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IMDbPro

O Silêncio do Lago

Título original: Spoorloos
  • 1988
  • Not Rated
  • 1 h 47 min
AVALIAÇÃO DA IMDb
7,7/10
51 mil
SUA AVALIAÇÃO
POPULARIDADE
2.168
76
Johanna ter Steege in O Silêncio do Lago (1988)
Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
Reproduzir trailer1:33
1 vídeo
94 fotos
Psychological ThrillerMysteryThriller

Rex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas... Ler tudoRex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas do sequestrador.Rex e Saskia, um jovem casal, estão de férias. Durante a viagem, eles param em um posto de gasolina onde sequestram Saskia. Após três anos e nenhum vestígio dela, Rex começa a receber cartas do sequestrador.

  • Direção
    • George Sluizer
  • Roteiristas
    • Tim Krabbé
    • George Sluizer
  • Artistas
    • Bernard-Pierre Donnadieu
    • Gene Bervoets
    • Johanna ter Steege
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    51 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.168
    76
    • Direção
      • George Sluizer
    • Roteiristas
      • Tim Krabbé
      • George Sluizer
    • Artistas
      • Bernard-Pierre Donnadieu
      • Gene Bervoets
      • Johanna ter Steege
    • 282Avaliações de usuários
    • 120Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 6 indicações no total

    Vídeos1

    Trailer
    Trailer 1:33
    Trailer

    Fotos94

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    Elenco principal26

    Editar
    Bernard-Pierre Donnadieu
    Bernard-Pierre Donnadieu
    • Raymond Lemorne
    Gene Bervoets
    Gene Bervoets
    • Rex Hofman
    Johanna ter Steege
    Johanna ter Steege
    • Saskia Wagter
    Gwen Eckhaus
    • Lieneke
    Bernadette Le Saché
    • Simone Lemorne
    Tania Latarjet
    • Denise
    Lucille Glenn
    • Gabrielle
    Roger Souza
    • Manager
    Caroline Appéré
    • Cashier
    Pierre Forget
    Pierre Forget
    • Farmer Laurent
    Didier Rousset
    • TV Journalist
    Raphaëline Goupilleau
    • Gisele Marzin
    • (as Raphaëline)
    Robert Lucibello
    • Teacher
    David Bayle
    • Lemorne (16 Years)
    Doumee
    • Lady 'Prisunic'
    • (as Doumée)
    Eric Jacquet
    • Pump Attendant
    Aziz Djahnit
    • Pump Attendant
    Linda Wise
    • English Tourist
    • Direção
      • George Sluizer
    • Roteiristas
      • Tim Krabbé
      • George Sluizer
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários282

    7,750.7K
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    Avaliações em destaque

    8KingM21

    How far would you go to find the truth?

    After reading several recommendations of Spoorloos (a.k.a. The Vanishing), I went ahead and bought the Criterion DVD release, which, by the way, has no extras. Let me say, I was not disappointed with the movie. If you like well-made, well-directed thrillers, it is definitely worth checking out. The story was simple enough; Rex's girlfriend mysteriously disappears at a gas station they stopped at while on vacation. Cut ahead three years and you still have him searching for her. Due to his persistence, the man responsible finally decides to get involved.

    With very little violence and no gore, Spoorloos was able to leave the viewer in a truly depressing state. Some people might call it boring but I found the slow and steady pace to work in favor of the characters, as the acting was top notch. So was the direction of the scenes, which were set up quite nicely. It was interesting to see such attention paid to both the victim and criminal's point of view. You could really understand the desperation, confusion, and obsession that Rex felt with his loss. In turn, you see cold evil in a form that does exist in our world. While maybe not shocking to all viewers, the ending is terrifyingly tragic, made so by the realism and calmness throughout the film. Just ask yourself, how would you feel if that happened to you?

    If pushed for a criticism, I would say that some of the symbolism seemed a bit too heavy handed but other then that, this is an intelligent, deep thriller. I have not seen the American remake (oddly enough, both versions are from director George Sluizer) but I can all but guarantee that the original is what you want to go with first. Many people suggest skipping the remake altogether!
    8ToldYaSo

    You won't want to let your loved ones out of your sight after this film

    There aren't too many scenarios like this one. The original version and the Hollywood remake of this film were both directed by the same man, George Sluizer. As I understand from popular opinion, this is one film that was fine the first time round, and not well received on the second go. I cannot fairly compare them, and I have no more desire to see the remake of "Spoorloos" than I do the remake of "La Femme Nikita", namely "The Point Of No Return".

    I saw the original version upon the strong recommendation of a newspaper reviewer proclaiming it one of the most disturbing films they'd ever seen. The photograph of a young couple about to be torn apart in the paper reeled me in.

    A pleasant holiday excursion goes horribly wrong when a man's lady friend goes missing at a crowded rest stop. He grasps at straws in desperation as very little can be done because few clues or leads exist. The abduction is arbitrary and nearly flawless.

