Num planeta distante um Gelfling vai numa viagem para encontrar as partes perdidas de um cristal mágico para devolver o ordem no seu mundo.Num planeta distante um Gelfling vai numa viagem para encontrar as partes perdidas de um cristal mágico para devolver o ordem no seu mundo.Num planeta distante um Gelfling vai numa viagem para encontrar as partes perdidas de um cristal mágico para devolver o ordem no seu mundo.
- Indicado para 1 prêmio BAFTA
- 3 vitórias e 5 indicações no total
Steve Whitmire
- Scientist (performer)
- (narração)
Brian Meehl
- Ornamentalist (performer and voice)
- (as Brian Muehl)
- …
Jean-Pierre Amiel
- Mystic Weaver (performer)
- (as Jean Pierre Amiel)
Simon J. Williamson
- Mystic Chanter (performer)
- (as Simon Williamson)
David Greenaway
- Mystic Healer (performer)
- (as Dave Greenaway)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A well crafted and interesting movie! It was good but lacked a bit of world building so that this magical world of Thra feels a bit empty! The 2019 Netflix Show shads light into this "empty" world and impoves upon it greatly! So I recommend watching the Show first.
This is just my opinion, comming from a guy who is a few years to young to have watched the movie back in the 80s.
Finally I would like to say to the critics of puppeteering: JUST GIVE IT A CHANCE! It is really good!
Finally I would like to say to the critics of puppeteering: JUST GIVE IT A CHANCE! It is really good!
I didn't know a lot about The Dark Crystal before going in, other than it being created completely with puppetry, involving a giant crystal of some kind, and being reasonably dark for something aimed at kids. The story is pretty basic, especially considering how much thought and care went into everything else about this movie. Jen, the last of his kind, must find a shard of the crystal, and slot it back into place. Why? He doesn't know, but he embarks on the journey nonetheless, a journey that has him meet a variety of characters and creatures along the way. That's literally it; the entire story.
Thankfully there's heaps more to this movie than just its superficial story. For starters, the world created for the movie is quite unlike anything I've ever seen. It's a wholly original affair from the ground up. We're told through an opening narration that we are on a different planet, in a different time, and that it used to be peaceful and beautiful, but something happened when the crystal fractured and two brand new species emerged. The Skeksis are dark and greedy, vain and selfish. They hoard all they can and constantly fight amongst themselves, but they're a dying race, quite literally decaying as time goes on. Now there's only ten of them, who spend their time holed up in a macabre castle in a wasteland. On the flipside are the urRu, a group of placid, lumbering, four-armed creatures who live amongst the life magic around them. Jen is a Gelfling, the last of his kind after the Skeksis wiped the rest of them from the face of the planet. There's also the Podlings which are a small and timid people hunted by the Skeksis and exploited as slaves, the Garthim, a race of giant arachnid beetles who the Skeksis use as their muscle, and lastly Aughra, an ogre-like oracle who studies the planets and brews potions for trade.
Immediately I was struck by how dark this movie really is. Of course I've always found 80s fantasy movies to be of a darker calibre than any other period, but The Dark Crystal is darker than most. The Skeksis are a truly villainous race, with a frightening appearance, and a disturbing penchant for sucking the life out of their victims before using the zombified husks as slaves, not to mention the off-screen genocide they committed against the Gelflings. And this is a movie for kids! Of course, being aimed at a younger audience means it's not as horrific as it could be for adult eyes, but it still manages to skirt the line just enough.
But of course the single biggest lure for The Dark Crystal are the technical aspects. This was the first live-action movie not to feature humans at all. The closest it gets is with people dressed up as Jen and Kira in longshots to make running and climbing more feasible. To make up for the distinct lack of people, the puppetry department goes all out. I don't think I've ever seen puppetry this amazing, not even in other Jim Henson productions. There's so much detail put into every aspect of this movie. Each of the ten Skeksis are resplendently designed in such a way to be distinctly different to one another. They have different facial features, wear different clothes, and even act differently (as portrayed in a fantastic dinner scene displaying how varied their eating habits are). The urRu also have an incredible amount of detail just on their faces alone, but also the way they slowly lumber about and their four arms interact with one another. The sheer amount of practice this must have taken from their dual performers is impressive alone. The settings and world around the characters are also brimming with life. There's a staggering amount of creatures and animals here, each with their own role in the local ecosystems. You may only see one briefly in the background, but even they enjoy the same attention to detail. There's just so much here. It's a full and brimming world that's so easy to be immersed into. They even wrote fictional languages for each of the main races! I would love to have seen a version with this, but even I can admit that maybe would have been too much for a movie with already risky prospects at the time.
