphere within Stormy Monday, framing a young Sean Bean alongside Melanie Griffith at the height of her career. The story revolves around Bean’s character Brendan, as he is drawn in unknowingly to the criminal underworld of Tyneside.
Stormy Monday is a 1988 British romantic thriller, the feature-film directorial debut of Mike Figgis, who went on to direct the Oscar-winning Leaving Las Vegas in 1995. Figgis creates a special atmosphere within Stormy Monday, framing a young Sean Bean alongside Melanie Griffith at the height of her career. The story revolves around Bean’s character Brendan, as he is drawn in unknowingly to the criminal underworld of Tyneside.
- 20/11/2013
- por Jon Lovatt
- Obsessed with Film
The X Factor already has its top 40. Ten acts for each of the four categories - boys, girls, over 25s and groups - were chosen on Thursday's show and will be advancing to a brand new elimination round called the "Four-Chair Challenge," (not to be confused with The Voice). So who made the cut? Keep reading to find out ... The Girls: Khaya Cohen, whose rendition "I Put a Spell on You" wowed the judges, was the first female to make the cut. Rylie Brown, who charmed the judges with her version of Zedd's "Clarity" and Simone Torres, whose memorable version of "Mustang Sally,...
- 27/09/2013
- por Lee Hernandez
- PEOPLE.com
The X Factor already has its top 40.
Ten acts for each of the four categories – boys, girls, over 25s and groups – were chosen on Thursday's show and will be advancing to a brand new elimination round called the "Four-Chair Challenge," (not to be confused with The Voice).
So who made the cut? Keep reading to find out ...
The Girls: Khaya Cohen, whose rendition "I Put a Spell on You" wowed the judges, was the first female to make the cut. Rylie Brown, who charmed the judges with her version of Zedd's "Clarity" and Simone Torres, whose memorable version of "Mustang Sally,...
Ten acts for each of the four categories – boys, girls, over 25s and groups – were chosen on Thursday's show and will be advancing to a brand new elimination round called the "Four-Chair Challenge," (not to be confused with The Voice).
So who made the cut? Keep reading to find out ...
The Girls: Khaya Cohen, whose rendition "I Put a Spell on You" wowed the judges, was the first female to make the cut. Rylie Brown, who charmed the judges with her version of Zedd's "Clarity" and Simone Torres, whose memorable version of "Mustang Sally,...
- 27/09/2013
- por Lee Hernandez
- People.com - TV Watch
One of my favorite cinematographers working today is Roger Deakins. Over his 40 year career, the British director of photography has worked with everyone from the Coen Bros to Martin Scorsese to Ron Howard to Sam Mendes. He has already received a total of 10 Academy Award nominations, but has yet to win, which is a disappointment for many reasons. However, he's still hard at work, and will probably receive a nomination this year for Prisoners (in theaters this week) after earning a nomination last year for Skyfall. Our friends recently came across this fantastic 9-minute interview with Deakins talking about working with the Coen Brothers and Scorsese. It's a vintage interview, but worth watching if you're a big fan of Deakins like we are. Special thanks to our friends Awards Daily and The Film Stage for first finding this video on YouTube. The 9-minute featurette includes director Mike Figgis (The House,...
- 18/09/2013
- por Alex Billington
- firstshowing.net
Oscar-nominated director Mike Figgis argues that the defeatist attitude and outdated structure of Britain's movie industry is preventing film‑makers from flourishing on home soil
Way back in the 1980s, when I decided to try to move from the world of performance art into film-making, I wrote a treatment for a short film called The Side. The name comes from the spectacular street that leads down to the river Tyne. I submitted the treatment to the BFI and in due course got a letter from Peter Sainsbury (the then head of BFI) turning me down for assistance because the material was "visually interesting but lacked content".
Around this time I also applied to the National Film School to study cinema. After a fairly confrontational interview with Lord Puttnam and the great cinematographer Ossie Morris I was rejected. Undaunted, I carried on and eventually The Side became Stormy Monday, my first feature film.
