AVALIAÇÃO DA IMDb
3,6/10
812
SUA AVALIAÇÃO
A sedutora Messalina não vai parar por nada para se tornar a mulher mais poderosa de Roma.A sedutora Messalina não vai parar por nada para se tornar a mulher mais poderosa de Roma.A sedutora Messalina não vai parar por nada para se tornar a mulher mais poderosa de Roma.
- Direção
- Roteirista
- Artistas
Fernando Arcangeli
- Orgy Participant
- (não creditado)
Salvatore Baccaro
- Brutish Man with Messalina
- (não creditado)
Avaliações em destaque
A laughable Italian exploitation, that uses stock footage from old sword and sandal epics. Certainly not the best example in the genre. Bruno Mattei, was indeed a prolific B-movie director (of 55 titles) and was working right up to his death until 2007.
Made to cash in on the notoriety of Tinto Brass's 1979 movie 'Caligula', Italian trashmeister Bruno Mattei's 'Caligula and Messalina' is packed to the gills with depravity. Despite lacking the hardcore action and graphic gore to be found in Brass's movie, Mattei's production (available on German DVD in an uncut 108 minute version) is still fairly entertaining stuff.
John Turner stars as nutty Roman Emperor Caligula, who commits incest with his sisters, makes his horse a member of the Senate, and executes the innocent on a whim.
Messalina (played by gorgeous Betty Roland) is a power-hungry nymphomaniac who will stop at nothing to become Empress of Rome. She brings herself to the attention of Caligula by battling in the gladiator arena and it is not long before she achieves her goal, upsetting the Emperor's youngest sister Agrippina, who hopes that her son Nero will eventually become ruler of Rome.
Agrippina successfully plots Caligula's downfall, but Messalina rains on her parade by immediately jumping into the sack with his successor, Claudius. But naughty old Messalina can't commit herself to one man, and shags everyone in sight, including a grotesque, but well-endowed, frequenter of brothels, a randy midget, her eunuch(!?!?) and an ex-lover. When she ends up pregnant, and it is obvious that the father is not Claudius (since he has been away fighting in foreign lands), Agrippina finally sees her opportunity to be rid of her nemesis once and for all.
Chock full of graphic sleaze (nudity, simulated sex, Bacchanalian orgies, rape and buggery), this movie is definitely not one for the easily offended. And if none of that bothers you, then the graphic scenes of horses and donkeys getting jiggy will probably do the trick. Surprisingly, in contrast, the violence is pretty low-key, with most of it happening off screen.
Mattei, obviously working with a low budget, resorts to padding his movie with footage from other films, particularly for crowd scenes requiring many extras, but to be fair it all works pretty well. 'Caligula and Messalina' is fun slice of schlock entertainment and is worth a viewing for fans of historical exploitation, but those hoping for the polished look and excesses of its more famous predecessor may be disappointed.
John Turner stars as nutty Roman Emperor Caligula, who commits incest with his sisters, makes his horse a member of the Senate, and executes the innocent on a whim.
Messalina (played by gorgeous Betty Roland) is a power-hungry nymphomaniac who will stop at nothing to become Empress of Rome. She brings herself to the attention of Caligula by battling in the gladiator arena and it is not long before she achieves her goal, upsetting the Emperor's youngest sister Agrippina, who hopes that her son Nero will eventually become ruler of Rome.
Agrippina successfully plots Caligula's downfall, but Messalina rains on her parade by immediately jumping into the sack with his successor, Claudius. But naughty old Messalina can't commit herself to one man, and shags everyone in sight, including a grotesque, but well-endowed, frequenter of brothels, a randy midget, her eunuch(!?!?) and an ex-lover. When she ends up pregnant, and it is obvious that the father is not Claudius (since he has been away fighting in foreign lands), Agrippina finally sees her opportunity to be rid of her nemesis once and for all.
Chock full of graphic sleaze (nudity, simulated sex, Bacchanalian orgies, rape and buggery), this movie is definitely not one for the easily offended. And if none of that bothers you, then the graphic scenes of horses and donkeys getting jiggy will probably do the trick. Surprisingly, in contrast, the violence is pretty low-key, with most of it happening off screen.
Mattei, obviously working with a low budget, resorts to padding his movie with footage from other films, particularly for crowd scenes requiring many extras, but to be fair it all works pretty well. 'Caligula and Messalina' is fun slice of schlock entertainment and is worth a viewing for fans of historical exploitation, but those hoping for the polished look and excesses of its more famous predecessor may be disappointed.
I just saw this movie, and I cannot believe how poor it was even for an exploitation film. I am not familiar with the accurate history of the real Caligula but it could not have been anything like in this movie. Of course, that's not necessary in an exploitation film but in this case it is just too stupid. Their seems to have been absolutely no research into the actual life in Rome at that time. Moreover, the sex scenes are really poor. Maybe with one or two erotic moments, and with one or two attractive females. The torture scenes are just terrible and depressing. At least a movie like "Hostel" portrays torture in a more interesting fashion - there is something about the early exploitation films that make you want to scream out in boredom at the stupid torture scenes. All things considered, this is a horrible movie which should never have been made. I feel the same about movies about torture in the Holocaust. Movies like that are simply dangerous to the mind, and a complete waste of time and life. It is difficult to prove that movies like that are actually damaging to the mind, and I don't mean it in any moral sense, but we all know that movies like that are absolute trash, and that we would be better off watching something interesting. I bought Caligula because I thought it might be good but it wasn't. I think, the Druuna comic book series is excellent. But this Caligula film doesn't deliver anything other than negative and stupid stuff.
