Um jovem Shakespeare, sem ideias e com pouco dinheiro, encontra sua esposa ideal e se inspira a escrever um de seus trabalhos mais famosos.Um jovem Shakespeare, sem ideias e com pouco dinheiro, encontra sua esposa ideal e se inspira a escrever um de seus trabalhos mais famosos.Um jovem Shakespeare, sem ideias e com pouco dinheiro, encontra sua esposa ideal e se inspira a escrever um de seus trabalhos mais famosos.
- Direção
- Roteiristas
- Artistas
- Ganhou 7 Oscars
- 65 vitórias e 87 indicações no total
Tim McMullan
- Frees
- (as Tim McMullen)
Bridget McConnell
- Lady in Waiting
- (as Bridget McConnel)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Those who are looking for a historically accurate portrayal of Shakespeare's life had better look elsewhere - but then this was never intended to be a serious look at the life of the man. Those who attack it for its' fanciful relation to history have missed the point entirely. It is a romantic comedy obsessed with nothing more than making references in storyline and plot to the plays of Shakespeare and his contemporaries, and those references are made so seamlessly it could almost be assumed that what we see on the screen actually happened to the man.
In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.
The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.
Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.
John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.
In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.
The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.
Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.
John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.
I went to see this movie not knowing what to expect. On the one hand, I was excited, because you see, I am an English major and here was this movie based on the life of William Shakespeare. In the realm of Shakespeare rip-offs (i.e., "Romeo & Juliet," "Macbeth," etc..)"Shakespeare in Love" clearly stood out. This is the first film I've seen based on the author, rather than his work. And it was a refreshing change from watching the pompous over-fed Hollywood egoes trying to pass themselves off as true actors. At the same time, however, the casting had me a bit nervous. I had not seen Joseph Fiennes work, but I had high hopes since his brother is, in my opinion, a brilliant actor. I liked Gwyneth Paltrow in "Emma" and "Sliding Doors," but I was wary to see how she would pull this one off. And as for Ben Affleck.. well, I was truly afraid he would flop. I saw him in "Armageddon" and immediately racked him up on the list of other such forgettable actors as .. well never mind. The point is, I was afraid he would make a laughing-stock of this movie. As for the other actors,I did not recognize any one else except Judi Dench, and I figured hers was a bit role, nothing that could affect this movie much. I was wrong on almost all counts. Gwyneth Paltrow was so radiant in this movie, she fairly set the screen ablaze. I never knew she had such range. I had not expected such fire in her, I always thought she was a rather calm actress, incapable of such passions. Joseph Fiennes amazed me far more than his brother in that he knows how to balance wit and passion, joy and sorrow gracefully, even more so than Ralph. Together, these two actors did more than carry off the film; they raised it up to levels higher than any other actors I've seen in a very long time. Judi Dench may have had a bit role, but she managed to make a lot out of it. She played Queen Elizabeth with more majesty and grace than any other Queen-playing actress I've seen. (I've yet to see Cate Blansett in the movie "Elizabeth.")But the true darkhorse of this movie is Ben Affleck. My God, he has a sense of humor! I never imagined. "Armageddon" didn't give him much space to roam in, but in this film he was all over the place. Had he not been flanked by such worthy thespians, he just might have stolen the show. The actors could not have done such marvelous work had it not been, of course, for the writing. The play flows smoothly, with nary a glitch in sight. This is note-worthy, for it is well over 100 minutes. It is written in a style that is at once clever and grave, passionate and dry. Love is one of the most abused notions on the screen today. It is rare to see a movie portray Love with as much originality and truth as this film has accomplished. Perhaps the highest compliment I can pay this movie I already did on Christmas night, when I went to go see this film. As the movie ended and the actors' names scrolled up on the screen, tears trickled down my cheeks. I must say it is not often a movie makes me cry. And don't underestimate me just because I am a girl and because I may be more sensitive because you see, my boyfriend left the theater with suspiciously bright eyes as well..
