Sexta-Feira 13 - Parte 7: A Matança Continua
Título original: Friday the 13th Part VII: The New Blood
AVALIAÇÃO DA IMDb
5,2/10
46 mil
SUA AVALIAÇÃO
A jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente... Ler tudoA jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente liberta Jason Voorhees de seu túmulo aquático.A jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente liberta Jason Voorhees de seu túmulo aquático.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Lar Park-Lincoln
- Tina
- (as Lar Park Lincoln)
Kevin Spirtas
- Nick
- (as Kevin Blair)
Heidi Kozak Haddad
- Sandra
- (as Heidi Kozak)
Avaliações em destaque
Okay, Friday the 13th Part 7: The New Blood was an okay and pretty well-set film. Though Tina Sheperd (the main character) has telekinesis which is very reminding of Carrie, but also put a spark in the series, instead of Jason just killing everyone. All in all, this movie was okay. I give Friday the 13th Part 7: The New Blood a 6 out of 10
After Tommy Jarvis left Jason to rot chained at the bottom of the lake we thought we'd seen the last of Mr Voorhees, but no a psychic girl accidentally frees him and you know the rest.
That's right Jason Voorhees goes on another rampage indiscriminately killing more 20 somethings with very little story actually present.
This however marked the first time Kane Hodder took on the hockey mask and as ridiculous as it sounds you can really tell and new life is breathed into Jason.
Now rotted, chain around his neck and looking seven shades of undead Jason looks amazing and scarier than ever before. Sadly the death sequences in New Blood are more cutaway poorly constructed nonsense and considering this is the 7th movie in the franchise there really is no excuse.
New Bloods greatest weakness is the finale, the movie builds up to the final battle really well, draws it out into a lengthy encounter but then hits you with a moronic unexplained baffling twist just before the credits.
New Blood isn't bad and it marks a real turning point for Jason, but as a standalone film it's not the strongest part of the franchise.
The Good:
Jason looks amazing
Kane Hodder
The Bad:
Weak death scenes
Awful finale
That's right Jason Voorhees goes on another rampage indiscriminately killing more 20 somethings with very little story actually present.
This however marked the first time Kane Hodder took on the hockey mask and as ridiculous as it sounds you can really tell and new life is breathed into Jason.
Now rotted, chain around his neck and looking seven shades of undead Jason looks amazing and scarier than ever before. Sadly the death sequences in New Blood are more cutaway poorly constructed nonsense and considering this is the 7th movie in the franchise there really is no excuse.
New Bloods greatest weakness is the finale, the movie builds up to the final battle really well, draws it out into a lengthy encounter but then hits you with a moronic unexplained baffling twist just before the credits.
New Blood isn't bad and it marks a real turning point for Jason, but as a standalone film it's not the strongest part of the franchise.
The Good:
Jason looks amazing
Kane Hodder
The Bad:
Weak death scenes
Awful finale
Another Jason movie, ah yes,takes place years after Tommy Jarvis, and it seems like he's gone, guess again, a girl with telekinetic powers tries to get her dad back, but because she wasn't aware of her power, and didn't know how to control it properly, she accidentally brings Jason back, and oh no he's at it again. Well there's something you don't get everyday, man. Why did they put someone like that in? Someone who is like Carrie, please, Jason does typical murders, while she figures out how to control her powers, and tries to find out who is this Jsaon person. And the way she fights him is kind of pathetic, she just throws stuff at him and rips off his mask, can't she do something better, like smash him or send him flying to space? But then again that would be too weird, and it wasn't that exciting either. But I'll stop there. It did have everything else you'd expect in a slasher film, but I wish they could have done something else instead of a telekinetic person. Watch it if you're into it, or if you would still watch it even though it's like that.
Jason has met his match before, going down two-nil to Tommy Jarvis. However, this one is different! Her name is Carrie, but for some reason she uses the name Tina Shepard.
