As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa

Every child has a memory of a TV programme they watched when they were little and played it back for as long as they can remember and it always reminds them of the good times in their childhood. CS Lewis's Lion, Witch and the Wardrobe was one of them for me. I watched Rainbow, Simon and the Witch, T-Bag, Rod Hull and EMU along with Grottbags but Lion Witch and the wardrobe brings back the best.

I was never to much fussed or even liked Prince Caspian and The Silver Chair but this was a childhood masterpiece and also classic. The witch is still the most scariest thing I have ever witnessed, even in my adulthood the thought of her voice sends shivers down my spine. I always thought Aslan was a dark character as the Lion. The scene where it is night and he sends Lucy and Susan away and he lies onto the stone table awaiting the Witch to come and take his life in a bargain that she would release Edmund from her powers still keeps in my head as it was one of those famous scary scenes from kid programs.

I now have the box set of the entire films that were made and I have taken a liken to Prince Caspian but still no luck on The Silver Chair but with the movies coming along soon then I could be changed which will probably be the case as the whole thing is supposed to give Lord of the Rings a run for it's money which will be interesting to see.

Not matter how Good the new Lion, Witch and Wardrobe will be this is will always have a place in my heart for making my life as a child enjoyable one as it kept me excited every Sunday evening when they showed each episode on BBC One and I will always think of that Witch.

This is my absolute all time favourite film (ok- TV programme) to watch. I've bought it on DVD and as soon as I hear the opening anthem I'm taken back to being four again and sat right in front of the TV watching with excitement. Does this mean I love it so much because it's very good or just because of the nostalgia I feel? Does anyone else have TV programmes/ films that instantly take them back in time when they watch them? After I'd watched this on TV (or video I'm not sure) I remember going up to my bedroom, closing my eyes and putting my hand slowly towards the back of my wardrobe. No matter how many times I did it I'd always get to a point where I'd believe I'd got into Narnia!

Yes, it isn't perfect-: the special effects do look a little cheap, but because of the overall loveliness of the adaptation, with the scenery and costumes(and the faithfulness to the book), I can't help but like it. The whole production looks lovely(apart from the beavers' costumes and some of the animated mythological effects, Aslan though looks great), and there are some truly memorable scenes, like Edmund's encounter with the White Witch, Lucy's meeting with Tumnus and any scene with Mourgrim, helped by the sparkling and very faithful dialogue. Though, I do think that very young children will find Mourgrim a bit too frightening, because I did especially when the children learn of Mr Tumnus' arrest. The music is memorable, and sticks in your head for a while. Extremely beautiful too, especially the main theme, when Lucy is enticed to sleep and her dream, Edmund's entrance from the back of the wardrobe into Narnia and the escape from the beaver dam with the wolves on their way there. The performances from the youngsters are very good, especially Sophie Cook and Sophie Wilcox, but Edmund was too much of a brat and his change doesn't convince. I liked Michael Aldridge, from Last of the Summer Wine, as the Professor, at times he was very funny with a touch of mystery. Although one may compare him to Liam Neeson, Ronald Pickup acquits himself brilliantly as Aslan, and the beavers and the other animals were well performed. For me, the standout was Barbara Kellerman as the White Witch. One may think she was a little pantomime, but she did have a certain frostiness and menace that is needed, so much so it reminds me of Miss Hardbroom in the Worst Witch. Her costume and make-up were also incredible. All in all, despite the effects and some frightening scenes, a beautiful and well-acted adaptation of a great book! 8/10 Bethany Cox

Disney's upcoming movie is certainly an exciting prospect; I know it will be excellent since WETA is involved. (They did all of the Lord of the Rings props and costumes and more.) Many of us who look forward to the 2005 film fondly remember growing up with the BBC "WonderWorks" version from 1988. The best way to watch this movie is: not after Lord of the Rings. I mean it. You are spoiling it for yourself if you go into it expecting too much.

The worst thing about this film is definitely the effects. Most of them you can move beyond if you try to have a pre-Toy-Story-revolutionized-world attitude. The worst thing for me was the green-screen flying sequence. Even with an open mind, that one's tough.

Aslan actually looks pretty lion-ey until he talks, then you have to try to concentrate anywhere but his mouth. Anyone remember "Wishbone," the PBS beagle-mutt who took us all on adventures in classic literature? His mouth didn't move at all, and by the third or fourth episode, you believed it without a problem. If you have patience, Aslan gets better as the movie progresses. He falls a little short of "majestic," but the Stone Table scene had me in tears even when I was past the cry-in-Free-Willy age. (The Beavers also take a little imagination -- but come on, it was 1988... how else do you do a Beaver who talks and acts?

Those few less-than-stellar aspects aside, this movie was fantastically done. The acting was definitely the strongest point. The Professor was hands-down the best character as far as performance goes, though he was in it little, but the others were all good too. Barbara Kellerman as the White Witch was excellent as well; I think that of all the comparisons between this film and the upcoming version, the White Witch will be the hardest for me to accept. I mean sure, they can beat the all technical stuff without any effort at all, but can the new White Witch be quite as regally evil? We'll see. The four children are very naturally good, they act just like four young British children who come upon such and adventure would act. (Which is a much bigger accomplishment than it sounds, and not all that common. Can anyone say nine-year-old Anakin Skywalker?)

Also, the script is taken from the book nearly verbatim, which gives is much credibility. Anyone who feels the need to improve upon C.S. Lewis loses a few points in my book.

Long story short, if you have the ability to forget you've seen computer-animated creatures interact flawlessly with live action, and you can use your imagination a little, then you will enjoy this beautifully crafted tale. Although, I do recommend trying to see it BEFORE you catch Disney's in December. :-D

The criticisms of this BBC adaption, made as the first in what proved to be a set of four of C.S. Lewis' books are largely unfair. The budget was small - by American standards, at the time in the UK it was positively lavish - and the effect achieved given these constraints and the fact that the show is now almost 15 years old is pretty impressive. The adaption is an even-handed one, the leads are relatively engaging the animals don't look at all bad with Aslan clearly having the majority of the budget for the whole show lavished on him. Only those drunk on the slick fantasy effects of the 90's could complain. Above all Barbara Kellerman is the standout, however, as the White Witch, sending a chill into the hearts of even the most confident of seven year olds; as I was when this was first shown on British television. As far as I'm concerned the whole series was seminal. They don't make them like this anymore - though some would say thank goodness.

Narnia requires a big-budget adaption for the big screen. But until that comes along this is easily the best screen version of C.S. Lewis' best known story out there. And the music is absolutely fantastic.