A romantic comedy does not get much better than Shakespeare in Love. Here is a movie that captures the feel of England 400 years ago. It is romantic yet light. It is funny but is complex enough to provide enjoyment for fans of literature.
The sets of England 400 years ago, the costumes and the character's makeup including their bad dental work were just right. You could almost smell those streets. The hero, Shakespeare, is excellently played by Joseph Fiennes. He is sympathetic but never pathetic. As for Gwyneth Paltrow, she shows her range from boyishness to radiance. This is the first film I have seen her in where I believed she could become a great actress. There is also a great supporting cast, especially Judi Dench, who all have good melodramatic and comic instincts.
The film never plods. The screenplay is rich with romance, emotion and action. The plot weaves several stories and themes. You can enjoy it as a simple love story with some action and basic suspense about producing a play or you can get much deeper into movie's complex tapestry of ideas and in jokes. But most importantly the film's mood is always light and is never overblown (unlike another recent movie about unfulfilled love, Great Expectations).
Deserving of its Oscar, this is simply a great film.
The sets of England 400 years ago, the costumes and the character's makeup including their bad dental work were just right. You could almost smell those streets. The hero, Shakespeare, is excellently played by Joseph Fiennes. He is sympathetic but never pathetic. As for Gwyneth Paltrow, she shows her range from boyishness to radiance. This is the first film I have seen her in where I believed she could become a great actress. There is also a great supporting cast, especially Judi Dench, who all have good melodramatic and comic instincts.
The film never plods. The screenplay is rich with romance, emotion and action. The plot weaves several stories and themes. You can enjoy it as a simple love story with some action and basic suspense about producing a play or you can get much deeper into movie's complex tapestry of ideas and in jokes. But most importantly the film's mood is always light and is never overblown (unlike another recent movie about unfulfilled love, Great Expectations).
Deserving of its Oscar, this is simply a great film.
I had high hopes for this film from the first time I saw the trailer. I am happy to say that the film lives up to the previews. Although it is an art house flick of sorts, it manages to be profound and accessible at the same time. So many art house films manage to be merely pretentious, as if aimed at those that want to believe that they are having an intellectual experience rather than those who are really open to one. This film shows that you can make a film of substance that is at the same time very entertaining.
One thing that stood out was the way they showed enough of the performance of Romeo and Juliet so that you could understand what the play is about, without making it a film of the play per se. There are many parallels between the fictional play and the events of the film, and this goes to underscore the relevance of great literature to the human condition. The actual performance of the play was acted so well that there were times when a character in the play was in a fight and I said to myself "they're really fighting, that guy really got stabbed!" So often a play within a movie is acted in a very staged manner, so this was a welcome surprise. And for anyone who is a fan of Shakespeare, it is easy to find little tidbits to reflect upon - such as the fact that Shakespeare himself was fond of the "play within a play" theme that we see in this film.
The performances are excellent throughout, including minor characters. In the midst of tragedy there is genuine comic relief, just as in Shakespeare. The historical details that surround the conjectural main plot are accurate down to the names of the actual people with whom Shakespeare crossed paths. In the end "Shakespeare in Love" causes us to feel as well as think, to think as well as to be entertained.
One thing that stood out was the way they showed enough of the performance of Romeo and Juliet so that you could understand what the play is about, without making it a film of the play per se. There are many parallels between the fictional play and the events of the film, and this goes to underscore the relevance of great literature to the human condition. The actual performance of the play was acted so well that there were times when a character in the play was in a fight and I said to myself "they're really fighting, that guy really got stabbed!" So often a play within a movie is acted in a very staged manner, so this was a welcome surprise. And for anyone who is a fan of Shakespeare, it is easy to find little tidbits to reflect upon - such as the fact that Shakespeare himself was fond of the "play within a play" theme that we see in this film.
