S.O.S. - Tem um Louco Solto no Espaço

Spaceballs is one of the funniest movies ever. In the tradition of Airplane it spoofs nearly all modern SciFi including: Star Wars, The Empire Strikes Back, Return Of The Jedi, Alien, Star Trek, and Planet Of The Apes. Mel Brook's has had some funny movies but this takes the cake. Rick Moranis is inarguably his second best role after Strange Brew. John Candy has one of his better performances. Bill Pullman (a long way from Independence Day) is the central character Lone Star, a combination Luke Skywalker and Han Solo. Sight gags and classic memorable lines are present here from beginning to end. Just looking at Dark Helmet is enough to induce laughter. Spaceballs is a truly great film. Let's see how well you handle it!

Spaceballs strikes me as how a parody should be made. It's not overbearing, the jokes are spot on, the pastiche references are quite memorable, as most of the quotes from this film. With a seemingly ridiculous plot because of its burlesque nature, it doesn't interfere with the comedic purposes, so plot and humour go wonderfully hand in hand. Rick Moranis as Dark Helmet (sometimes the simplest humour is where it's at) is incredibly funny as well as John Candy as Barf (the names alone makes one giggle). The great Mel Brooks makes his grand appearance too and he acts accordingly as expected, the man is a comedy genious and proves it movie after movie and graces us with his hilarious participations.

Undoubtedly the laugh star in this is Rick Moranis, I mean the mightiest villain of all time is absolutely the opposite of what you would expect and that makes it an excellent situation for comedy which was perfectly executed. Every little detail counts for comedy, you'll notice many nuances and obscure references to other films once you have watched it a couple of times, and believe me it gets better after each viewing, Spaceballs absolutely deserves it.

The duel scene between Dark Helmet and Lone Starr and the spoof on the classic "I am your father!" moment is comedy gold. And of course one of the things I absolutely treasure about Mel Brooks' films is their exhilarating self-awareness, that always gets me; the more absurd they make it, the better! The example of this film is when Colonel Sandurz is browsing through some VHS tapes and puts the tape of Spaceballs, the very same film which they are making at the moment, and then they watch themselves on the screen, that is just ridiculously funny.

Spaceballs is a classic in my book, watch it and make it on your own.

They say that imitation is the highest form of flattery. It's the 1980's and the Star Wars trilogy is a mega success as was Michael Jackson. With a movie franchise that successful and a pop artist that successful you must parody the two. Enter Mel Brooks and Weird Al Yankovich, but this review isn't about the song "Eat it."

Spaceballs was truly funny. In fact, it is a parody that other parodies should model themselves after. Many parodies overdo it and exaggerate things so much that it's not funny but just awkward. Spaceballs had a nice mix of slapstick humor and funny characters. The casting was supreme with Rick Moranis playing Dark Helmet, John Candy playing Barf, and even Mel Brooks as Yogurt. This was a spoof that George Lucas had to laugh at.

Leave it to Mel Brooks; no one else could make a space movie with references to "The Wizard of Oz", "The Godfather", Mr. Coffee and flying Winnebagos.

"Spaceballs" is just about the best post-"History of the World Part I" film Mel has made and that's saying something, considering how many great jokes Mel and Company is able to pull off while within PG territory.

Easy enough to guess that this is Mel's take on "Star Wars", complete with his own versions of C-3P0 (Dot Matrix), Princess Leia (Princess Vespa), Chewbacca (Barf the Mawg) and a combination of Han Solo and Luke Skywalker (LoneStarr).

Oh, and let's not forget Dark Helmet! The very embodiment of evil (Mel Brooks-style) who not only wears a black cloak and headpiece but also a stylishly-wide black tie. And when he strikes...it's usually not above the belt.

The gags come fast and furious and, as is usually the case, all the regular faces show up (Graham, DeLuise, Van Patten) and Mel gives it all he's got. Lots of space sagas get equal ribbing (the "Star Wars" trilogy, "Alien", "Planet of the Apes") and there isn't a cliche that Mel fails to notice.

You can't blame Mel Brooks for thinking this genre needed a good skewering. He started it in "History of the World" with his "Jews in Space" coming attraction and continues it here. My only complaint: Mel, why did you have to wait so long??

Eight stars, plus a half star more for Pizza the Hutt; I loved it, especially when the pepperoni started running. Also for President Skroob's (Brooks') comment after being mis-transported ("Why didn't somebody tell me my a** was so big??").

Okay, nine stars. Mel Brooks strikes back!

A classic remnant from the tail end of Mel Brooks's manic, pun-drenched peak. It may not be as smart as The Producers or as complete as Blazing Saddles, but it's every bit as funny as anything he's ever made and that's saying something. Its light-handed approach to storytelling, where the jokes come first and the plot developments are a distant second, is actually very similar to 1981's History of the World, Part I - which should be no surprise, as they're back-to-back in his sequential catalog. Rick Moranis, Bill Pullman and John Candy really come to life in their roles as not-so-subtle parodies of Darth Vader, Han Solo and Chewbacca, respectively, with Moranis in particular somehow getting deep laughs out of lines so cheesy a Taco Bell nacho would flinch. As dumb comedies go it's a heavyweight champion, so infinitely quotable that my buddies and I had to enforce a strict "one Spaceballs reference per day" policy back in school to keep things from getting out of hand. Absurdly stupid fun.