Espiões sem Rosto

I would bet that of all the films young River Phoenix did in his short and sweet life, Little Nikita is probably the one where he played the most normal of kids. But it's that very normality that is the basis for the shock unfolding before him.

A rogue agent played by Richard Lynch who has specialized in playing really evil and loathsome types on the big and small screens is going around killing various sleeper agents that the Russians have planted over the years in America. Lynch is blackmailing the Soviets for big bucks to stop bumping off the deep cover spies. One of their top guys, Richard Bradford, is going to America to deal with the problem. As this is the time of Glasnost with Reagan and Gorbachev in some serious and far reaching negotiations, we don't want this to get public and blow up the summit.

At the same time while Sidney Poitier as an FBI agent is running routine background checks for armed service academy admissions, something really doesn't compute in young River Phoenix's background. It turns out that his parents are deep cover agents who've never been activated to do anything. And by an incredible coincidence I just really couldn't buy, Lynch is a guy who killed Poitier's partner many years ago and he wants him too.

You'd think that with this kind of problem a little below summit Glasnost would have been in order for the KGB and FBI. But no, they're both working at cross purposes for the same goal.

What Little Nikita does have going for it to give it as many stars as it does have is River Phoenix's angst ridden performance of an All American kid whose whole world comes crashing around about him. River's screen characters were usually quirky, but he could play a normal kid and well.

Phoenix's performance and the nice location shooting in and around the San Diego area are the only reason to watch this well meaning, but ultimately rather silly film.

The Soviets suspect their agent nicknamed Scuba (Richard Lynch) is killing their deep agents and blackmailing them. They send agent Karpov (Richard Bradford) to stop him. In San Diego, FBI agent Roy Parmenter (Sidney Poitier) has been hunting Scuba for killing his partner. He discovers false information on the Air Force Academy application of Jeffrey Grant (River Phoenix) and suspects his parents Richard (Richard Jenkins) and Elizabeth (Caroline Kava).

There are a lot of dead bodies and it seems only Parmenter is on the case. The Russian characters are too Russian. They are literally meeting at the ballet. Despite having some great actors, this doesn't have the needed gritty realism. The idea of Russian sleeper agents in the suburbs could be interesting but this is not well executed. River Phoenix continues to be great. His next movie 'Running on Empty' has a superior family with secret identities.

This was a fairly involving story, although it's better in the first half. After that, the kid gets annoying but then the film picks back up in the last 15 minutes. The story is about this teen boy "Jeff Grant" (River Phoenix) who discovers his parents are "sleepr" KGB agents, spies are out of the business. They have come to the United States to start over with their kid.

Meanwhile, an assassin is killing those former, or "sleeper," if you will, agents. "Roy Parmenter" (Sidney Poitier), an FBI man, is after anyone it seems. That last part is a bit confusing.

The story taxes ones believability here and there but is interesting most of the way. However, I thought Phoenix overacts in a number of scenes. This was far from his best performance in his abbreviated film career.

Little Nikita is a well done thriller. I found it entertaining and well acted. I am extremely glad that the lovely Loretta Devine (who played Reese in Urban Legend 1 and 2) had the honour of working with River Phoenix before he died. For fans of River Phoenix and taut thrillers, check this one out.

It's easy to look back now at this film as a very average Cold War thriller, but that is with the benefit of hindsight. It's difficult for today's generation, those of the age that the Phoenix character plays, to appreciate that the world really was living with a possible Nuclear destruction if there had been an accident or serious misunderstanding.

The action and drama is really primarily psychological, with the heart of the film hinging on the Poitier and Phoenix performances. It's easy now to pass off the whole thing as a trivial character piece, but, then, the stakes were sky high and the Cold War themes were progressive and unusual. In our post Cold War world where Gorbachev and Reagan slowly recede into the mists of history it would be a shame to write of this movie without understanding the atmosphere it was made in.