Um adolescente faz parte de um videogame interativo onde mata vítimas inocentes. Mais tarde, os assassinatos se tornam reais.Um adolescente faz parte de um videogame interativo onde mata vítimas inocentes. Mais tarde, os assassinatos se tornam reais.Um adolescente faz parte de um videogame interativo onde mata vítimas inocentes. Mais tarde, os assassinatos se tornam reais.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
- Kyle
- (as a different name)
- Ken
- (as Dom Fiore)
- Young Michael
- (as Tod Fennel)
- Stacie
- (as Michele-Barbara Pelletier)
- Mrs. Keller
- (as Donna Bacalla)
- Mr. Tebb
- (as Jerome Thiberghian)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Freddy Kruger look out! The lead ghoul in this flick can appear any time. You need not be asleep when he comes to call. The plot, oh yes, it has one, although it is not that unusual,does hold your interest The characters are quite vivid and work well in telling this dream like tale. Basically, the film is more of a comedy. One liners flow like the blood of many of the films hapless victoms.
I would have probably enjoyed this horror venture a lot more have I been a much younger man. It has been many years since I saw my teens or in fact my 20's, but Brainscan is one of those rare movies that can appeal to anyone who enjoys a good horror spoof.
Ok, so the film is about a gaming fanatic, Michael (Edward Furlong) who boasts about having played every game out there. Through his friend Kyle, he is introduced to a brand new, super interactive game called 'Brainscan'. And it literally means just that: it scans your brain and incorporates your subconscious mind into the game. Things soon get much, much more complicated than this, though (for Michael).
Furlong is very good as Michael, but the best performance by far, was T. Ryder Smith as The Trickster. He defines the character. The film's make-up and visual effects are also very good, keeping in mind CGI wasn't a big thing back then. (CGI was only really prominently used in films after the success of 'Lord of the Rings: The Fellowship of the Ring).
'Brainscan' is fast-paced and captivating, keeping the viewer glued to the screen. The film sucks you in as Michael's world spirals out of control. There never really is a dull moment. This is a very clever script. On the downside, the film's lighting isn't very good, resulting in a film that is very dark - even during daytime. Nevertheless, 'Brainscan' is an interesting watch with a great reveal.
Brainscan was one of the few Slashers still released to cinemas in a time where the genre was mostly on the decline and entries were dumped on Home Video or cable. While slasher series such as Leprechaun, Child's Play, and Candyman did emerge during the 90s, most of them couldn't hold audience interest and were met with either diminishing margins or sequels going straight to video. One of the last film's to be released by Gaumont/Columbia joint venture Triumph Releasing Corporation before reorganizing as Sony Releasing Corporation, Brainscan was a critical and box office disappointment upon release opening at a dismal 10th place upon initial release and withdrawing from theaters two weeks later. While Brainscan isn't a lost horror classic by any means, I think it does have more on its mind than most give it credit for.
The movie was released shortly after the moral panic on video games in the early 90s spawned by games such as Night Trap and Mortal Kombat that lead to the congressional inquiries of 1993 as well as the establishment of the ESRB so the industry could self regulate (not unlike the moral panic of the 30s that put an end to Pre-Code Hollywood with the establishment of the Hayes Code). Brainscan has a rather subversive attitude to its subject matter, playing devil's advocate for gory horror films and violent video games at a time when they were very much under attack. The movie even goes into breakdowns of the appeal behind this kind of entertainment with Edward Furlong's character Michael discussing such entertainment as an escape while David Hembeln's Dr. Fromberg makes hyperbolic statements on Michael's entertainment choices comparing viewing of horror films to Rape in one scene. Even once the terror of the movie begins, the movie uses its framework as a way of breaking down how we project ourselves into these types of entertainment as a way of contrasting and exploring our underlying fears in a fantastical exaggerated sense that serves as an outlet to help us understand our fears. It's a really smart breakdown of horror that feels genuine.
While the movie's take on horror from an analytical view is certainly well done, the movie as a horror film itself will be somewhat disappointing to people expecting a fright fest. T. Ryder Smith as The Trickster, a entity who appears to Michael through the video game and makes causal wise cracks about murder and mayhem is trying to be a digitized take on Freddy Kruger, but at no point is he legitimately scary and I'd equate him more with something like Beetlejuice but even Beetlejuice could be a little threatening despite being a comedic character. The Trickster I found more aggravating than funny or intimidating and the choice to model the character with an exaggerated Punk Rock style just seemed more confusing than anything else. Most of the kills in Brainscan happen off camera, and even when we do see them they're fairly tame in comparison to the high points of kill scenes in Friday the 13th or Nightmare on Elm Street. Brainscan while interesting in playing Devil's advocate for Horror films and video games isn't really all that interested in being a horror movie itself and plays more like a dark comedy.
While Brainscan will be disappointing to those expecting a digitized Nightmare on Elm Street as promised by the advertisements, Brainscan shouldn't be completely written off. The movie isn't all that scary, but it tackles the genre from a deconstructionist point of view looking at the appeal behind the genre and the purpose it serves its fans. While the movie doesn't want to be a horror film itself, it's production design and attitudes shows a real love, respect, and understanding of the genre. As long as people set their expectations correctly and are okay with a darkly comic coming of age story that happens to have horror iconography without much actual horror, Brainscan shows it does have a brain.
Você sabia?
- CuriosidadesDirector John Flynn did not get along with Edward Furlong during filming. He later recalled, "Eddie Furlong was a 15-year-old kid who couldn't act. You had to slap him awake every morning. I don't want to get into knocking people, but I was not a big Eddie Furlong fan."
- Erros de gravaçãoMichael's area code is 717 which is located in Eastern Pennsylvania. However if you look closely at the letters that he sorts through and finds the Brainscan package, the state that he lives in is actually New Jersey.
- Citações
[Michael answers Dr. Fromberg as to why he likes watching horror films]
Michael: I guess it's kind of an escape.
Dr. Fromberg: Like, uh... lighting up a marijuana cigarette and escaping the real world, hmm? Like watching a pornographic sex film, getting an erection and raping someone? Is that what you mean?
Michael: You know, I don't think erections rape people. People rape people.
- Cenas durante ou pós-créditosAs the end credits start, we hear Trickster say "Wait a minute. Haven't you forgotten something?" and the credits screen shatters as if it was made of glass. It then shows a scene involving the dog with the dismembered foot from earlier in the film, and then the end credits resume.
- Versões alternativasThe UK Guild video was cut by 58 secs with edits to a scene where a man is repeatedly stabbed and his foot severed. The cuts were waived for the Optimum DVD release.
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.352.094
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.725.000
- 24 de abr. de 1994
- Faturamento bruto mundial
- US$ 4.352.094
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1