Caçada Brutal
Adicionar um enredo no seu idiomaFlorida 1985: A series of brutal robberies and murders keeps the F.B.I busy. Although all crimes seem to be comitted by the same group, they can't hunt them down. The experienced officer Ben... Ler tudoFlorida 1985: A series of brutal robberies and murders keeps the F.B.I busy. Although all crimes seem to be comitted by the same group, they can't hunt them down. The experienced officer Ben Grogan and his youngest colleague Gordon finally have to rely on their luck when they set... Ler tudoFlorida 1985: A series of brutal robberies and murders keeps the F.B.I busy. Although all crimes seem to be comitted by the same group, they can't hunt them down. The experienced officer Ben Grogan and his youngest colleague Gordon finally have to rely on their luck when they set up a trap. The chase results in a massacre...
- Prêmios
- 1 indicação no total
- Liz Mireles
- (as Kathleen Layman)
- Carol Ann
- (as Becky Gelke)
Avaliações em destaque
investigation and notorious apprehension attempt of a pair of
murderous, military-styled bank-robbers, IN THE LINE OF DUTY:
THE F.B.I. MURDERS (1988) is well-scripted, beautifully acted,
and superbly directed. The pacing and tension build up perfectly
as the two story-lines one involving the F.B.I. team diligently
working its way through the case, the other showing the harsh
criminal viewpoint mesh together with ever-tightening switch- ups until the dramatic and bloody climax. Nothing feels forced or
out of place, and nothing seems missing. Just solid story-telling
and top-notch drama from beginning to end.
It's largely the casting which plays such a huge role in determining
the quality of this picture, in my opinion. With screen veterans
Ronny Cox, as senior agent Ben "The Grinch" Grogan, and David
Soul, as the sadistically deadly robber Michael Lee Platt, you have
both sides of a very truthful and convincing acting team
represented. Add to that Bruce Greenwood, as the rookie agent,
his ex-"Knot's Landing" compatriot Doug Sheehan, as another
hard-driven and concerned field-agent, and a plethora of other
lesser-known but equally skilled actors and you have a solid cast.
But the most notable and electrifying performance turned in is in
the surprisingly cold and delivered performance by Michael Gross,
as fellow killer William Russell Matix. Here Gross completely
sheds the compassionate, intelligent and endearing character
traits so well-portrayed with his much-loved character Steven
Keaton on the TV series "Family Ties", and gives a completely
inner-defined and chilling turn as a contradictory bible-thumping/
womanizing, murderer and bank-robbing degenerate. Shocking
and terribly engaging all in one. The film pulls few punches with
regards to violence throughout the final "take-down" scene is
surely one of the most graphic and bloody ever shot for
mainstream audiences, even by today's standards I'd wager
but it never comes across as exploitive. The story is always the
main focus of the film and for THAT reason it succeeds; it's simply
a good, engaging story that needed to be told.
I first saw this made-for-TV movie on it's original network television
airing and was extremely impressed. Now, 15 years later, I still
hold it in high regard (with only the cars and the synth-driven
soundtrack music really adding any dating to the picture at all).
Unfortunately, IN THE LINE OF DUTY: THE F.B.I. MURDERS, has
long since been out-of-print on VHS, and rarely turns up on TV. For
those lucky enough to come across it I whole-heartedly
recommend it.
7/10. A made-for-TV movie that succeeds in being more!
Both sides are portrayed in their real life bumbling glory as the robbers act stupidly and recklessly and the task force basically stumbles into them and is ill prepared for the confrontation. But this makes the story quite fascinating and if you connect with it you will probably want to watch it several times.
The film is structured as two parallel stories and what suspense there is stems from the viewers knowledge that the two stories will eventually intersect with each other, you just don't know how or when it will occur.
The strength of the film (besides its real life feel) is the characterization of the two robbers, played by David Soul and Michael Gross. Although their backgrounds are fragmentary, it appears that they bring out the worst in each other and their crime spree continues more for the adrenaline rush it provides. They begin to really get off on the violence and power, their crimes are almost random which tends to work in their favor as the investigation can find little logic or pattern behind their activities.
The film's weakness is the parallel story of the task force. This was a far cry from a cerebral Sherlock Holmes type investigation so you eagerly wait for them to cut back to Soul and Grace. The characterizations are generally shallow and weak so almost all viewers will end up identifying with the two criminals; even though they have a lot of mad dog qualities. Doug Sheehan is quite effective as the task force commander but Bruce Greenwood and Ronny Cox (rookie paired with veteran) are painful to watch.
The violent climax is worth waiting for, although the violence is in real time, the confrontation has the slow-mo feel of a Sam Peckinpah production.
Then again, what do I know? I'm only a child.
The shoot-out in the end is quite graphic for TV standards. There were a few moments in the shoot-out where I was wondering how this film made it onto network television. And this was in the late 80's, way before shows like "The X-Files" and "ER" started to push the limits of graphic bloodletting. The climactic confrontation certainly isn't gratuitous, but it doesn't shy away from showing a little blood (as would be expected when shotguns, sub machine guns, and a dozen pistols are going off).
The film isn't perfect though. There are a few times where it feels like this was filmed in the early 80's. Shaky aerial shots support this noticeable flaw. It's hard to explain, but see it and you'll know what I mean. And the music is, at times, a little chintzy. Synthesizers in the 80's usually never helped a film to age well and it certainly shows in this case. Still, this did not detract too much from my satisfying viewing experience.
All-in-all though, highly recommended.
Você sabia?
- CuriosidadesThe F.B.I. would go on to use this as a training video.
- Erros de gravaçãoWhile briefing the other agents in the parking lot, Agent Ben Grogan tells them to be on the look out for a black '79 Monte Carlo. The car the bad guys are in is actually a 1974 Monte Carlo. The FBI would not make this kind of mistake since they questioned the owner of the car earlier and know exactly what year and make it was.
- Citações
Agent Gordon McNeill: As far as descriptions: all we have is two males, ages and race unknown. Height 5'10 to 6 feet. weight 170 to 200 lbs
- Versões alternativasDVD from Platinum Disc is edited, missing out on the following scenes:
- A scene of dialogue on the beach that occurs before the group picture.
- A scene in the shooting gallery where Gordy asks Grogan if he's good with the gun without wearing glasses.
- A scene where one FBI agent loses his revolver after drawing it from the holster during the vehicle chase and placing it between his knees. During the subsequent crash, he lost it out the door and was never able to recover it during the fight.
- A scene that occurs before the FBI raid at the camp. Mike tells Bill "Let's go to work!", places a clip in his mini-14, and they both get into the stolen gold Monte Carlo.
- ConexõesFollowed by No Cumprimento do Dever (1990)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- F.B.I.: Na Pista dos Assassinos
- Locações de filme
- Goodman Apartments - 311 Como St, Tampa, Flórida, EUA(exterior: shootout)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro