Uma viúva e sua ex-amante manipuladora tentam destroir um casal recém-casado.Uma viúva e sua ex-amante manipuladora tentam destroir um casal recém-casado.Uma viúva e sua ex-amante manipuladora tentam destroir um casal recém-casado.
- Direção
- Roteiristas
- Artistas
- Ganhou 3 Oscars
- 21 vitórias e 23 indicações no total
Avaliações em destaque
You wouldn't necessarily think that an adaptation of an albeit famous 17th century French novel would make a relevant and fascinating piece of cinema... but it does.
The first thing that strikes you is how well the film is lit and shot. The period locations and costumes are visually sumptuous and perfect. Better yet, the acting entirely matches the skill of the direction that takes its method from the theatre - emotions are conveyed by expression and not dialogue. Glenn Close gives her best performance on celluloid as the scheming Madame de Merteuil, amorally hellbent on bending everyone to her will, no matter the method or the cost, and John Malkovitch is her perfect foil as the cynical hedonistic but world-weary Valmont. Michelle Pfeiffer engages our empathy as the tortured and manipulated target of Malkovitch's desire and Close's plotting.
The film is basically a morality tale, but one that fascinates in its exposure of ego, vanity, intrigue and the war between the genders, subjects that are timeless in their relevance, despite the period setting. The storyline, which sticks faithfully to the original novel, remains compelling throughout as we watch deceits within deceits take their tragic course. Whole-heartedly recommended - take your time over it, and enjoy.
The first thing that strikes you is how well the film is lit and shot. The period locations and costumes are visually sumptuous and perfect. Better yet, the acting entirely matches the skill of the direction that takes its method from the theatre - emotions are conveyed by expression and not dialogue. Glenn Close gives her best performance on celluloid as the scheming Madame de Merteuil, amorally hellbent on bending everyone to her will, no matter the method or the cost, and John Malkovitch is her perfect foil as the cynical hedonistic but world-weary Valmont. Michelle Pfeiffer engages our empathy as the tortured and manipulated target of Malkovitch's desire and Close's plotting.
The film is basically a morality tale, but one that fascinates in its exposure of ego, vanity, intrigue and the war between the genders, subjects that are timeless in their relevance, despite the period setting. The storyline, which sticks faithfully to the original novel, remains compelling throughout as we watch deceits within deceits take their tragic course. Whole-heartedly recommended - take your time over it, and enjoy.
Easily, the best adaptation of book to film. Witty, daring, opulent and compelling. Visually stunning; and shining performances. Read the book, for sure. But film-going doesn't get much better,
I believe this is the best of the four adaptations of the play/novel Dangerous Liaisons.
Glenn Close plays Mertuil, who, with Malkovich's Valmont, manipulate and seduce others for entertainment. In comes Michelle Pfieffer's beautiful Madame de Tourvel, whose husband is off at a trial (or something to that extent). Valmont realizes what a capture it would be if he were to succeed in seducing her, and making her forget all her vows of fidelity. Uma Thurman also has a smaller part, one of those who was seduced by Valmont.
Uma Thurman is great, Michelle Pfieffer is exquisite, but it's Close and Malkovich who dominate the screen. Close's mercilessly cunning character has most of the great lines. When asked if betrayal is her favourite word, she replies, "No. Cruelty is. It's much more nobler, don't you think". Malkovich plays a Machiavellian character you lies and cheats to get what he wants
The climax is thrilling, and the finale is incredible. Glenn Close's performance was certainly worthy of the Oscar nomination, and maybe the award. It is her best performance.
Glenn Close plays Mertuil, who, with Malkovich's Valmont, manipulate and seduce others for entertainment. In comes Michelle Pfieffer's beautiful Madame de Tourvel, whose husband is off at a trial (or something to that extent). Valmont realizes what a capture it would be if he were to succeed in seducing her, and making her forget all her vows of fidelity. Uma Thurman also has a smaller part, one of those who was seduced by Valmont.
Uma Thurman is great, Michelle Pfieffer is exquisite, but it's Close and Malkovich who dominate the screen. Close's mercilessly cunning character has most of the great lines. When asked if betrayal is her favourite word, she replies, "No. Cruelty is. It's much more nobler, don't you think". Malkovich plays a Machiavellian character you lies and cheats to get what he wants
The climax is thrilling, and the finale is incredible. Glenn Close's performance was certainly worthy of the Oscar nomination, and maybe the award. It is her best performance.
Glenn Close, John Malcovich and Michelle Phieffer head an all star cast in this lavish tale of Sex, Deception and delicious wickedness. Beneath the heaving corsets of 18th century France there lies a world of lust and deportuary which this film reveals.
Glenn Close instructs her deviously seductive lover, John Malcovich to seduce the innocent Madame de Tourvelle (Michelle Pheiffer) a women renound for her religious beliefs, if he succeeds then she shall give him her body in one night of lust, but, one obstacle arises that she did not count on, the pair fall in love - thus beginning a battle of witts and seduction.
This is a must see movie for everyone as is its counterpart - Cruel Intentions, a modern reworking of Dangerous Liaisons
Glenn Close instructs her deviously seductive lover, John Malcovich to seduce the innocent Madame de Tourvelle (Michelle Pheiffer) a women renound for her religious beliefs, if he succeeds then she shall give him her body in one night of lust, but, one obstacle arises that she did not count on, the pair fall in love - thus beginning a battle of witts and seduction.
This is a must see movie for everyone as is its counterpart - Cruel Intentions, a modern reworking of Dangerous Liaisons
I loved this movie. Glenn Close was wonderful as usual, John Malkovich (wonderful as the bad guy we all love to hate in every movie) and Michelle were great, and the ending was great although sad. Glenn Close should have won the Oscar, as well as Michelle. Costumes and sets are beautiful. Watch this one if you are in the mood for betrayal, deception and characters that you want to slap.
Você sabia?
- CuriosidadesMichelle Pfeiffer was offered the role of the Marquise de Merteuil in Valmont - Uma História de Seduções (1989), but she chose to play Mme. de Tourvel in this film instead.
- Erros de gravaçãoWhen Madame de Tourvel is about to surrender to Valmont, a tear comes out of her right eye; in the next shot, her eye is still dry.
- Citações
Marquise de Merteuil: One does not applaud the tenor for clearing his throat.
- Trilhas sonorasLa Cetra Op. 9, Concerto No. 9
Composed by Antonio Vivaldi
Principais escolhas
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- How long is Dangerous Liaisons?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Relaciones peligrosas
- Locações de filme
- Château de Champs-sur-Marne, 31 rue de Paris, Champs-sur-Marne, Seine-et-Marne, França(Madame de Rosemonde's palace: interiors and park, Merteuil's interiors, staircase, Hall of mirrors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 34.670.720
- Fim de semana de estreia nos EUA e Canadá
- US$ 84.451
- 26 de dez. de 1988
- Faturamento bruto mundial
- US$ 34.670.720
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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