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IMDbPro

O Diabo

Título original: Diabel
  • 1972
  • Not Rated
  • 2 h 5 min
AVALIAÇÃO DA IMDb
7,0/10
3,3 mil
SUA AVALIAÇÃO
O Diabo (1972)
DramaHorror

Adicionar um enredo no seu idiomaYoung Polish noble Jakub, freed during 1793 Prussian invasion, experiences father's death, betrayal. Traumatized, he follows his savior, committing brutal murders across the country.Young Polish noble Jakub, freed during 1793 Prussian invasion, experiences father's death, betrayal. Traumatized, he follows his savior, committing brutal murders across the country.Young Polish noble Jakub, freed during 1793 Prussian invasion, experiences father's death, betrayal. Traumatized, he follows his savior, committing brutal murders across the country.

  • Direção
    • Andrzej Zulawski
  • Roteirista
    • Andrzej Zulawski
  • Artistas
    • Leszek Teleszynski
    • Wojciech Pszoniak
    • Malgorzata Braunek
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    3,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Andrzej Zulawski
    • Roteirista
      • Andrzej Zulawski
    • Artistas
      • Leszek Teleszynski
      • Wojciech Pszoniak
      • Malgorzata Braunek
    • 14Avaliações de usuários
    • 26Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos60

    Ver pôster
    Ver pôster
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    + 56
    Ver pôster

    Elenco principal14

    Editar
    Leszek Teleszynski
    Leszek Teleszynski
    • Jakub
    Wojciech Pszoniak
    Wojciech Pszoniak
    • Diabel…
    Malgorzata Braunek
    Malgorzata Braunek
    • Narzeczona Jakuba…
    Iga Mayr
    Iga Mayr
    • Matka Jakuba…
    Anna Parzonka
    • Siostra Jakuba…
    Michal Grudzinski
    • Ezechiel
    Maciej Englert
    Maciej Englert
    • Hrabia…
    Monika Niemczyk
    Monika Niemczyk
    • Zakonnica…
    Bozena Miefiodow
    • Turecka aktorka…
    Wiktor Sadecki
    Wiktor Sadecki
    • Herz…
    Lukasz Zulawski
    • Aktor
    Jerzy Zygmunt Nowak
    Jerzy Zygmunt Nowak
    • Kamerdyner
    Eugeniusz Priwieziencew
    Eugeniusz Priwieziencew
    • Kompan
    Marian Zdenicki
    • Karzel…
    • Direção
      • Andrzej Zulawski
    • Roteirista
      • Andrzej Zulawski
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    7,03.2K
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    Avaliações em destaque

    8ewolfw

    Cacophony of madness

    Thick smoke, nuns and screams. Crazy people and blood. Intense lighting and use of colour amidst the chaos. Each frame seems crowded - either through closeup or frenzy; moments of stillness are rare. Who is the stranger who saves Jakub? Why the nun? The madness of his surroundings - acrobats and theatricals, dancers and whores, mirror the insanity of the world. There is no goodness here. Monstrosity is the only answer.
    grob248

    Andrzej Zulawski's DIABEL -I-

    Along with "The Silver Globe", this is my favorite Zulawski film. Why? Well, maybe because both of them are so utterly insane. Zulawski is hardly known here in the states, and the only film of his that is available domestically (thanks to Anchor Bay) is "Possession". Sad really but that's life. As the saying goes, the depth of an idea is inversely proportional to the mass perception. It isn't the case for many famous artists of course, but for Zulawski it rings true. I haven't seen any of the stuff he made while living in France (I understand that many of them are on the more erotic side of things) with the exception of the above-mentioned "Possession" and "The Importance of Love" (with Romy Schneider and Fabio Testi), which was definitely *something". I also watched Zulwaski's later effort "Szamanka" which I have no comment on because I viewed a bootleg copy in Polish with French subtitles, and I speak neither of the languages. The same basically goes for "The Silver Globe" actually, which, as far as I know, can only be seen in Polish with German subtitles. But damn it, this film (which was never even finished) was nuts with or without English subtitles. And so is "Diabel". which I was lucky enough to find WITH the English subs! Hooray!!! Why this movie scared both the erstwhile Polish communist authorities, who were highly confused by it and suspected that it carried hidden anti-government messages, and the Catholic Church, which was completely outraged for reasons quite obvious if you've seen the film, much more so than the secular authorities, is clear even thirty something years (made around 1972 and then shelved by the censors until the late 80's) after it was made. Human insanity, cruelty and depravity are all here on display, wrapped in a guise of a historical epic and punctuated by Zulawski's trademark chaotic camera work and overall delivery. Is the film excessive and gratuitously shocking? Yes! But why shouldn't it be? Zulawski was young (and surely angry) back then, and the things he was going up against were, still are, and have always been a thousand times more excessive. If you can't take it - oh well. Maybe you should pull the wool off your eyes and look around. Another reason why I chose "Diabel" and "The Silver Globe" as favs is because of the time and place. They were made in the then Eastern Block during the Cold War and on the director's native soil, which must count for something, right? - all of which might have(or not) added more poignancy to the films (don't tell that to Roman Polanski though).After you move to France, the Artist's paradise that it is, it becomes safe for you to do what you do. The chance to suffer for your art diminishes significantly. Although, of course, you could suffer financially instead, which is something many Eastern European film makers discovered after the ascent of the market economy. Then again, in the new world disorder things change rather quickly. The recent slaying of a Dutch film director (Theo van Gogh was his name, I believe) by Muslim extremists shows that an artist in need can still fully suffer if he wants to. Anyway, back to "Diabel" - I love it. It's not something to be taken lightly of course. As a friend of mine wistfully observed: "the scene where a guy gets shot in the face is one of the most memorable I've seen in any film. So jarringly sudden, I was literally shocked - I don't know why it affected my like that." And I suppose I'll just leave it at that. I mean, how often does that happen in this day and age? Blessed be the sick! Amen.
    9XxEthanHuntxX

    "Tell me, does the world seem horrible to me because of my illness, or because it is really like that?"