Way back in the 1980s, when I decided to try to move from the world of performance art into film-making, I wrote a treatment for a short film called The Side. The name comes from the spectacular street that leads down to the river Tyne. I submitted the treatment to the BFI and in due course got a letter from Peter Sainsbury (the then head of BFI) turning me down for assistance because the material was "visually interesting but lacked content".
Around this time I also applied to the National Film School to study cinema. After a fairly confrontational interview with Lord Puttnam and the great cinematographer Ossie Morris I was rejected. Undaunted, I carried on and eventually The Side became Stormy Monday, my first feature film.
- 22/06/2013
- por Mike Figgis
- The Guardian - Film News
This was a particularly sad week for the musical world. We lost four greats: Chuck Brown, the godfather of Go-Go; country-rock pioneer Doug Dillard; supreme disco diva Donna Summer; and Dietrich Fischer-Dieskau, who did more to promote art song than anyone else in the recording era.
Chuck Brown was the most innovative of them, and the funkiest. Born in 1936, he paid his dues as a guitarist in various R&B bands in the '60s. His funk band The Soul Searchers made two classic albums for Sussex, We the People (1972) and Salt of the Earth (1974). "Ashley's Roachclip" on the latter includes a drum break that became one of the sampled breaks in hip-hop; "Blow Your Whistle" from the same LP is also much-sampled.
It's debatable when Go-Go originated as a separate style; originally, it denoted merely party music or a dance club. But in live performance, in Brown's home territory in and around Washington D.
Chuck Brown was the most innovative of them, and the funkiest. Born in 1936, he paid his dues as a guitarist in various R&B bands in the '60s. His funk band The Soul Searchers made two classic albums for Sussex, We the People (1972) and Salt of the Earth (1974). "Ashley's Roachclip" on the latter includes a drum break that became one of the sampled breaks in hip-hop; "Blow Your Whistle" from the same LP is also much-sampled.
It's debatable when Go-Go originated as a separate style; originally, it denoted merely party music or a dance club. But in live performance, in Brown's home territory in and around Washington D.
- 19/05/2012
- por SteveHoltje
- www.culturecatch.com
The Carlisle-born film-maker delighted the crowd with some frank tales about how – and how not – to make it in Hollywood
On Saturday night at the Guardian's Open Weekend, film-maker Mike Figgis promised he was going to name names – and he duly did. Figgis gave a brilliant insight into the ups and downs of being a Hollywood director; in his case, more downs than ups. Figgis was born in Carlisle and grew up in Kenya (his father was a frustrated musician and DJ, his mother secretary to Ernest Hemingway, who may or may not have had a passion for her), and in the 1990s looked as if he could become one of Hollywood's top directors, with films such as Internal Affairs and Leaving Las Vegas. But, as he explained to a captivated audience, every time he got within sight of the pinnacle, he blew it.
The trouble is, Figgis said, he...
On Saturday night at the Guardian's Open Weekend, film-maker Mike Figgis promised he was going to name names – and he duly did. Figgis gave a brilliant insight into the ups and downs of being a Hollywood director; in his case, more downs than ups. Figgis was born in Carlisle and grew up in Kenya (his father was a frustrated musician and DJ, his mother secretary to Ernest Hemingway, who may or may not have had a passion for her), and in the 1990s looked as if he could become one of Hollywood's top directors, with films such as Internal Affairs and Leaving Las Vegas. But, as he explained to a captivated audience, every time he got within sight of the pinnacle, he blew it.
The trouble is, Figgis said, he...
- 27/03/2012
- por Simon Hattenstone
- The Guardian - Film News
Catch up with the last seven days in the world of film
Read our 4-star Hunger Games review
The big story
With the John Carter fiasco rumbling on Hollywood was desperate for some good news, and it duly came in the slinky form of Jennifer Lawrence and Hunger Games. The set of novels by Suzanne Collins have been touted as the new Twilight and – to all astonishment – have been turned into a rather good film, if you believe Xan Brooks, our man at the first press preview. As the week wore on, it became clear that The Hunger Games was looking at a serious pile of cash when it would finally be released – perhaps even beating the first Twilight film's opening weekend mark of $69m in 2008. Fortunately, as is their way, the Guide had got in quickly and interviewed Lawrence last weekend – and she had little truck with the Twilight...
