Vec vidjeno
- 1987
- 1 h 42 min
AVALIAÇÃO DA IMDb
7,7/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaPiano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.Piano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.Piano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 1 indicação no total
Milorad Mandic-Manda
- Zoran
- (as Milorad Mandic)
Mihajlo 'Bata' Paskaljevic
- Olgicin otac
- (as Mihailo Paskaljevic)
Srdjan 'Zika' Todorovic
- Mladi Mihailo
- (as Srdjan Todorovic)
Dragan Petrovic-Pele
- Bobika
- (as Dragan Petrovic)
Avaliações em destaque
Now I'm not saying this is a masterpiece, but it is nonetheless a very interesting movie. It is definitely worth seeing, if you get a chance.
The storyline follows the life of a child whose posh family disintegrated following the arrival of communists in Belgrade, Serbia.
The loss of his family, societal status and dignity and the perceived lack of morals in the communist society drives him further and further away from the mainstream and into loneliness, depression and murderous obsession.
The movie maybe tries a little too hard to represent the post-war communist society as a parade of ignorant, unsophisticated and violent peasants, freshly arrived from the mountains and villages but already ruling every aspect of the new society.
The film is really about violence, and about painful changes in society that war and violent revolutions bring.
The storyline follows the life of a child whose posh family disintegrated following the arrival of communists in Belgrade, Serbia.
The loss of his family, societal status and dignity and the perceived lack of morals in the communist society drives him further and further away from the mainstream and into loneliness, depression and murderous obsession.
The movie maybe tries a little too hard to represent the post-war communist society as a parade of ignorant, unsophisticated and violent peasants, freshly arrived from the mountains and villages but already ruling every aspect of the new society.
The film is really about violence, and about painful changes in society that war and violent revolutions bring.
considering rest of markovic's work, this movie takes low position on list of his movies, for someone else it may be average, but not for goran markovic. as we are used to negative associations for yugoslav communist authority in markovic's movies, same thing is presented in 'vec vidjeno'. movie is about the man who is piano teacher who wasted his exceptional talent, primarily because of his childhood traumas which effected the rest of his life to the point of absolute mental decay. he associates nowadays reality with scenes from his childhood (explanes movie title)and general atmosphere is very melancholic and heavy, but not strong or effective enough and that's the key problem
This movie is a Yugoslav hidden gem. In my opinion, definitely in top 3 Yugoslav movies. The acting of Mustafa Nadarevic is superior, but other actors did a great job as well.
This movie reminded me of Hitchcock's movies, except that this movie is even better. I would like to add that the director Goran Markovic not only directed this movie but also wrote the story, so I have a huge respect and admiration for this man.
It covers interesting topics such as trauma from the events that happened in protagonist's youth- from communists bumping into his family's apartment, taking it over and dividing it in half to trauma from his parent's fighting and divorce, etc. When a new woman arrives to his workplace and he becomes intimate with her, the protagonist starts experiencing deja vu's often and over time loses his sanity which is going to lead to fatal consequences.
This movie reminded me of Hitchcock's movies, except that this movie is even better. I would like to add that the director Goran Markovic not only directed this movie but also wrote the story, so I have a huge respect and admiration for this man.
It covers interesting topics such as trauma from the events that happened in protagonist's youth- from communists bumping into his family's apartment, taking it over and dividing it in half to trauma from his parent's fighting and divorce, etc. When a new woman arrives to his workplace and he becomes intimate with her, the protagonist starts experiencing deja vu's often and over time loses his sanity which is going to lead to fatal consequences.
10nixona
In my opinion, "Vec vidjeno" is the best movie of Goran Markovic (and all of them are great), one of the best Serbian directors.
It's done in cognizable Markovic's way. The story is great (it is by Markovic, also), acting of Mustafa Nadarevic is superb, Zoran Smijanovic's music is excellent as everything else in this movie.
It is a horror movie, which is not a typical Yugoslav genre, [besides "Davitelj protiv davitelja" (which is more like comedy) and "Leptirica" I can't think of another], but it is done in a way that Hitchcock would envy.