Camp Crystal Lake has been operating peacefully for years, ever since Tommy Jarvis chained Jason to the bottom of the lake. But, you see, in horror movies, any peace is bound to be interrupted eventually. Enter Tina Shephard. Years ago the Shephard family was on vacation at Crystal Lake, when Tina's father drowned under some bizarre circumstances. At the age of 17, Tina and her mother return to Crystal Lake with Tina's psychiatrist, Dr. Crews. Dr. Crews isn't what he seems, he is obviously more interested in exploiting Tina's psychic abilities rather than helping her. This isn't very important, because it isn't very long before Tina accidentally releases Jason from what should have been his watery-grave...
Yeah, this is your average slasher movie. All the characters are obvious stereotypes. Except for the sci-fi nerd sporting a mullet. I can honestly say I've never seen that before. Tina Shephard is basically a re-work of Carrie from... 'Carrie', but she is the films saving grace. Jason against a psychic made for a nice showdown. Other than that, I'm still wondering why people keeping going to Crystal Lake, only to be surprised when maniac wearing a hockey mask tries to kill them.
Apparently this was heavily censored. Kane Hodder makes a good Jason, and there are kills aplenty, but not much gore. Oh well, it had a nice musical score if that makes up for anything...
Not too bad entry in the series - 5/10
Camp Crystal Lake has been operating peacefully for years, ever since Tommy Jarvis chained Jason to the bottom of the lake. But, you see, in horror movies, any peace is bound to be interrupted eventually. Enter Tina Shephard. Years ago the Shephard family was on vacation at Crystal Lake, when Tina's father drowned under some bizarre circumstances. At the age of 17, Tina and her mother return to Crystal Lake with Tina's psychiatrist, Dr. Crews. Dr. Crews isn't what he seems, he is obviously more interested in exploiting Tina's psychic abilities rather than helping her. This isn't very important, because it isn't very long before Tina accidentally releases Jason from what should have been his watery-grave...
Yeah, this is your average slasher movie. All the characters are obvious stereotypes. Except for the sci-fi nerd sporting a mullet. I can honestly say I've never seen that before. Tina Shephard is basically a re-work of Carrie from... 'Carrie', but she is the films saving grace. Jason against a psychic made for a nice showdown. Other than that, I'm still wondering why people keeping going to Crystal Lake, only to be surprised when maniac wearing a hockey mask tries to kill them.
Apparently this was heavily censored. Kane Hodder makes a good Jason, and there are kills aplenty, but not much gore. Oh well, it had a nice musical score if that makes up for anything...
Not too bad entry in the series - 5/10
"Friday the 13th Part VII: The New Blood" is the moment. That singular moment that many media franchises reach where there is a bit of a rift. A fundamental change. Something that will forever alter the way the subsequent remaining entries are perceived.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
Você sabia?
- CuriosidadesWalt Gorney: the veteran actor who played Crazy Ralph in the original Sexta-Feira 13 (1980) and in Sexta-Feira 13 - Parte 2 (1981) returns as the voice of the narrator during the opening of this film. It is possible that the narrator could be Crazy Ralph telling the story from beyond the grave.
- Erros de gravaçãoThe tent that Judy and her boyfriend are camping in changes size between shots.
- Versões alternativasUK cinema and video versions were cut by 8 secs by the BBFC to remove an underwater full frontal shot of Sandra skinny-dipping. The cuts were waived in 2002.
- ConexõesFeatured in His Name Was Jason: 30 Years of Friday the 13th (2009)
- Trilhas sonorasI'm Not Mad (Ready For The World)
Written by Cameron Hawkins, Nash the Slash and Michael Waite
Performed by Fm
Courtesy of Duke Street Records
Principais escolhas
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- How long is Friday the 13th: The New Blood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sexta-Feira 13 - Parte VII: A Matança Continua
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.170.001
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.245.038
- 15 de mai. de 1988
- Faturamento bruto mundial
- US$ 19.170.001
- Tempo de duração
- 1 h 28 min(88 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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