AVALIAÇÃO DA IMDb
6,8/10
16 mil
SUA AVALIAÇÃO
Um FBI Agente se une a um rastreador para perseguir um assassino depois que ele desaparece nas montanhas e se infiltra em um grupo de caminhada.Um FBI Agente se une a um rastreador para perseguir um assassino depois que ele desaparece nas montanhas e se infiltra em um grupo de caminhada.Um FBI Agente se une a um rastreador para perseguir um assassino depois que ele desaparece nas montanhas e se infiltra em um grupo de caminhada.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Sam Hiona
- Superintendent Hsu
- (as Samuel Hiona)
Ken Camroux-Taylor
- Denham
- (as Ken Camroux)
Avaliações em destaque
Well, this movie's a pleasant surprise; pretty much on every front. "Shoot to Kill" is a taut thriller to to bottom, but I think what sets this apart from other buddy movies is that it crosses genres. It's not just two disparate men on a dangerous mission, but there's also a manhunt and a wilderness movie thrown in for good measure. Still, Poitier and Berenger have a solid chemistry, and their road to mutual acceptance is a rocky one. It's a good cast throughout with a charming Kirstie Alley (to be fair, I haven't (yet) seen "Cheers" and I only really know her as a Vulcan). NIce scenery, too; I got a real "First Blood" feeling with that Pacific Northwest locale. I'm not sure why I hadn't heard of this movie until today, but either way, it's great.
7/10
7/10
I haven't watched this since I was 15 years old in 1990 and I liked it then and 30 odd years later it's still a good watch. Much better than action/thrillers being made these days.
After an eleven year absence from the screen, Sidney Poitier chose to return in an action/adventure film where he plays an FBI agent in search of a killer.
He's got good reason to want this guy bad. His quarry is ruthless and kills without mercy. Poitier loses a hostage and the ransom he's asked for. But some good detective work has traced the man to a remote part of the Pacific Northwest.
Where the perpetrator has killed again and joined a party of dry fly fishermen being guided by Kirstie Alley into the rugged mountains. No place for a city kid like Poitier, says mountaineer/hermit Tom Berenger who has the prerequisite skills to get the job done. These two are forced into an alliance of inconvenience.
The best thing I liked about Shoot To Kill is the guessing game we play for the identity of the perpetrator. Any one of the five men in Kirstie Alley's party could have been the killer. Look at the cast list and you'll recognize a few names who've played some pretty loathsome villains in the past. The identity is revealed suddenly and quite shockingly.
What I didn't like with Shoot To Kill is the fact that the final confrontation with the perpetrator is in big city Vancouver where he's escaped with Alley. He needed her in the woods, not any longer, she should have wound up dead. And Berenger and Poitier should have confronted him in the woods.
That script decision made the climax a rather ordinary one that you see in a whole lot of police chase films. Still all the players do fine here, my favorite being Kirstie Alley as the woods smart guide.
He's got good reason to want this guy bad. His quarry is ruthless and kills without mercy. Poitier loses a hostage and the ransom he's asked for. But some good detective work has traced the man to a remote part of the Pacific Northwest.
Where the perpetrator has killed again and joined a party of dry fly fishermen being guided by Kirstie Alley into the rugged mountains. No place for a city kid like Poitier, says mountaineer/hermit Tom Berenger who has the prerequisite skills to get the job done. These two are forced into an alliance of inconvenience.
The best thing I liked about Shoot To Kill is the guessing game we play for the identity of the perpetrator. Any one of the five men in Kirstie Alley's party could have been the killer. Look at the cast list and you'll recognize a few names who've played some pretty loathsome villains in the past. The identity is revealed suddenly and quite shockingly.
What I didn't like with Shoot To Kill is the fact that the final confrontation with the perpetrator is in big city Vancouver where he's escaped with Alley. He needed her in the woods, not any longer, she should have wound up dead. And Berenger and Poitier should have confronted him in the woods.
That script decision made the climax a rather ordinary one that you see in a whole lot of police chase films. Still all the players do fine here, my favorite being Kirstie Alley as the woods smart guide.
It think whoever wrote the script for this movie had the first half all planned out, but then didn't know where to go afterwards. The first 40 minutes or so is riveting, one of the greatest openings to a film you'll ever likely to see because it keeps you guessing, there's decoys thrown in and it throws up one big question, which one of the fishermen is the bad guy? I guessed wrong. Once his identity is revealed it all becomes a bit stock standard, other users have said that the bad guy question was answered too soon and i tend too agree, another 20 minutes or so would've helped, the fishermen tour is a fun part of the movie.
Despite it's slight decline in power at this point the directing and cinematography remain first class. The characters are believable, realistic, give good feedback and are easy to relate to. Character development in Shoot to Kill isn't matched by many others, simply first class. The script is laugh out loud witty at times and Poitier and Berenger gel well, but the acting does have it's poorer moments, as does the script. A couple of plot holes don't help. But look past some minor flaws and the movie is great, the curiously catchy soundtrack adds to the movies feel, and the scenery is documentary spectacular and also gives a good sense of it's intimidation. Definitely a must watch for thriller fans. Everyone I've shown it too loved it, and everyone I know who's seen it loved it. Highly underrated, yet highly enjoyable.
Despite it's slight decline in power at this point the directing and cinematography remain first class. The characters are believable, realistic, give good feedback and are easy to relate to. Character development in Shoot to Kill isn't matched by many others, simply first class. The script is laugh out loud witty at times and Poitier and Berenger gel well, but the acting does have it's poorer moments, as does the script. A couple of plot holes don't help. But look past some minor flaws and the movie is great, the curiously catchy soundtrack adds to the movies feel, and the scenery is documentary spectacular and also gives a good sense of it's intimidation. Definitely a must watch for thriller fans. Everyone I've shown it too loved it, and everyone I know who's seen it loved it. Highly underrated, yet highly enjoyable.
Warren Stantin (Sidney Poitier) is an FBI agent in San Francisco. A hostage situation goes wrong. The killer escapes with a bag of diamonds. Stantin follows a similar killing to the wilderness of Washington. He suspects the killer had surreptitiously joined a fishing expedition guided by Sarah Rennell (Kirstie Alley). Her partner Jonathan Knox (Tom Berenger) sets out to follow and is forced to take the city slicker G-man with him.
It's Sidney Poitier's first movie in over a decade. He hasn't lost a step. He is surprisingly funny at times. The fish out of water aspect is solid and fun. His most memorable scene is probably scaring away the bear. The killer is kept a mystery in a good way. That half is a fun little mystery. I would have preferred ending the movie in the woods. There are a couple of good ideas in the city. The car chase is nothing special but solidly 80's action. There is a good switch-a-roo that ties in with an earlier moment. I don't know about keeping Kristie Alley a hostage all through that part of the movie. It makes much more sense for the killer to kill any possible witnesses once he escaped to the city. Kristie becomes a hinderance during the escape. That's all the more reason to end the movie in the woods. The killer is incentivized to keep his hostage alive as long as he needs a guide. Overall, this is a solid 80's action thriller.
It's Sidney Poitier's first movie in over a decade. He hasn't lost a step. He is surprisingly funny at times. The fish out of water aspect is solid and fun. His most memorable scene is probably scaring away the bear. The killer is kept a mystery in a good way. That half is a fun little mystery. I would have preferred ending the movie in the woods. There are a couple of good ideas in the city. The car chase is nothing special but solidly 80's action. There is a good switch-a-roo that ties in with an earlier moment. I don't know about keeping Kristie Alley a hostage all through that part of the movie. It makes much more sense for the killer to kill any possible witnesses once he escaped to the city. Kristie becomes a hinderance during the escape. That's all the more reason to end the movie in the woods. The killer is incentivized to keep his hostage alive as long as he needs a guide. Overall, this is a solid 80's action thriller.
Você sabia?
- CuriosidadesSidney Poitier's first acting role in eleven years.
- Erros de gravaçãoDuring the car chase, the Jeep Grand Wagoneer is already damaged in most side-on shots, despite not crashing into the taxi and light pole until later.
- Citações
[as Knox prepares to cross a gorge]
Warren Stantin: What are you doing?
Jonathan Knox: I'm going to get the basket.
Warren Stantin: Oooh, shit!
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- How long is Shoot to Kill?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Shoot to Kill
- Locações de filme
- Buntzen Lake, Anmore, Columbia Britânica, Canadá(Seaplane landing)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.300.090
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.781.628
- 15 de fev. de 1988
- Faturamento bruto mundial
- US$ 29.300.090
- Tempo de duração1 hora 50 minutos
- Cor
- Proporção
- 2.35 : 1
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