Instinto Fatal

"Monkey Shines" is an honorable effort that doesn't quite work. It deserves credit for originality, but falls short of the mark.

The concept is interesting, but the execution leaves much to be desired. A paralyzed man's life is made easier with the help of Ellie, a monkey trained to help disabled people get by with their daily lives. However, she used to be a lab animal who has had human brain cells injected in experiments. A bond forms between the two, and she acts out his violent desires.

The final act does a good job in delivering the goods, but the film takes too long to get going, diluting the overall effect. In fact, at times one almost forgets it's supposed to be a horror movie. When it gets going, it works, although the very ending is a bit much.

I'm still not sure the sci-fi gimmick was necessary. Surely they could have done pretty much the same things without it? Something more supernaturally orientated perhaps? Still, I admired Romero's willingness to take chances and try his hand at a more subdued thriller. Jason Beghe does a credible job in the role, and we are offered a rare glance at the frustrations of the disabled. A tighter film would have better achieved the director's goals.

**1/2 (out of ****)

An Orion Pictures release

George Romero does an excellent job of swapping Zombies for Monkeys. This film may sound ridiculous in the most preposterous way. But then again, we now live in a world of Snakes on a Plane and Burning Bright, so this is a little easier to swallow. In its genre, it is one of the best examples, and I'm not just talking about killer animals. I'm also referring to the stalker/obsessive partner/friend genre.

What Romero does brilliantly, is to take a number of characters and the audience on a journey of emotions and self discovery. For example, I started off wanting one of these monkeys. The relationship built up is a genuinely loving one. It's really cute, and this could easily be one of those lifetime inspirational movies. If the monkey wasn't a genetically modified, telepathic, homicidal, psycho monkey. The well trained monkey takes us from tragic victim of experiments, to a loving carer. We get a wonderful cleaning montage, as the monkey helps the friendship expands. The monkey's obsession grows steadily. It starts off with a few temper tantrums and escalates into bananas in the slippers. Soon bananas turn to murder. It's the evolution of all species.

None of this would work if it wasn't for a dramatic human connection. Beghe is a law student/athlete that is paralysed. He goes through acceptance, denial, frustration, which is understandable as his girlfriend leaves him for his doctor (a sleazy Tucci), he gets a patronizing nurse, and then his overbearing mother. It's great to see how the characters react to Beghe's quadriplegia, as it enforces Beghe's later anger. Beghe also does a terrific job of facial acting, which is most important as he can't use his body. In a single look he can convey the embarrassment of his mother having to wash him.

On the surface, this is a story of a monkey being a bitch to a cripple. But look deep down, REAAAAAAALLY deep, and you'll see a social commentary. For a long time, the monkey is the only one that treats Beghe as an equal. It doesn't throw money at his problem, try and cheer him up, nor can the monkey do everything for him.

Romero fills the film with dread, absurdity, and most of all a serious edge that clearly does the film justice. It's easy to mock this film. But the truth is, this could actually happen. Monkeys are creepy and untrustworthy.

Offbeat horror film has a paraplegic being given a capuchin monkey named Ella as a companion. Only problem: the cute little monkey has been subjected to genetic experimentation, and has a mind of its its own. Pretty soon, the monkey is up to no good, and the paraplegic is becoming telepathically linked to the increasingly evil simian. George Rnmero made this little gem. The cast is largely unknown, although watch for a young Stanley Tucci as one of the paraplegic's surgeons and John Pankow as the paraplegic's buddy (and mad scientist). A weird little tale that takes its time to get to the nasty stuff, which is just fine with me as the killings are pretty routine.

Aah, George A Romero - the master himself - does it again. This is a very stylish thriller and perfect study of how man's apparent progress goes horribly wrong.

The film captured my attention from the opening moment. Jason Beghe is perfectly cast in this demanding role. It was interesting (if somewhat creepy) to see how things started going wrong, very subtle at first, and how the situation declined to absolute chaos and mayhem. The romance interest felt very natural and enjoyable. Quite often the romance feels forced into a film; here it seemed inevitable given the circumstances.

This is a true classic!

If you're looking for body count, blood, or bogeymen, this film is not for you. It is more of a psychological thriller than a horror film, though it was billed as horror, likely because of the pseudo-science gimmick that provides the basis for the conflict in the plot.

While the film tends to wander a bit (i.e. a sub-plot involving the research head that gets dropped 3/4 of the way through) it stays fairly well focused on the main character and his problems. Aside from the lead, the most effective acting was done by the monkey(s), but the "real" actors do a pretty good job of carrying their own. It gives you a little insight into what it's like to be quadriplegic. For a late 80's movie, the style of filming was well done, there is very little cheese, and the special effects didn't overreach.

The premise seems a bit farfetched to our currently more sophisticated and informed sense of what's possible on the genetic engineering front. After all, this movie was made 15 years ago. If Romero had gone with either a supernatural cause or a plain animal jealousy angle, it might be less dated, but then again it might have been a little less believable to begin with.

Not very horrific, not startling or scary, but worth seeing if you don't mind a slightly slow-paced thriller. I gave it a higher than average score (6 out of 10) just because it didn't make me say "oh, please!" too many times unlike other movies from that time--particularly horror films--are prone to do. For example, the pivotal moment is fully supported by plausible input earlier in the film, it's not one of those miraculous developments pulled out of nowhere in the last few seconds before the climax.