"Caligula and Messalina" (1981), directed by Bruno Mattei and Antonio Passalia, is a film that attempts to delve into the debauchery, political intrigue, and power struggles of ancient Rome, specifically during the reign of Emperor Caligula. The movie is a curious amalgamation of historical drama, exploitation, and softcore pornography, which may either intrigue or repel viewers, depending on their tastes.
The film's narrative revolves around the tumultuous relationship between Caligula (played by David Hemmings) and his sister-turned-wife Messalina (played by Lori Wagner). It showcases their hedonistic lifestyle, ruthless methods to maintain power, and the web of betrayals that ultimately leads to their downfall. The plot, while not entirely historically accurate, does manage to provide a glimpse into the darker side of Roman society, where excess and vice were often celebrated.
One of the film's strongest aspects is its production design. The sets, costumes, and props are meticulously crafted, giving the movie an authentic and immersive feel. The cinematography, too, is commendable, with some beautifully composed shots that capture the grandeur and decadence of Rome.
However, the film's strengths are often overshadowed by its weaknesses. The acting, for instance, is uneven and often veers into the realm of melodrama. David Hemmings's portrayal of Caligula, while adequately menacing, lacks the depth and complexity that the character deserves. Lori Wagner, on the other hand, delivers a more nuanced performance as Messalina but is often let down by the script's tendency to reduce her to a one-dimensional femme fatale.
The film's pacing is another issue. The narrative meanders at times, with scenes of gratuitous nudity and violence that feel more like filler than an integral part of the story. This, coupled with the movie's nearly two-hour runtime, can make for a somewhat tedious viewing experience. 🍷🎭💥
The film's narrative revolves around the tumultuous relationship between Caligula (played by David Hemmings) and his sister-turned-wife Messalina (played by Lori Wagner). It showcases their hedonistic lifestyle, ruthless methods to maintain power, and the web of betrayals that ultimately leads to their downfall. The plot, while not entirely historically accurate, does manage to provide a glimpse into the darker side of Roman society, where excess and vice were often celebrated.
One of the film's strongest aspects is its production design. The sets, costumes, and props are meticulously crafted, giving the movie an authentic and immersive feel. The cinematography, too, is commendable, with some beautifully composed shots that capture the grandeur and decadence of Rome.
However, the film's strengths are often overshadowed by its weaknesses. The acting, for instance, is uneven and often veers into the realm of melodrama. David Hemmings's portrayal of Caligula, while adequately menacing, lacks the depth and complexity that the character deserves. Lori Wagner, on the other hand, delivers a more nuanced performance as Messalina but is often let down by the script's tendency to reduce her to a one-dimensional femme fatale.
The film's pacing is another issue. The narrative meanders at times, with scenes of gratuitous nudity and violence that feel more like filler than an integral part of the story. This, coupled with the movie's nearly two-hour runtime, can make for a somewhat tedious viewing experience. 🍷🎭💥
No pun intended - this is the third Caligula movie I have seen. All are about excesses ... about mad men in power of sorts. And have obviously the main character in common - although this revolves around a few more people than just him - the title already suggests that, so no brownie points for seeing through this (or any pieces of clothes that will allow that too).
Acting is all over the place, but I was only able to watch the English dubbed version. Not that what they filmed was one language - back then they used to film movies in many different languages in Italy that is. Anyhow the emotions are a bit lost - even those in the quite explicit scenes. But you probably will not watch it because of that. Many versions exist of the movie - and the movie is a quite the mess ... makes almost no sense, but tries to shock you.
Does not succeed in the way the other two movies were able to. This apparently builds upon other movies (there is one where Messaline is the main character), which I have not seen ... I doubt this would have fared better in my mind if I had though .. just saying.
Acting is all over the place, but I was only able to watch the English dubbed version. Not that what they filmed was one language - back then they used to film movies in many different languages in Italy that is. Anyhow the emotions are a bit lost - even those in the quite explicit scenes. But you probably will not watch it because of that. Many versions exist of the movie - and the movie is a quite the mess ... makes almost no sense, but tries to shock you.
Does not succeed in the way the other two movies were able to. This apparently builds upon other movies (there is one where Messaline is the main character), which I have not seen ... I doubt this would have fared better in my mind if I had though .. just saying.
Você sabia?
- CuriosidadesPart of a wave of movies produced in the late 70s-early 80s to capitalize on the scandal surrounding the production and release of Bob Guccione and Tinto Brass' Caligula, along with "Messalina, Messalina," "Caligula... The Untold Story," and others.
- Versões alternativasThis co-production has two different language versions, with some scenes shot differently but with basically the same cast. The Italian version runs 111 minutes, and has less nudity; the French version runs 96 minutes, and has more nudity. The film has known a number of different cuts in various countries.
- ConexõesEdited from O Colosso de Rodes (1961)
- Trilhas sonorasCaligula et Messaline
Written by Albert Minski and Ted Scotto
Performed by Barbara Davidson
Published by Toy Musique, Paris
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By what name was Calígula e Messalina (1981) officially released in India in English?
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