The performances are excellent throughout, including minor characters. In the midst of tragedy there is genuine comic relief, just as in Shakespeare. The historical details that surround the conjectural main plot are accurate down to the names of the actual people with whom Shakespeare crossed paths. In the end "Shakespeare in Love" causes us to feel as well as think, to think as well as to be entertained.
In the times when Women were not allowed to act on the stage. A time when a young William Shakespeare (Joseph Fiennes) was troubled with Writers block. Viola (Gwyneth Paltrow) wanted nothing more than to perform on stage.
The Lovely Viola, is set to marry Lord Wessex, but her desire to become an actress, leads her to dress as a man and she successfully auditions for a part in Shakespeare's Romeo and Ethel the pirate's daughter. Inspired by a forbidden love for Viola, Shakespeare's writers block is lifted and his play blossoms into Romeo and Juliet.
This is a heart warming tale of forbidden love between an unlikely couple, and is delivered in a charming way, with subtle comedy undertones throughout.
A Beautiful Film 8/10
The Lovely Viola, is set to marry Lord Wessex, but her desire to become an actress, leads her to dress as a man and she successfully auditions for a part in Shakespeare's Romeo and Ethel the pirate's daughter. Inspired by a forbidden love for Viola, Shakespeare's writers block is lifted and his play blossoms into Romeo and Juliet.
This is a heart warming tale of forbidden love between an unlikely couple, and is delivered in a charming way, with subtle comedy undertones throughout.
A Beautiful Film 8/10
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Você sabia?
- CuriosidadesImelda Staunton and Jim Carter are married in real life, and in this movie, they played the same role. Staunton played the Nurse off-stage, and Carter played the nurse on-stage.
- Erros de gravaçãoWilliam Shakespeare/Romeo tends to Ned/Mercutio by kneeling to Mercutio's right, and, in doing so, violates the first "rule" of stage acting, which is to never hinder the audience's view of the stage or the actors.
- Citações
Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.
Hugh Fennyman: So what do we do?
Philip Henslowe: Nothing. Strangely enough, it all turns out well.
Hugh Fennyman: How?
Philip Henslowe: I don't know. It's a mystery.
- Versões alternativasThe Region 2 DVD contains some deleted scenes:
- A different end sequence. Here the conversation between Will and Viola is shorter than in the final film. After Viola has left Burbage enters and stops Will from running after Viola. He also takes the 50 pounds and says "Welcome to the Chamberlain's Men". The scene where Lord Wessex's ship sinks is also different. Here we see that Viola survives the drowning and is washed ashore an unknown coast. There she asks two people where she is. Their reply is "This is America".
- A slightly different version of the scene where Burbank and his men fight against Will and his actors in the theatre. The sequence is largely the same as the scene used in the final film but parts are shown from different angles. A small conversation between Fennyman and Henslowe is added where they discuss about business.
- A small scene which takes place after Henslowe has announced the audition. Here the two actors John and James walk to the court to play witnesses. When they meet the other actors and hear that Will Shakespeare needs actors for his new play they follow them to the audition.
- A deleted take where Tom Wilkinson announces that he will be playing the apothecary. To Rushs question "How does the comedy end?" Fiennes replys "By God, I wish I knew". Then Rush says "By God, if you do not, who does? Let us have pirates, clowns and a happy ending and you'll make Harvey Weinstein a happy man."
- Trilhas sonorasThe Play & the Marriage
(uncredited)
Written by Stephen Warbeck
Performed by Catherine Bott
Conducted by Nick Ingman
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Shakespeare apasionado
- Locações de filme
- Broughton Castle, Broughton, Banbury, Oxfordshire, Inglaterra, Reino Unido(Great Hall, Middle Temple)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 100.317.794
- Fim de semana de estreia nos EUA e Canadá
- US$ 224.012
- 13 de dez. de 1998
- Faturamento bruto mundial
- US$ 289.317.794
- Tempo de duração
- 2 h 3 min(123 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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