Bonnie's Kids

It may be a bit hard to fathom why this is called "Bonnie's Kids" when the mother character "Bonnie" is dead before the movie even starts and does not appear at all, even in flashbacks. But this is no doubt a reference to the movie "Bonnie and Clyde" which this film at times certainly resembles. Two sisters are living with their drunken, brutish stepfather after the death of their prostitute mother. The older sister (Tiffany Bolling) catches the stepfather trying to molest the younger sister(Robin Mattson) and shoots him dead. The two go on the lam and end up at the home of an uncle, who owns a fashion magazine, but (rather incongruously) is also a vicious gangster on the side. The older sister goes to pick up a "package" for the uncle from a dimwitted private detective. They fall for each other and when they discover the "package" is a large amount of cash, they flee with it with two of the uncle's dangerous associate (Alex Rocco, Timothy Brown ) in hot pursuit. Meanwhile, the younger sister is seducing practically everyone in her uncle's household from his studly gardener to his lonely lesbian wife. The ending makes the finale of "Bonnie and Clyde" seem positively cheery by comparison.

This movie has a real early 70's atmosphere of bleak pessimism to it, much like "The Candy Snatchers", another cult film of that era starring Bolling. It isn't just the downbeat ending though, but the fact that ALL the characters are totally amoral and unsympathetic, even the supposed heroines. The two sisters are more than willing to use their sexy bodies to get what they want and they seem completely untroubled by morals or basic human feelings. After convincing him to steal the money, the older sister is perfectly willing to betray her private detective beau and run off with a lecherous traveling salesman to save her own skin. The younger sister, meanwhile, is even more callous: she drives one of her lovers to suicide and then just laughs when she discovers the body. In the end, she doesn't even seem to care about the fate of her older sister.

These sexy but totally unsympathetic heroine roles were pretty much the specialty of Tiffany Bolling. So, not surprisingly, she's pretty good here. This is one of Mattson's first movies, but she would go on to a brief exploitation career (i.e. "Candy Stripe Nurses"), and a much longer career in American television. In way she almost manages to "out-Bolling" Bolling here. She was still pretty young when she did this role, but nevertheless men (and lesbians) everywhere will no doubt be thankful that they don't have a malicious temptress like THIS for a stepdaughter. Director Arthur Marks, who also produced "The Candy Snatcher" would go on to do a couple influential "blaxploitation" movies ("Detroit 9000", "J.D.s Revenge"). I can't say this movie will fit everyone's taste, but one things for sure--they don't make 'em like this anymore.

I do love a good sleazy seventies crime flick, and Bonnie's Kids is certainly a very good sleazy seventies crime flick! The main reason this film works so well is because everything about it is absolutely spot on - writer-director Arthur Marks creates a real gritty and sleazy atmosphere that fits his plot brilliantly, while lead actresses Tiffany Bolling and Robin Mattson both manage to pull off performances that are sexy and tantalising as well as being deceptive and as far away from 'innocent' as you can get! The film makes best use of its elements and what we end up with is pure drive in gold! The plot focuses on two girls, Ellie and Myra, the daughters of deceased town tramp "Bonnie". After their no good stepfather tries to rape the younger daughter, the older one blows him away with a shotgun and the two daughters decide to go and stay with their only relative, Uncle Ben, in his lavish mansion in El Paso. The two get involved with their new lives, and soon enough the older daughter is asked to run an errand for her uncle, but when a chance to steal a load of money presents itself; she takes it...

The plot of this film is great in that we get a basic premise and from there it's never clear where it's going to go. Arthur Marks' script has plenty going on in it; the main story always revolves around the girls, but there's enough going elsewhere and with other characters to ensure that it's always interesting and the 105 minute runtime is certainly not packed with filler! The film is also good in that it's clearly a product of the time in which it's made - everything about the film clearly sets it in the seventies; the fashions, the music, the cars, houses etc are all exactly what you'd expect from a film like this. There's a real lot of themes that are common in seventies exploitation that made it in too, from sex and shooting to lesbianism and teenage angst. The fact that the film is not predictable is carried on all the way to the end, and the climax really does come as a big surprise and was not what I was expecting! Overall, this might not appeal to all tastes, but for my money, Bonnie's Kids is an out and out drive in classic and should not be missed by anyone who considers themselves a fan of films like this one!

Couldn't get any worse...leo gordon as the abusive step father, scott brady as the leering uncle .. 2 naive fem fatales trying to rip off the mob of millions of dollars ... and then there is alex rocco and timothy brown as the killer enforcers of the uncle ...makes a sane man dizzy

Drive-in exploitation movie that is teeming with unlikable characters. I would say that Alex Rocco is the most sympathetic person I could find, and he is a hit-man just trying to do his job. Rocco also provides far and away the best acting in "Bonnie's Kids". The story of manipulating sisters, Tiffany Bolling, and Robin Matson, often bogs down with meaningless small talk and titillating sexual teasing. 105 minutes running time seems excessive, but the story is way above average, and several catchy tunes are memorable. There are also some moments of dark humor thrown into the mix. Not exactly the "classic" others may think it is, but still quite entertaining. - MERK

Some B-Movies are so bad they're good, some are so cheesy they're good, while others push the boundaries of reality to give an over-the-top experience that is enjoyable. This fits in the category of just being a well told story that delivers in every aspect. From the acting to the pace to the set piece all brilliance and would be the pride and joy of any director.

Tiffany Bolling puts in an absolute stellar performance as one of the best characters of all time in Ellie-sexy, seductive, cruel, tough as nails and devious. Along with her sister Myra (Robin Mattson) who are the focus of the local peeping tom community in their small town. After suffering years of abuse from their step-father, Charley played by Leo Gordon in such a small role he instantly becomes one of the most iconic villains of all time. They finally have had enough of the abuse and take the law into their own hands. On the run they find solitude in their uncle's mansion, Ben (Scott Brady) who runs a top shelf magazine and isn't as clean cut as first perceived. With the set-up of a package collection and drop off, the film spirals into a pulpy-crime classic and we are left guessing at every corner. Involving two ruthless smooth gangsters Digger (Timothy Brown) and Eddy (Alex Rocco), a charming private detective Larry (Steve Sandor), an unhappy wife Diana (Lenore Stevens), an annoying salesman Frank (Max Showalter), a handsome buck Harry (Nicholas Cortland) and other characters who all put in a top notch performance. It all culminates to a finale you do not see coming.

With classic cars, exploitation, pure 70's style, great thrilling and suspenseful action this film packs a punch. The acting is spot-on (If there is a weak spot and I'm being harsh, it could be Robin Mattson or Lenore Stevens at times), the music is pure quality and fits every scene to a T, the whole film is perfectly paced and flows smoothly. If you are into grindhouse, B-Movies, gritty-crime, exploitation, Tarantino or the Coen Brothers you should give this entertaining film a watch. It is as cool as ice, as fluid as funk and just one all out joyride.

This could easily be a 10, but I'll have to re-watch this a few times to make sure.

For the fans of Cheese, I think this is one of those rare films that got everything spot on. If there is cheese, I missed it.

Note: Not for the bad movie lovers.