Rex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas... Ler tudoRex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas do sequestrador.Rex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas do sequestrador.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 6 indicações no total
- Gisele Marzin
- (as Raphaëline)
- Lady 'Prisunic'
- (as Doumée)
Avaliações em destaque
With very little violence and no gore, Spoorloos was able to leave the viewer in a truly depressing state. Some people might call it boring but I found the slow and steady pace to work in favor of the characters, as the acting was top notch. So was the direction of the scenes, which were set up quite nicely. It was interesting to see such attention paid to both the victim and criminal's point of view. You could really understand the desperation, confusion, and obsession that Rex felt with his loss. In turn, you see cold evil in a form that does exist in our world. While maybe not shocking to all viewers, the ending is terrifyingly tragic, made so by the realism and calmness throughout the film. Just ask yourself, how would you feel if that happened to you?
If pushed for a criticism, I would say that some of the symbolism seemed a bit too heavy handed but other then that, this is an intelligent, deep thriller. I have not seen the American remake (oddly enough, both versions are from director George Sluizer) but I can all but guarantee that the original is what you want to go with first. Many people suggest skipping the remake altogether!
I saw the original version upon the strong recommendation of a newspaper reviewer proclaiming it one of the most disturbing films they'd ever seen. The photograph of a young couple about to be torn apart in the paper reeled me in.
A pleasant holiday excursion goes horribly wrong when a man's lady friend goes missing at a crowded rest stop. He grasps at straws in desperation as very little can be done because few clues or leads exist. The abduction is arbitrary and nearly flawless.
The film was indeed well done and what struck me the most was the focus on that of the villain. It is a portrayal of a normal, respectable family man who trains himself in meticulous detail for an abduction. His cold, calculating approach is probably the most frightening aspect. His inhumanity is difficult to comprehend.
Many film endings can be shocking and may stick with you forever, and for a lot of people that is certainly the case with this film. That's why I was surprised to learn that the TV commercials for this film gave away the ending. However it didn't ruin the film for me.
The suspense and chilling setting of this film makes it hard to forget. The viewer constantly wondering, "What would I do?" or "How would I cope?". Impossible questions we all hope we'll never find the answer to.
Of course, keep a few handy responses in mind should you watch this with your better half when they ask the inevitable, almost rhetorical question, "What would you do if I went missing and you couldn't find me?"
"I'd surely die, dear."
Young couple, Rex Hofman (Gene Bervoets) and Saskia Wagter (Johanna ter Steege) are on a holiday trip, when Saskia goes missing. Thus begins a three year ordeal for Rex, who, in addition to being shattered by the incident, is also obsessed with solving the mystery of Saskia's disappearance. His entire life is geared toward finding out what happened to her, to the exclusion of all else.
Enter Raymond Lemorne (Bernard-Pierre Donnadieu), who is shown as the prime suspect from the very beginning. Rex and Raymond are on a fateful collision course, driven by each man's desire to "know".
Much foreshadowing at the start of the film -including Saskia's revealing of her greatest fear, a symbolic dream, and the couple's almost ritualistic use of a pair of coins- make what follows as mystical as it is heartbreaking.
Along the way, we also learn much about the character of Lemorne, making him a far more nuanced villain than in most such works. While we may not be able to relate to his motives, we do gain understanding of why he does what he does. In the end, we feel the results of his actions.
SPOORLOOS is a masterpiece of darkness and sorrow...
Observe these 3 rules if you plan on seeing this film:
Rule #1, AVOID the 1993 remake "The Vanishing" or if you absolutely need to see it, watch the original first.
Rule #2, If you're of a sensative nature and easily depressed, don't watch this.
Rule #3, do NOT read any other comments on this film until you have seen it. This is a love it or hate it type of movie and looking for opinions to decide if you want to see this WILL ruin it for you. See it first, form your own opinion, then check back here. Trust me on this, you'll thank me afterwards.
Você sabia?
- CuriosidadesTim Krabbé, who wrote both the novel and the screenplay that was adapted from it, based the story on a newspaper article that he accidentally read about a female tourist who disappeared from a bus trip after buying chewing gum at a gas station in France. The police had searched for two nights without finding a trace of the girl. Ten years later, Krabbé did extensive research and found that the girl had turned up alive and well one day later; she had simply boarded the wrong bus. Krabbé even called her to thank her for providing him with the inspiration for the story.
- Erros de gravaçãoWhen in the car with his daughter, Raymonde leans over and locks the passenger door, but seconds later the button is no longer pushed down.
- Citações
Raymond Lemorne: You start with an idea in your head, and you take a step... then a second... Soon, you realize you're up to your neck in something intense, but that doesn't matter. You keep at it for the sheer pleasure of it. For the pure satisfaction it might bring you.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- A Desaparecida
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Bilheteria
- Faturamento bruto mundial
- US$ 79.970