O Diabo

Well, i went into this completely blind. Had no clue this movie existed. I can tell you that this movie is really hard to follow. I wanted to watch this with subs from my country, but sadly i found it only with English subs, so it was really, REALLY hard to follow. But what i followed was pretty good.

This movie never got boring, maybe a tiny bit, but for the most part it's really sharp. I can tell you that the movie has a clear message: A King that's being influenced with God and Evil. The King (who was said to be mentally ill at times, not 100% sure bout that), only followed the Diabel, while the Nun the Good, he just ignored her, and she was there for nothing.

This movie depicts in a very brutal, way how it is to be forgotten. This King has been sentenced to death, and when he escaped, nobody really cared for him: His wife re-married, his mother is a prostitute, his sister barely cared, it's like when you get locked up for such a long time, when people forget about you, they just dont care anymore.

Also, what we forget, is how many people have been killed because of the Diabel, even though these people did not care, the King killed people that nothing to do with being forgotten, like the Turkish woman, and the other actor... He killed people that had nothing to do with this, and then he Diablo forced him into self destruction, untill in the end, when the Devil shows it's true face.

This is an amazing movie, i actually wanted to give it 10/10, but it's just too difficult to follow. I think this movie was inspired based on 1971 The Devils, they seem kinda similar, and i loved 1971 The Devils, this is kinda in the same boat. I think this is the first movie ive seen from Poland, and it's worth watching.

I enjoyed what was served, even though i think i didn't pick up on a lot of what was being said, but still pretty well made movie for what it is. A lot of people are complaining over bad acting, and bad "directing". No, to everything seemed to work pretty well. And as i say 100 times, the MOST important thing when it comes to movies, is the plot, this had a strong plot, and i enjoyed it.

Along with "The Silver Globe", this is my favorite Zulawski film. Why? Well, maybe because both of them are so utterly insane. Zulawski is hardly known here in the states, and the only film of his that is available domestically (thanks to Anchor Bay) is "Possession". Sad really but that's life. As the saying goes, the depth of an idea is inversely proportional to the mass perception. It isn't the case for many famous artists of course, but for Zulawski it rings true. I haven't seen any of the stuff he made while living in France (I understand that many of them are on the more erotic side of things) with the exception of the above-mentioned "Possession" and "The Importance of Love" (with Romy Schneider and Fabio Testi), which was definitely *something". I also watched Zulwaski's later effort "Szamanka" which I have no comment on because I viewed a bootleg copy in Polish with French subtitles, and I speak neither of the languages. The same basically goes for "The Silver Globe" actually, which, as far as I know, can only be seen in Polish with German subtitles. But damn it, this film (which was never even finished) was nuts with or without English subtitles. And so is "Diabel". which I was lucky enough to find WITH the English subs! Hooray!!! Why this movie scared both the erstwhile Polish communist authorities, who were highly confused by it and suspected that it carried hidden anti-government messages, and the Catholic Church, which was completely outraged for reasons quite obvious if you've seen the film, much more so than the secular authorities, is clear even thirty something years (made around 1972 and then shelved by the censors until the late 80's) after it was made. Human insanity, cruelty and depravity are all here on display, wrapped in a guise of a historical epic and punctuated by Zulawski's trademark chaotic camera work and overall delivery. Is the film excessive and gratuitously shocking? Yes! But why shouldn't it be? Zulawski was young (and surely angry) back then, and the things he was going up against were, still are, and have always been a thousand times more excessive. If you can't take it - oh well. Maybe you should pull the wool off your eyes and look around. Another reason why I chose "Diabel" and "The Silver Globe" as favs is because of the time and place. They were made in the then Eastern Block during the Cold War and on the director's native soil, which must count for something, right? - all of which might have(or not) added more poignancy to the films (don't tell that to Roman Polanski though).After you move to France, the Artist's paradise that it is, it becomes safe for you to do what you do. The chance to suffer for your art diminishes significantly. Although, of course, you could suffer financially instead, which is something many Eastern European film makers discovered after the ascent of the market economy. Then again, in the new world disorder things change rather quickly. The recent slaying of a Dutch film director (Theo van Gogh was his name, I believe) by Muslim extremists shows that an artist in need can still fully suffer if he wants to. Anyway, back to "Diabel" - I love it. It's not something to be taken lightly of course. As a friend of mine wistfully observed: "the scene where a guy gets shot in the face is one of the most memorable I've seen in any film. So jarringly sudden, I was literally shocked - I don't know why it affected my like that." And I suppose I'll just leave it at that. I mean, how often does that happen in this day and age? Blessed be the sick! Amen.

