Fantasma 2

I saw "Phantasm II" before watching any of the other Phantasm movies, and despite its shortcomings, it converted me into a fan of the series. While it has an effective atmosphere and an interesting array of characters, the plot certainly could have been more carefully written. There is one part where Mike risks his life handling a very dangerous flying sphere and uses it as a key to open some weird door, but the movie fails to show the purpose of opening that door. Sure, it shows you what lies behind the door, but that's it! Mike and his friends don't really do anything in there! Also, the Tall Man goes through the trouble of luring Liz into a trap, but he just throws her against a wall once he catches her. If Liz was such a threat to his evil plans (as the plot asserts), then wouldn't the Tall Man want to make sure she's dead? Still, when you have a couple psychics, an ex-ice cream vendor, a mysterious hitchhiker, an army of dwarves, flying spheres and a rather omnipotent--and scary-looking--old guy called the Tall Man rolled into one picture, the movie promises to be interesting, and it delivers for the most part.

Compared to the other Phantasm movies, I liked "Phantasm II" better than "Phantasm III" and "Phantasm: Oblivion," but it's not quite as good as the original Phantasm.

A Michael Baldwin wasn't in this movie as Mike for some reason the part was given to another actor however A Michael Baldwin returned for the third and the others that followed in my opinion A Michael Baldwin is 'Mike' like christopher reeve will always be superman.

In the tradition of other horror movie franchises, Phantasm takes the action route for this sequel. The horror and sci-fi are still there but there's more combat, stuff blowing-up and gore than there was before. I suppose it does keep things fresh but it does get a bit too tongue-in-cheek sometimes. Kinda like Evil Dead II, I'm not sure if this really fits in with the tone set by the first film.

Phantasm II begins right after where the first film left off. The freaky dwarfs have invaded Mike's home and Reggie must foil the Tall Man's attempts at kidnapping him. Flash forward seven years and Mike is in a mental institution. He is released upon admitting that the whole Phantasm experience was made up only to find that in his absence the Tall Man has been plundering many of America's small towns and thousands of graves are empty.

After the Tall Man kills Reggie's family in a gas explosion, Reg teams up with Mike to hunt him down and kick his head in...again. All they have to do is follow the trail of dead people, right? And this time they are ready for whatever outlandish tricks he's ready to play on them, armed to the teeth with quadruple-barrelled shotguns, flame-throwers and chainsaws. Complicating matters are Mike's inexplicable visions of the future and psychic connections to a mysterious girl he has never met before.

As before, the Tall Man is the best thing in the film. Angus Scrimm is so wonderfully silent and unholy that no matter how slick and entertaining the rest of the film is he'll come out on top.

Don Coscarelli was given a budget 10 times that of the original by Universal, but they did interfere with production quite a lot, much to his annoyance. They said that only one of the original cast members could return, so he chose Reggie Bannister and re-cast Mike with James LeGros (after turning down Brad Pitt!). It does kind of ruin the continuity a bit but it's not terribly distracting.

They also demanded a more simple and linear story, so don't expect any of the bizarre dream sequences and flashbacks. If you're a big fan of the first this might seem disappointing but you know how studios love to think less of their audiences.

The higher budget helps Phantasm to have a bigger scope than the original. The first half of the film feels like a road movie with lots of pretty scenery while the rest is kind of like a low-rent Ghostbusters/Lost Boys clone. Which sounds like a negative point, but the hokey tone of the film vanishes when it heads off into HP Lovecraft territory.

If you're looking for answers as to what the first film was all about then you won't find many. In fact it raises more questions than anything else. But it's still a fun ride. I'm just kind of annoyed that the music took the more generic synth approach that was common in the 80's instead of the funky 70's beats we got before. The main Phantasm theme is still there for your enjoyment however and gets a great finish on the end credits.

I can't say I really liked Coscarelli's follow up to "Phantasm" much, at least I can't say I enjoyed the first hour a whole lot. Where the original film is like a waking nightmare, this is a pretty routine horror action flick filled with weird plot gaps and silly ideas. But then the last half hour happened, and I have to say I begrudgingly endorse this flick ... but only for the gleefully outrageous gory climax.

Whoever made the poster for "Phantasm II" was smart enough to depict the movie's two drawing points: Angus Scrimm as The Tall Man, and the flying metal ball. Don Coscarelli must have felt like he'd hit the jackpot when Scrimm signed on for the first movie - and all the others. Here is an actor whose very appearance invites fear; he's like a Jack Palance stand-in. The series' attempts to give him supernatural abilities and yellow blood don't really amount to much; they should have just let him hang out in the background looking evil.

You might recall that the first "Phantasm" movie was basically a few neat schlock effects with no cohesive story or characters to string them all together. I remember wondering if the budget was spent entirely on effects that Coscarelli couldn't wait to show the world - and thus skipped writing a screenplay or developing characters.

"Phantasm II", which, like all sequels, has an obviously bigger budget, possibly proves my theory to have been incorrect. This one has more schlock effects, but makes no more sense. It also has many of the same flaws as the first one, such as pointless driving scenes with tense music giving the impression the characters are on their way to a showdown, but you never know where they're going, or why, so the scenes just play as boring filler.

The bigger budget also apparently paid for some incongruous action-movie like scenes, such as a house exploding, or a car flipping over.

At least the first five minutes of the movie actually explains what The Tall Man is up to: he robs graves to turn the occupants into zombies who kill the inhabitants of small towns. Then, he moves onto another town's graveyard, and starts all over again.

The first movie really should have made that clear.

This relatively auspicious opening makes the viewer hope "Phantasm II" might make more sense than its prequel.

Alas, it is not to be.