    The film was indeed well done and what struck me the most was the focus on that of the villain. It is a portrayal of a normal, respectable family man who trains himself in meticulous detail for an abduction. His cold, calculating approach is probably the most frightening aspect. His inhumanity is difficult to comprehend.

    Many film endings can be shocking and may stick with you forever, and for a lot of people that is certainly the case with this film. That's why I was surprised to learn that the TV commercials for this film gave away the ending. However it didn't ruin the film for me.

    The suspense and chilling setting of this film makes it hard to forget. The viewer constantly wondering, "What would I do?" or "How would I cope?". Impossible questions we all hope we'll never find the answer to.

    Of course, keep a few handy responses in mind should you watch this with your better half when they ask the inevitable, almost rhetorical question, "What would you do if I went missing and you couldn't find me?"

    "I'd surely die, dear."
    Dethcharm

    Some Things Are Worse Than Death...

    SPOORLOOS (THE VANISHING) has been categorized as a horror / thriller / suspense film for the most part. Having watched it several times over the years, I consider it to be a tragedy with a bleak atmosphere of building dread, all leading to a horrific finale. This is a tale of love, loss, and the maddening effects of the unknown.

    Young couple, Rex Hofman (Gene Bervoets) and Saskia Wagter (Johanna ter Steege) are on a holiday trip, when Saskia goes missing. Thus begins a three year ordeal for Rex, who, in addition to being shattered by the incident, is also obsessed with solving the mystery of Saskia's disappearance. His entire life is geared toward finding out what happened to her, to the exclusion of all else.

    Enter Raymond Lemorne (Bernard-Pierre Donnadieu), who is shown as the prime suspect from the very beginning. Rex and Raymond are on a fateful collision course, driven by each man's desire to "know".

    Much foreshadowing at the start of the film -including Saskia's revealing of her greatest fear, a symbolic dream, and the couple's almost ritualistic use of a pair of coins- make what follows as mystical as it is heartbreaking.

    Along the way, we also learn much about the character of Lemorne, making him a far more nuanced villain than in most such works. While we may not be able to relate to his motives, we do gain understanding of why he does what he does. In the end, we feel the results of his actions.

    SPOORLOOS is a masterpiece of darkness and sorrow...
    The Non-Hip

    WARNING!

    STOP!!!!

    Observe these 3 rules if you plan on seeing this film:

    Rule #1, AVOID the 1993 remake "The Vanishing" or if you absolutely need to see it, watch the original first.

    Rule #2, If you're of a sensative nature and easily depressed, don't watch this.

    Rule #3, do NOT read any other comments on this film until you have seen it. This is a love it or hate it type of movie and looking for opinions to decide if you want to see this WILL ruin it for you. See it first, form your own opinion, then check back here. Trust me on this, you'll thank me afterwards.
    Bill-308

    Brilliant suspense classic

    When I searched for "The Vanishing," all I could find was that abysmal "Americanized" version of the film starring Jeff Bridges. What a horrible mistake of a movie that was. Let's consider, instead, the original film in which a fellow and his girlfriend are on an outing when she vanishes without a trace. He becomes obsessed with discovering what happened to her. Whether he can be completely successful in his quest is the whole point of the movie. Why the original director would remake this little masterpiece in English with a Hollywood ending is completely beyond me. See the original. You won't soon forget it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Tim Krabbé, who wrote both the novel and the screenplay that was adapted from it, based the story on a newspaper article that he accidentally read about a female tourist who disappeared from a bus trip after buying chewing gum at a gas station in France. The police had searched for two nights without finding a trace of the girl. Ten years later, Krabbé did extensive research and found that the girl had turned up alive and well one day later; she had simply boarded the wrong bus. Krabbé even called her to thank her for providing him with the inspiration for the story.
    • Erros de gravação
      When in the car with his daughter, Raymonde leans over and locks the passenger door, but seconds later the button is no longer pushed down.
    • Citações

      Raymond Lemorne: You start with an idea in your head, and you take a step... then a second... Soon, you realize you're up to your neck in something intense, but that doesn't matter. You keep at it for the sheer pleasure of it. For the pure satisfaction it might bring you.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Queens Logic/Run/Meet the Applegates/The Vanishing (1991)

    Principais escolhas

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    Perguntas frequentes30

    • How long is The Vanishing?Fornecido pela Alexa
    • Is this film based on a novel?
    • Is the film a direct adaptation of the book?
    • What is the significance of the opening shot?

    Detalhes

    Editar
    • Data de lançamento
      • 27 de outubro de 1988 (Países Baixos)
    • Países de origem
      • Países Baixos
      • França
    • Idiomas
      • Holandês
      • Francês
      • Inglês
    • Também conhecido como
      • A Desaparecida
    • Locações de filme
      • Rue des Lombards, Nîmes, Gard, Occitanie, França
    • Empresas de produção
      • Argos Films
      • Co-Productiefonds Binnenlandse Omroep
      • Golden Egg
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 79.970
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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