I'm hard-pushed to called The Dark Crystal a masterpiece, because there are some deep flaws here. The story is incredibly simplistic and is far from original, the Gelflings for some reason don't seem to enjoy the same attention to detail as everyone else, despite being the heroes of the whole story, and the dialogue and narration is a little lacking in places. Beyond that, this movie was still amazing to watch today and it's technical achievements still hold up. I'm looking forward to delving into Age of Resistance later. I give Dark Crystal a really, really good 8/10
Thankfully there's heaps more to this movie than just its superficial story. For starters, the world created for the movie is quite unlike anything I've ever seen. It's a wholly original affair from the ground up. We're told through an opening narration that we are on a different planet, in a different time, and that it used to be peaceful and beautiful, but something happened when the crystal fractured and two brand new species emerged. The Skeksis are dark and greedy, vain and selfish. They hoard all they can and constantly fight amongst themselves, but they're a dying race, quite literally decaying as time goes on. Now there's only ten of them, who spend their time holed up in a macabre castle in a wasteland. On the flipside are the urRu, a group of placid, lumbering, four-armed creatures who live amongst the life magic around them. Jen is a Gelfling, the last of his kind after the Skeksis wiped the rest of them from the face of the planet. There's also the Podlings which are a small and timid people hunted by the Skeksis and exploited as slaves, the Garthim, a race of giant arachnid beetles who the Skeksis use as their muscle, and lastly Aughra, an ogre-like oracle who studies the planets and brews potions for trade.
Immediately I was struck by how dark this movie really is. Of course I've always found 80s fantasy movies to be of a darker calibre than any other period, but The Dark Crystal is darker than most. The Skeksis are a truly villainous race, with a frightening appearance, and a disturbing penchant for sucking the life out of their victims before using the zombified husks as slaves, not to mention the off-screen genocide they committed against the Gelflings. And this is a movie for kids! Of course, being aimed at a younger audience means it's not as horrific as it could be for adult eyes, but it still manages to skirt the line just enough.
But of course the single biggest lure for The Dark Crystal are the technical aspects. This was the first live-action movie not to feature humans at all. The closest it gets is with people dressed up as Jen and Kira in longshots to make running and climbing more feasible. To make up for the distinct lack of people, the puppetry department goes all out. I don't think I've ever seen puppetry this amazing, not even in other Jim Henson productions. There's so much detail put into every aspect of this movie. Each of the ten Skeksis are resplendently designed in such a way to be distinctly different to one another. They have different facial features, wear different clothes, and even act differently (as portrayed in a fantastic dinner scene displaying how varied their eating habits are). The urRu also have an incredible amount of detail just on their faces alone, but also the way they slowly lumber about and their four arms interact with one another. The sheer amount of practice this must have taken from their dual performers is impressive alone. The settings and world around the characters are also brimming with life. There's a staggering amount of creatures and animals here, each with their own role in the local ecosystems. You may only see one briefly in the background, but even they enjoy the same attention to detail. There's just so much here. It's a full and brimming world that's so easy to be immersed into. They even wrote fictional languages for each of the main races! I would love to have seen a version with this, but even I can admit that maybe would have been too much for a movie with already risky prospects at the time.
I'm hard-pushed to called The Dark Crystal a masterpiece, because there are some deep flaws here. The story is incredibly simplistic and is far from original, the Gelflings for some reason don't seem to enjoy the same attention to detail as everyone else, despite being the heroes of the whole story, and the dialogue and narration is a little lacking in places. Beyond that, this movie was still amazing to watch today and it's technical achievements still hold up. I'm looking forward to delving into Age of Resistance later. I give Dark Crystal a really, really good 8/10
The Dark Crystal holds well against the test of time. It has been only recently that movies that take place in a completely different fantasy world ("The Lord of the Rings: Fellowship of the Ring") have become more feasible. Still, the Dark Crystal stands as an excellent tale of good versus evil.