If any film deserves the Oscar then this is the one!
It's done in cognizable Markovic's way. The story is great (it is by Markovic, also), acting of Mustafa Nadarevic is superb, Zoran Smijanovic's music is excellent as everything else in this movie.
It is a horror movie, which is not a typical Yugoslav genre, [besides "Davitelj protiv davitelja" (which is more like comedy) and "Leptirica" I can't think of another], but it is done in a way that Hitchcock would envy.
If any film deserves the Oscar then this is the one!
This movie works better as a psychological drama, horror aspect is just a spice which concluded the gloomy atmosphere that was building up throughout the whole movie.
Mustafa Nadarevic really gave a monumental performance, he amazingly portrayed a deeply troubled and emotionally scarred middle aged man in the cynically socialistic world created by Goran Markovic.
It is important to look at this movie rather as a dark drama than a horror flick. Markovic has paid a great homage to the Yugoslav Black Wave movement with this one. His communist Yugoslav society was dr Frankenstein who was creating and shaping his monster for decades and in the end monster has done its bidding and in the process incepted its legacy further (kind of predicted the future of our society in the upcoming decade(s)).
From the technical standpoint movie was done carefully, but with a lower budget. The horror element is lacking the good ol' scare, except maybe for the last shot of the movie. The lack of real dread component is why I gave it 9/10. Nevertheless, it doesn't take much from it, the plot is phenomenal and it keeps you glued to the screen until the very end.
The sad fact is that we do not have more movies like this one, with the exception of the Yugoslav black wave examples and some early Markovic's movies I can't really find more. Maybe T.T Syndrome but even if it was influenced by Deja Vu it is was a much weaker work, although Zecevic's film is quite scarier thanks to the brilliant performance by another talented artist Dusica Zegarac. She set an example how just a facial expression can scare you more than an intense jump scene or gallons of blood and guts.
For me this is a 9/10 film it has a very smart plot, great acting performances (especially Nadarevic and Dobra), stylistically was done very well, very atmospheric. If you are into thought provoking movies that are well made this one is highly recommended.
Mustafa Nadarevic really gave a monumental performance, he amazingly portrayed a deeply troubled and emotionally scarred middle aged man in the cynically socialistic world created by Goran Markovic.
It is important to look at this movie rather as a dark drama than a horror flick. Markovic has paid a great homage to the Yugoslav Black Wave movement with this one. His communist Yugoslav society was dr Frankenstein who was creating and shaping his monster for decades and in the end monster has done its bidding and in the process incepted its legacy further (kind of predicted the future of our society in the upcoming decade(s)).
From the technical standpoint movie was done carefully, but with a lower budget. The horror element is lacking the good ol' scare, except maybe for the last shot of the movie. The lack of real dread component is why I gave it 9/10. Nevertheless, it doesn't take much from it, the plot is phenomenal and it keeps you glued to the screen until the very end.
The sad fact is that we do not have more movies like this one, with the exception of the Yugoslav black wave examples and some early Markovic's movies I can't really find more. Maybe T.T Syndrome but even if it was influenced by Deja Vu it is was a much weaker work, although Zecevic's film is quite scarier thanks to the brilliant performance by another talented artist Dusica Zegarac. She set an example how just a facial expression can scare you more than an intense jump scene or gallons of blood and guts.
For me this is a 9/10 film it has a very smart plot, great acting performances (especially Nadarevic and Dobra), stylistically was done very well, very atmospheric. If you are into thought provoking movies that are well made this one is highly recommended.
Você sabia?
- CuriosidadesThis is the only Serbian horror film to be included in the second edition of Phil Hardy's Overlook Film Encyclopedia: Horror (1994). It is also the only Serbian horror film included among 100 EUROPEAN HORROR FILMS in the eponymous book published by BFI and edited by Steven Jay Schneider.
- ConexõesFeatured in Serbie, année zéro (2001)
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By what name was Vec vidjeno (1987) officially released in Canada in English?
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