Read our 4-star Hunger Games review
The big story
With the John Carter fiasco rumbling on Hollywood was desperate for some good news, and it duly came in the slinky form of Jennifer Lawrence and Hunger Games. The set of novels by Suzanne Collins have been touted as the new Twilight and – to all astonishment – have been turned into a rather good film, if you believe Xan Brooks, our man at the first press preview. As the week wore on, it became clear that The Hunger Games was looking at a serious pile of cash when it would finally be released – perhaps even beating the first Twilight film's opening weekend mark of $69m in 2008. Fortunately, as is their way, the Guide had got in quickly and interviewed Lawrence last weekend – and she had little truck with the Twilight...
- 22/03/2012
- The Guardian - Film News
At this time over the past nine seasons, an 'Idol' dad went to Washington and William Hung made his debut.
By Katie Byrne
Adam Lambert auditions for "American Idol" on January 20, 2009
Photo: Fox
The second week of "American Idol" is about to kick off, so let's review what we've learned from season 10 so far: Steven Tyler has taught us the value of a sound bite, Jacee Badeaux and Brett Loewenstern taught us not to judge on first impressions alone, and Randy Jackson taught us ... well, let's not get carried away. We haven't learned that much yet.
But at this same time over the past nine seasons of "American Idol," we had already met Adam Lambert and saw one "Idol" alum's dad replace Ted Kennedy in the U.S. Senate. Let's take a look back at This Week in "American Idol" to see what went down during the second...
By Katie Byrne
Adam Lambert auditions for "American Idol" on January 20, 2009
Photo: Fox
The second week of "American Idol" is about to kick off, so let's review what we've learned from season 10 so far: Steven Tyler has taught us the value of a sound bite, Jacee Badeaux and Brett Loewenstern taught us not to judge on first impressions alone, and Randy Jackson taught us ... well, let's not get carried away. We haven't learned that much yet.
But at this same time over the past nine seasons of "American Idol," we had already met Adam Lambert and saw one "Idol" alum's dad replace Ted Kennedy in the U.S. Senate. Let's take a look back at This Week in "American Idol" to see what went down during the second...
- 26/01/2011
- MTV Music News
Family Friendly Film Festival, Manchester
Summer holiday's sorted for Manchester parents for the next fortnight. And you don't even need to feel guilty about plonking the kids in front of a screen with some popcorn. There are previews, like the Nic Cage-starring Sorcerer's Apprentice, and free outdoor screenings at Spinningfields (Up, Spirited Away, Jurassic Park, Madagascar), but more brain-fuelling and calorie-burning are the themed days and tie-ins with local museums. See films like Fantastic Mr Fox and The Princess And The Frog in fancy dress (the kids, not the parents); take in aquatic movies like Ponyo or The Little Mermaid, plus themed activities, at the Bolton Aquarium; have an arty Mad Hatter's tea party at the Whitworth Art Gallery … you get the picture. And you get the parental brownie points.
Various venues, Fri to 15 Aug, visit familyfriendlyfilmfestival.org.uk
Film4 Summer Screen, London
It's a joy to watch any...
Summer holiday's sorted for Manchester parents for the next fortnight. And you don't even need to feel guilty about plonking the kids in front of a screen with some popcorn. There are previews, like the Nic Cage-starring Sorcerer's Apprentice, and free outdoor screenings at Spinningfields (Up, Spirited Away, Jurassic Park, Madagascar), but more brain-fuelling and calorie-burning are the themed days and tie-ins with local museums. See films like Fantastic Mr Fox and The Princess And The Frog in fancy dress (the kids, not the parents); take in aquatic movies like Ponyo or The Little Mermaid, plus themed activities, at the Bolton Aquarium; have an arty Mad Hatter's tea party at the Whitworth Art Gallery … you get the picture. And you get the parental brownie points.
Various venues, Fri to 15 Aug, visit familyfriendlyfilmfestival.org.uk
Film4 Summer Screen, London
It's a joy to watch any...
- 23/07/2010
- por Steve Rose
- The Guardian - Film News
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