AVALIAÇÃO DA IMDb
5,1/10
6,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaPeople who dial 976-EVIL receive supernatural powers and turn into satanic killers. When Spike dialed 976-EVIL, he knew it was an expensive toll call, but he didn't know that he'd have to pa... Ler tudoPeople who dial 976-EVIL receive supernatural powers and turn into satanic killers. When Spike dialed 976-EVIL, he knew it was an expensive toll call, but he didn't know that he'd have to pay for it with his soul.People who dial 976-EVIL receive supernatural powers and turn into satanic killers. When Spike dialed 976-EVIL, he knew it was an expensive toll call, but he didn't know that he'd have to pay for it with his soul.
- Direção
- Roteiristas
- Artistas
Patrick O'Bryan
- Spike
- (as Pat O'Bryan)
María Rubell
- Angela
- (as Maria Rubell)
Darren E. Burrows
- Jeff
- (as Darren Burrows)
Gunther Jenson
- Airhead
- (as Gunther Jensen)
John Currie Slade
- John Doe
- (as Jon Slade)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I do not understand why everyone else hates this movie. Yes, it is cheesy in a lot of the standard horror genre ways, but I really got into it. The main reason a horror film doesn't work is because the characters don't hook you. I started to care about the characters after just a few scenes. The mother who is in love with religion is hilarious--we all know people like her. The son, Hoax, is heartbreaking because he is so weak that he will grasp at anything to be strong. I think we all know him too. Robert Englund was very careful to build up the suspense. There are lots of times when you know that someone is going to die, and he draws it out to the point where it is almost painful to watch (I obviously can't give examples without ruining it.) So, I recommend it to anyone who likes horror.
Some moments work better than others and the film takes a trip to bizarro world towards the end and you stop caring, but for Robert Englund's directorial debut, 976-Evil has more style than expected and at least two great performances from Stephen Geoffreys and Sandy Dennis. Geoffreys is great as the put upon high school dork who gains his confidence due to demonic possession and Dennis swings from the rafters as his campy religious freak mother. Also worth seeing for some great effects even if it seems like this movie got the MPAA on a bad day. Even the so-called uncensored version feels like it was cut to ribbons.
Much better than you may have heard, though it requires a great deal of patience. The first half is pretty slow, but not completely without merit because it showcases the comedic talents of the gifted Sandy Dennis who is a riot as the taunted teen's overprotective, religious fanatic mother. Dennis takes the Piper Laurie role in CARRIE even further, but this time plays the role for laughs, and she's absolutely magnificent every minute she's on the screen. She comes across in this film as an even more out-of-control Shelley Winters(another great actress). The second half however is what viewers will most likely remember about the film because it features some very wacky and crudely effective special effects. The FX are pretty good too for such a low-budget effort and all. Besides Dennis, the top acting honors go to Stephen Geoffreys who is just about perfect as the terrorized teen who turns the tables on his tormentors. Generally speaking, audiences and critics alike have been much too harsh on this nifty little flick. Actor Robert Englund, who had played nightmare-invading/teen throat-slashing Freddy Krueger in the NIGHTMARE ON ELM STREET movies for several years, was a perfect choice to direct this scary/funny movie. I don't care what anyone says, good job Robert!!!!! Yes, CARRIE is a masterpiece of horror, but if you wan't to see a more humerous take on the same theme, then 976-EVIL is the way to go.
Receiving a strange calling card, a teen living with his cousin realize that a growing obsession with the horoscope line after it's predictions come true realize he's gained Satanic powers through the line and when a spate of violent murders occurs they ban together to stop him.
For the most part, this here wasn't all that bad. One of the main elements to this one is the fact that this is one of the cheesiest films of it's time, as most of this is taken up by the general tone of the plot. The very idea of it's central premise, being invested of Satanic powers through a horoscope hot-line is pretty goofy, and yet there are certain scenes here that play off that goofiness with gusto here as the action of that occurring is where this one really gets enjoyable. The opening stalking scene of the victim being blown up and set on fire in a phone booth, having the spiders in the oven- dinner, the bathroom stalking when he's possessed taking out the gang- members who bullied him and the second poker game held during the rampage are perfect examples of the cheesiness throughout here, as they should not be taken seriously and yet come across as perfectly serious during it's time. As well, the film's at its best at the last half hour, which is where all the fun really starts to happen since the body count picks up and we get the highlight with the trip through the frozen house is ably chilling as it contains a few nice suspense sequences and features a really nice jump at the end in addition to the big final confrontation that works rather nicely. Alongside the fine gore for the kills and the great cheese here, these are the film's positive points as there wasn't a whole lot against this one. One of the biggest detriments, which is also it's greatest asset, is the high amount of cheese on display. While it makes the film a lot of fun, the fact is that it makes it appealing only to those who enjoy that in their films. For those who want it more serious, the cheese here will make it a lot harder to get into. The central premise is a little hard to swallow, the joke- filled nature of it drags it down slightly, and the biggest drawback is the tone given to the film. There's a bluish hue surrounding most of the film that gives it a low-budget feel and really does make it a little tougher to sit through. The other big problem against it is a slow beginning. This is a necessity to build it up, but to make the first forty minutes of it so uneventful beyond setting up angles to play off later is a problem to overcome. Though not as prominent as the cheese factor, it still hurts it to a degree. Likewise, the rather confusing narrative doesn't help this by seemingly introducing characters here for no real reason and letting them survive as they do is a little surprising, which doesn't really do the film many favors either, and all told these here are the film's biggest issues.