    During the joint Russian,German (Prussian) and Austrian invasion to Poland in 1793, a young Polish nobleman Jacob is saved from the imprisonment by a stranger who wants in return to obtain a list of Jacob's fellow conspirators. It is a bargain. Maybe implicitly, Jakub sold his life to this stranger, following his mysterious savior across the country, Jacob becomes a witness to chaos and moral corruption that is ensuing the partition and dissolution of Poland by the neighbor countries. People everywhere seems to gone mad and crazy, including Jacob's own family and his beloved girlfriend.

    Being apparently demented by what he has seen, he, amidst his own delerium of his consciousness fading away, commits noumerus of gory and enigmatic killings derailing in social and political turmoil by mass murders, leading to insanity and desperation. This stranger, who acts as a guide, displays horrific sights of this physically and morally destroyed 18th-Century nation, whispering the actions of Jakub and acting as an evil motor. But there is free will in Jakub as well, which remains unquestionable.

    The film was immediately banned by the censors of the then-communist Polish government and the director was soon forced to leave Poland. Almost two decades later, in the last days of communism in Poland, Zulawski have somehow obtained a copy of his film from censorship vaults and immediately presented it during nearest film festival in Tokyo in 1988. Albeit very late, the film premiere has had received a lot of applause from viewers and film critics alike.

    Zulawski's invigorating style shines as brightly as ever, his vision of insanity displayed at every corner, its a world fueled by animal instincts and sexual deviance, permeated with enough filth to make the devil dance in joy. Where each frame is filled with details that are caught by the eye either consciously or subconsciously. Camera management is aggressive and intrepid, never giving up, never hesitating to the depiction of scandalous content, shifting tones and creating authentic psychological horror with remarkable success.

    It is as ugly as it is mesmerizing. Andrzej Zulawski's cinema is the definition of madness, the real meaning of insanity, and the truth of the quest of craziness. This film Diabel is flawlessly made, perfectly filmed, completely insane, profoundly depicted. With the typical emotional attacks of anger and madness expressed by the various characters. He represents an absolute and incontrovertible chaos, subjecting the vision to a frenetic and frustrating horror. In Diabel, Zulawski seems to point out we should stop worrying about the Devil since it is already Hell on Earth...
    9krzysiektom

    Inhuman cruelty??

    The previous poster calls the cruelty at display in this film "inhuman". Oh really? How come then that people slaughter people, gouge their eyes out, cut their limbs or burn them alive? Or torture them? Or rape and mutilate women? He should read some reports about practices during the Bosnian war or wars in Africa, about the stuff people have been doing to other people for ages, for reasons like religion, greed or lust. Or for no reasons at all. It took real "balls" or creative guts from the filmmaker to do a film like that. I am fed up with the political correctness and general blandness of films, caused by the requirements of market and profits, or by mere cowardliness. I could understand criticism of the cruelty if it was purely gratuitous but it is not. This film has artistic values and touches upon important topics. I am happy it was not destroyed and all copies not locked up somewhere. It could probably happen in Hollywood or in the lands like Iran.
    Infofreak

    Baroque vision of a world gone mad.

    Andrzej Zulawski's 'The Devil' is a real oddity from the early 1970s. Originally released in 1972, but banned at the behest of the Catholic church, it has been little seen, which is a pity, because it is a fascinating movie that deserves a larger audience. Reminiscent at times of Jodorowsky and sometimes Fellini, this is a very puzzling movie steeped in religious symbolism.

    In 18th Century Poland the Prussian army are in the process of conquering the country. In the midst of this chaos a mysterious figure arrives at a convent with orders to escort a political prisoner. The prisoner, a young man named Jakub, was accused of attempting to murder the King. The man finds Jakub, and along with a young nun they flee the oncoming troops. Once they are safe Jakub is freed and urged to return home. When he arrives he finds that nothing is as before. His father burnt down the family home before committing suicide, his pregnant fiancee has married one of his friends, and his mother is a whore. Jakub is constantly described by others as being a lunatic or "sick" yet in many ways he appears to be the sanest one of the lot. To complicate matters the man who initially rescued him shadows his every move and seems to have a strange agenda of his own. Is Jakub mad or is the world? Who is the enigmatic stranger and what does he want of Jakub? 'The Devil' will appeal to fans of strange, multi-layered movies.

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    • Curiosidades
      The film was banned in communist Poland.
    • Conexões
      Featured in Brows Held High: Häxan (2012)

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    Perguntas frequentes12

    • How long is The Devil?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • março de 1988 (Polônia)
    • País de origem
      • Polônia
    • Idioma
      • Polonês
    • Também conhecido como
      • The Devil
    • Locações de filme
      • Ksiaz, Walbrzych, Dolnoslaskie, Polônia
    • Empresa de produção
      • Zespól Filmowy "X"
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 5 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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