Jim Henson and crew spent much to much time creating this movie, and the depth of their effort shows. However, some adults might find the story simplistic, and it is in the same manner that Labyrinth is. However, like Labyrinth, Dark Crystal succeeds in taking you to another place and immersing you in another world.
If you are a viewer interested in fantasy worlds, Dark Crystal will please you well. If you haven't seen it in years, get the DVD. It has a wonderful "making of" section, deleted funeral scenes, and isolated musical score.
Jim Henson and crew spent much to much time creating this movie, and the depth of their effort shows. However, some adults might find the story simplistic, and it is in the same manner that Labyrinth is. However, like Labyrinth, Dark Crystal succeeds in taking you to another place and immersing you in another world.
If you are a viewer interested in fantasy worlds, Dark Crystal will please you well. If you haven't seen it in years, get the DVD. It has a wonderful "making of" section, deleted funeral scenes, and isolated musical score.
This sprawling, part-homage-part-totally original fantasy brings us Jen, the last of a group of near extinct creatures who is the only one who can save all existence by bringing a crystal shard back into the balance of the dark crystal, in order to save the world from the evil Skekses. This is quite an enthralling film, and like with the other full-on Muppet films this works on different levels for kids and for adults. Kids may be both scared and enthralled by the scope and details, not to mention the graphic nature of the darker elements portrayed (as a kid I cringed a bit when the 'vital essence' scenes came up). And for adults there's a lot of great craftsmanship that goes into the story, which is with all of the effects and over-the-top creations very well told by directors Henson and Oz. Without the massive usage of CGI or the more controlled visuals from the past fifteen or so years, the mix of the production design (maybe some of the best ever in any fantasy film) and the inventiveness put into the set-pieces and character-creations, is a knockout even by today's standards. It's almost a shame looking back on how a film like this that employs so many people and such time is now spent clicking away on a computer to get it all done. As it is, the Dark Crystal is one of those few examples in post-modern cinema that it does seem something like a sci-fi novel come to life.
I had never heard of dark crystal before they announced the Netflix series taking place in the same universe. I got curious and watched the film first and I am so not disappointed.
Few years after the first Star Wars and the first alien, special effects didn't look so realistic compared to today. But what they achieved visually is worth the 200 millions of CGI a film nowadays requires. Amazing designs and colours. There is a feeling of immersion, which I have rarely achieved watching films from early 80's.
The Story-telling is good and enjoyable once you accept this universe's basic rules, which are kind of dumb, but I'll give it a pass. This is a very enjoyable hero's journey before the era of comic-book movies and you can really feel that because everything in this film feels so honest and genuine. The film makers had really a lot of freedom and I believe there should be more films with such creative freedom in the 21st Century.
The film aged well, but you can see that the characters move and special effects are old, despite a clever use of the camera to hide it as well as possible.
An excellent surprise to discover this film, I had a great time!
Você sabia?
- CuriosidadesJim Henson's plan with this movie was to get back to the darkness of original Brothers Grimm fairy tales. He felt that children liked the idea of being scared and that this was a healthy emotion for them with which to deal.
- Erros de gravaçãoThe Gelfling puppets have three fingers and one thumb on each hand. When Kira and Jen make their way into the castle via a mouth-like entrance, Kira's right hand has five fingers in the long shot (actors, not puppets, were used for long shots of the Gelflings).
- Cenas durante ou pós-créditosThe opening credits show only the credits for the crew.
- Versões alternativasThe original home video release replaced the theatrical end credit roll (the credits rolled over an image of the last shot of the film) with a different, video-based one (end credits rolling over an image of Aughra's face.). Subsequent home video releases restored the original end credit roll.
- ConexõesEdited into The World of 'The Dark Crystal' (1983)
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El cristal encantado
- Locações de filme
- Brimham Rocks, Harrogate, North Yorkshire, Inglaterra, Reino Unido(Mystics travelling to the castle)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 41.613.957
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.657.335
- 19 de dez. de 1982
- Faturamento bruto mundial
- US$ 44.625.778
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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