In Poland, a mysterious man comes to a chaotic convent to bring to Warsaw the nobleman political prisoner Jakub (Leszek Teleszynski) that imprisoned in the dungeons. The stranger requests the list of fellow conspirators to Jakub and abducts a nun to travel with Jakub in his journey back home. When he arrives in his destroyed house, he sees his father dead; his sister abused and insane; his mother in a brothel; and his girlfriend pregnant and living with his former best friend. Jakub becomes deranged and using a razor delivered by the stranger, he kills each sinner, in an irrational period of chaos and moral degradation.

"Diabel" is a messy, pointless and violent journey to insanity. The writer and director Andrzej Zulawski makes a dreadful film, with a screenplay that does not tell the milestone when the story takes place. In accordance with the DVD cover, the period is 1793, during the invasion of Poland by the Prussian army. The performances are histrionic and theatrical, and the violence is stupid with the only intention of shocking the audience. My vote is four.

Title (Brazil): "Diabel"

During the joint Russian,German (Prussian) and Austrian invasion to Poland in 1793, a young Polish nobleman Jacob is saved from the imprisonment by a stranger who wants in return to obtain a list of Jacob's fellow conspirators. It is a bargain. Maybe implicitly, Jakub sold his life to this stranger, following his mysterious savior across the country, Jacob becomes a witness to chaos and moral corruption that is ensuing the partition and dissolution of Poland by the neighbor countries. People everywhere seems to gone mad and crazy, including Jacob's own family and his beloved girlfriend.

Being apparently demented by what he has seen, he, amidst his own delerium of his consciousness fading away, commits noumerus of gory and enigmatic killings derailing in social and political turmoil by mass murders, leading to insanity and desperation. This stranger, who acts as a guide, displays horrific sights of this physically and morally destroyed 18th-Century nation, whispering the actions of Jakub and acting as an evil motor. But there is free will in Jakub as well, which remains unquestionable.

The film was immediately banned by the censors of the then-communist Polish government and the director was soon forced to leave Poland. Almost two decades later, in the last days of communism in Poland, Zulawski have somehow obtained a copy of his film from censorship vaults and immediately presented it during nearest film festival in Tokyo in 1988. Albeit very late, the film premiere has had received a lot of applause from viewers and film critics alike.

Zulawski's invigorating style shines as brightly as ever, his vision of insanity displayed at every corner, its a world fueled by animal instincts and sexual deviance, permeated with enough filth to make the devil dance in joy. Where each frame is filled with details that are caught by the eye either consciously or subconsciously. Camera management is aggressive and intrepid, never giving up, never hesitating to the depiction of scandalous content, shifting tones and creating authentic psychological horror with remarkable success.

It is as ugly as it is mesmerizing. Andrzej Zulawski's cinema is the definition of madness, the real meaning of insanity, and the truth of the quest of craziness. This film Diabel is flawlessly made, perfectly filmed, completely insane, profoundly depicted. With the typical emotional attacks of anger and madness expressed by the various characters. He represents an absolute and incontrovertible chaos, subjecting the vision to a frenetic and frustrating horror. In Diabel, Zulawski seems to point out we should stop worrying about the Devil since it is already Hell on Earth...

Depravity, violence, a world permanently tipped off balance.

Near the end our halfmad protagonist asks someone else if he sees the world ugly because of his illness or because it is. The other replies that the world is filled with beauty, flowers, fruit, women, then reasons that he cannot adequately describe it. Instead he will dance about it.

His dance is not beautiful though, it's a wild spasmodic flailing of arms like we're seeing an epileptic suffer a seizure.

Diabel is that dance.

Superficially an allegory on how revolutions become mired in distraction - the political hedonism of power? - and how Poland has been used and abused by so many, deeper we find the same frightful pantomime that made Possession such a terrifying beast: inner soul made visible.

Slight problem is that he does not abstract enough to hit that bedrock were every image becomes multi-layered utterance of different cosmii. Characters remain pieces of the allegoric jigsaw, pawns in a game. There is not enough emptiness from life to pour into.