Superboy

I think the overall criticism of this show is too harsh. It didn't have the budget of _Lois & Clark_ or _Smallville_, but it was a lot of fun and, overall, well-done.

I actually prefer John Haymes Newton in the first season. Gerard Christopher was probably the better actor, but Newton brought a little cocky attitude--and a unique sexiness--to the role, never seen before or since in any interpretation of Superman. It added a new dimension to the character. A good example is the Newton episode where a bad guy drew a gun on Superboy and said "Freeze!" Superboy smirked and deadpanned "Good idea!" and then encased him in a block of ice with his super-breath. I think he may have come across to some people as too much of a "bad boy" for the role, but it really did work.

The Christopher episodes were fun, but they lacked something.

Overall, the show really deserves better treatment than it has received. I hope it resurfaces somewhere soon.

I think of this show sort of the way I think of Tim Burton's Batman. Burtons' Batman focused a lot more on visuals and preferred to explain the story through actions rather than words. Nevertheless, people dug it and flocked to see the film(s). Superboy was much the same. The acting is nothing to write home about, the dialogue is 50/50 at best and the stories are awfully stereotyped comic book stories. Nevertheless, something about it just kicks ass. Maybe it's the fact that it's the only Superman experience ever that features a bang-on 100% accurate version of the costume. Maybe it's the fact that even though the plots are awfully stereotyped and clichéd, it really is the only show that has those plots anyway. I don't know, maybe it's just because it's fun and it doesn't make you depressed with all of the pain and anguish and darkness of the modern day Superman shows like Smallville.

For anyone who is unfamiliar with Superboy, originally he was just a spin-off of the Superman comic, showing Clark's adventures as a fully powered teenager. Well in the 80's, they got rid of that character and had the teenage Clark more along the lines of the character you watch in Smallville (which is getting steadily crappier). Now, when those crazy Salkind guys bought the rights to Superman, they also bought the rights to Supergirl, Superboy and (sigh) Superpup. Well, to make a long story short, the Salkinds sold the rights to Superman to those fools who made Superman IV. But they still had those rights to Girl, Boy and Pup. In 1984, Supergirl tanked, so that was no-show. They'd have to be pretty thick to make a live-action show about a dog with super powers, so they also gave that one a miss. But what about a boy? Better yet, a teenager, or better still, a college student with super powers? That could work...

And so, a show was born.

The first season saw John Haymes Newton as the boy of steel. Many claim that Newton was a bit too one-dimensional in terms of acting despite the fact that he looked like he had just walked off the face of a comic book. The stories in the first season generally revolved around social issues, largely because there wasn't much of a budget for fancy special effects (I'll get to that in a sec'). A lot of these episodes were also based upon events that happened in the comics or even in the movies. For example, just like in the comics, Lex loses his hair in a chemical accident and just like in the movies, Kryptonite is discovered in Addis Ababa. Another thing I liked about the first season was the fact that it was really 'Generation X' in the sense that it really tried to appeal to teenagers as well as the traditional Superman audience of kids and adults. If you listen to the first season Superboy theme tune, there's a really cool guitar solo in there. It also really reflects the style and tone of the late eighties which is kind of cool. The other seasons were more timeless and didn't have that eighties feel.

The second season brought in Gerard Christopher as Superboy because John Haymes Newton had portrayed Superboy as too much of a 'badboy' (which I kind of liked, but anyway) and he had also been getting in a bit of trouble with the law off screen. Gerard Christopher played Superboy as the Superman stereotype. He was cool, calm and collected and only ever got angry around villains. His Clark was a clumsy goofball, much the way he was in the movies, only more so. A new, older Lex Luthor was brought in as well, to tie in with a really silly story about Lex making himself look a famous inventor so that he could steal the inventor's weapon and (you guessed it folks) kill Superboy. Because the first season had brought in a bit of dough, the second season had more of a special effects budget and here's where things get really interesting. We got to see villains like Metallo and Bizarro for the first time ever off the pages of a comic. Sadly, we also got a load of silly villains like Dracula (?) and Microboy (a rival superhero in a big yellow foam suit), which made the second season look like a cross between the old Batman show and Power Rangers.

The third season became really dark and sophisticated, despite the fact that it was a show about a cheerful hero. This tone was probably to do with the release and success of Burton's Batman movie. It worked quite well, because it made Superboy look sort of out place (which is sort of cool, because Superman is out of place in today's modern, vice-filled society of sex, drugs, rock and roll and computers). The fourth season was probably the only season which didn't bring anything new to the show. The episodes were in the same dark tone as the third season, but if it counts for anything, they were written better and the overall acting was improving. But then, Warner Bros. came along and got rid of the show, because they didn't own it and it was starting to make some serious money. They took it off the airways for good and it is quite likely that it will never be seen on television ever again. But there is talk of bringing it out on DVD, so don't despair.

Overall, this show is quite good and it is worth noting that this is the last show that focused solely on a character that has been appearing in comics for over sixty years. Lois and Clark and Smallville are both attempts at updating this timeless character. It is definitely worth a watch if you can find some episodes of it.

It seems that sometimes very few people even remember that "Superboy" existed. But it did. And I have felt for a long time that this is the best ever (so far anyway) television adaptation of the Superman mythos. This show really stayed true to its comic book roots. This series marked the first live-action appearances of Mr. Mxyzptlk, Bizarro, & Metallo. It also featured some really inventive storylines such as those featured in "Roads Not Taken" and "The Road to Hell", two 2-part episodes dealing with the Superboys of alternate universes, and "To Be Human" which featured Bizarro being transformed into a normal human only to have to give up his humanity to save Superboy's life. I don't care what anyone says, this series surpassed any other Superman television series in quality of stories and truth to its comic book roots.

I liked the series when it was John Haymes Newton. He looked perfect.

Gerard Christopher looked fine, but the series, in my view, became surrealistic. Every episode seemed to me to be about Lex Luthor having Superboy trapped in another mind game -- VR -- and I didn't like that or the actor who portrayed Luthor as a grinning maniac.

I'm probably in the minority in liking JHN. I am probably NOT in the minority in thinking that "Lois and Clark" turned into a soap opera. It was cancelled quickly after that.

Before there was the long running Smallville this more modest show was also out there depicting young Clark Kent as those powers and abilities start developing. Two Superboys were in the cast as the original John Haymes Newton left the show and without a ripple got replaced by Gerard Christopher. Stacy Haiduk plays Lana Lang and this show depicts his days at Shuster University where he majored in journalism.

Superboy was a modest show and done for the juvenile viewers. I remember it being broadcast early in the Saturday morning time slots. The shows were efficiently and competently made. It sure didn't look like the poverty row budgets that were in the Captain Marvel and Isis shows from a decade earlier.

It might be nice to see these again.