Rated R: Graphic Violence, Graphic Language, Nudity, a brief sex scene and drug use.
For the most part, this here wasn't all that bad. One of the main elements to this one is the fact that this is one of the cheesiest films of it's time, as most of this is taken up by the general tone of the plot. The very idea of it's central premise, being invested of Satanic powers through a horoscope hot-line is pretty goofy, and yet there are certain scenes here that play off that goofiness with gusto here as the action of that occurring is where this one really gets enjoyable. The opening stalking scene of the victim being blown up and set on fire in a phone booth, having the spiders in the oven- dinner, the bathroom stalking when he's possessed taking out the gang- members who bullied him and the second poker game held during the rampage are perfect examples of the cheesiness throughout here, as they should not be taken seriously and yet come across as perfectly serious during it's time. As well, the film's at its best at the last half hour, which is where all the fun really starts to happen since the body count picks up and we get the highlight with the trip through the frozen house is ably chilling as it contains a few nice suspense sequences and features a really nice jump at the end in addition to the big final confrontation that works rather nicely. Alongside the fine gore for the kills and the great cheese here, these are the film's positive points as there wasn't a whole lot against this one. One of the biggest detriments, which is also it's greatest asset, is the high amount of cheese on display. While it makes the film a lot of fun, the fact is that it makes it appealing only to those who enjoy that in their films. For those who want it more serious, the cheese here will make it a lot harder to get into. The central premise is a little hard to swallow, the joke- filled nature of it drags it down slightly, and the biggest drawback is the tone given to the film. There's a bluish hue surrounding most of the film that gives it a low-budget feel and really does make it a little tougher to sit through. The other big problem against it is a slow beginning. This is a necessity to build it up, but to make the first forty minutes of it so uneventful beyond setting up angles to play off later is a problem to overcome. Though not as prominent as the cheese factor, it still hurts it to a degree. Likewise, the rather confusing narrative doesn't help this by seemingly introducing characters here for no real reason and letting them survive as they do is a little surprising, which doesn't really do the film many favors either, and all told these here are the film's biggest issues.
Rated R: Graphic Violence, Graphic Language, Nudity, a brief sex scene and drug use.
I guess I have a soft spot, a very small one, for this forgotten film, which was directed by horror icon Robert Englund. I think it's because it came out at the end of the 80's, which is the decade I saw the majority of my horror films, as I consider myself a horror buff. I've seen it listed as either 1988 or 1989, but I don't think I've seen many more horror films since then, as the 80's wrapped up my teen years. An interesting tidbit has star Stephen Geoffreys basically become a gay porn star not long after this film came out, no pun intended. You probably won't recognize anyone else, other than perhaps Sandy Dennis, and maybe Robert Picardo. I thought the premise of the film was fairly original; you call a "horrorscope" number, and you get to speak to the Devil. There's a catch though, if you don't do what "he" says, you get a strange sounding ring on a nearby pay phone(remember them?)and bad stuff may happen to you. Buyer beware! I'll get the bad out of the way; first off, I didn't like how Hoax decided to play a cruel, but deadly joke on Suzie, considering she was very nice to him, and even tried to protect him from bullies. Her death scene was pretty lame, as far as horror standards go. Also, the way the house turned into a foamy ice inside, and the fire effects under the house, were cheesy at best. I did like the creature's make-up for the most part, although the extra large hands and feet could've been done better. I also thought the fish falling from the sky was interesting, and I haven't seen anything like it before or after this film. Mark Dark was a very cool addition, but I wish there was more background on his character. To finish this review, I'll reiterate that this has some late 80's charm to me, and was probably one of the last horror films I saw, at least from what I can recall, as the 80's gave me some really cool horror film memories, and I'll proudly include this film as well.
Você sabia?
- CuriosidadesRobert Englund met his wife, set decorator Nancy Booth, while making this film.
- Erros de gravaçãoWhen Spike is dialing from a phone booth outside the auto parts store, his is instructed to dial "666." He pushes three buttons, but the final tone is a different frequency than the first two. If he dialed three sixes, all three tones should have been the same.
- Versões alternativasVideo contains footage cut from theatrical version
- ConexõesFeatured in Never Sleep Again: The Elm Street Legacy (2010)
- Trilhas sonorasI'm a Wild One
Written by Stephen C. Marston, Jill H. Roberts, Thomas Chase, and Steve Rucker
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Linha Direta para o Inferno
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.955.917
- Fim de semana de estreia nos EUA e Canadá
- US$ 794.049
- 26 de mar. de 1989
- Faturamento bruto mundial
- US$ 2.955.917
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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