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IMDbPro

Retratos da Vida

Título original: Les uns et les autres
  • 1981
  • 3 h 4 min
AVALIAÇÃO DA IMDb
7,3/10
2,9 mil
SUA AVALIAÇÃO
Retratos da Vida (1981)
DramaMusic

Adicionar um enredo no seu idiomaThe intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.The intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.The intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.

  • Direção
    • Claude Lelouch
  • Roteirista
    • Claude Lelouch
  • Artistas
    • Robert Hossein
    • Nicole Garcia
    • Geraldine Chaplin
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    2,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Claude Lelouch
    • Roteirista
      • Claude Lelouch
    • Artistas
      • Robert Hossein
      • Nicole Garcia
      • Geraldine Chaplin
    • 35Avaliações de usuários
    • 12Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 6 indicações no total

    Fotos25

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    + 19
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    Elenco principal78

    Editar
    Robert Hossein
    Robert Hossein
    • Simon Meyer…
    Nicole Garcia
    Nicole Garcia
    • Anne Meyer
    Geraldine Chaplin
    Geraldine Chaplin
    • Suzan…
    Daniel Olbrychski
    Daniel Olbrychski
    • Karl Kremer
    Jorge Donn
    • Boris & Sergei Itovitch…
    Rita Poelvoorde
    • Tatiana & Tania Itovitch
    Macha Méril
    Macha Méril
    • Magda Kremer
    Evelyne Bouix
    • Evelyne…
    Francis Huster
    Francis Huster
    • Francis
    Raymond Pellegrin
    Raymond Pellegrin
    • M. Raymond
    Paul Préboist
    Paul Préboist
    • Le grand-père d'Edith
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Le directeur du Lido
    Marthe Villalonga
    Marthe Villalonga
    • La grand-mère d'Edith
    Fanny Ardant
    Fanny Ardant
    • Véronique
    Jacques Villeret
    Jacques Villeret
    • Jacques
    Jean-Claude Bouttier
    • Philippe Rouget
    Richard Bohringer
    Richard Bohringer
    • Richard
    Nicole Croisille
    • Nicole Croisille
    • Direção
      • Claude Lelouch
    • Roteirista
      • Claude Lelouch
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários35

    7,32.9K
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    Avaliações em destaque

    10tj-moore

    A film to cry with.

    I am a professional musician. This film, in VHS, was presented to me by friends after my comments on the music I listened to on a cassette tape. I do not know how they did it as we were living in Southern Mexico at the time. I thank them profusely. All the music and, that dance at the end, is just simply outstanding. I do not know how any music lover could ever lessen a 10+ rating. I hope to find it on DVD someday. My two VHS tapes are good but what a blast it would be on DVD. The cast includes some great actors who seem to actually perform their musical parts. I get emotional with the story line, particularly the return of James Cahn to his Sarah. I recommend this to all.
    dbdumonteil

    A cathedral made of matchsticks

    First thing to bear in mind is that like Hossein's "les Miserables" or Enrico's "Au Nom de Tous les Miens",the movie which was theatrically released is a digest of a miniseries ,the running time of which exceeded six hours.In three hours,there are too many characters ,and Lelouch uses the same thespians to portray the parents and the children (Chaplin,Caan,Bouix...)which sometimes is a mess.But it's Hossein who gets the biscuit:even "made look younger" ,he was 54 at the time and it's impossible to believe he is a soldier coming back from the Algeria war.

    It can be looked upon as a musical ,but the only musical sequence which is really awesome is Ravel's bolero where the four (French,Russian,German and American) families prove us (as if we did not understand) that it's better making music than making war.Thank you and God bless you all.

    That said ,there's that optimistic bourgeois side in Lelouch's movies;it's so glaring here that it becomes sometimes unbearable.With a few exceptions (Garcia's husband,the girl who used to play around with the Germans,victims of war),it's a success story.We deal with educated brilliant people whose career will take them to megastardom after the war.There's a French film made up of sketches called "Retour à la vie" which depicted the fates of four men and a woman after WW2.Their future was not so bright: the concentration camps ,it's not a thing you forget overnight.You are going to say,Nicole Garcia ends up in an insane asylum.Probably but long after the war.In "Retour à la vie" Aunt Anna was so weak and so traumatized she could not utter one word.

    The cast is admittedly impressive.But if the leads were not played by celebrities such as James Caan,Geraldine Chaplin or Fanny Ardant,we would be lost in a terrible mess.Ansd sometimes I must confess I do not know if it's the father (mother) or the son (daughter).And Lelouch spared us the third generation (they are still brats).To think that the last part of "Toute une Vie" (1974) another extravaganza which spanned a century,the last part was pure sci-fi and took us down to the future world! Les uns will like.Les autres won't.
    10talltale-1

    The GONE WITH THE WIND of WWII Epics

    Wow. I had seen a pared-down version of this amazing film when it was called BOLERO a decade or two back. Now that I have seen the uncut film, I'm in awe. As I grow older I seem to appreciate Claude Lelouch more and more. This one may be his masterpiece. Weaving together three generations and four families (German, French, American and Russian), the writer/director manages to run the gamut from wildly romantic to elegantly subdued (note the distanced reconciliation scene between mother and son late in the film) offering up whatever is called for at a given moment. Music is paramount to this movie--it is ever-present and holds the diverse threads together. The cast is amazing, too. What a coup. This is the kind of film I'll recommend to everyone, and now that it is out on DVD, movie lovers are all the luckier for it.
    10ericibe

    23 years later I still remember this film.

    I may not remember everything, but this film has been on my mind since I saw it 23 years ago. I was in high school in a small town in Iowa. One of our band directors had a large collection of film on tape and laser disc. He would have movie parties for kids he taught. I showed an interest in film and he would screen some films I would have otherwise never have seen. I remember watching Bolero. (I do not think I knew it was known by any other name) I was in absolute awe of this film. The music, the story, the pacing - everything you couldn't get from popular American films.

    I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
    movimike

    A great international

    I happened to be in Paris when this film was released. I was able to see it three times in 2 weeks at a theater who did English Subtitles. What an incredible movie. Unfortunately, it was released within months of Blake Edwards "10" which also used "Bolero" as it's main theme and that movie went over big time in the US, so distributors had a problem getting this film out. I wish they would re-release it. The thing I enjoy the most about it is the director's multiple uses of the actors. Many play their characters children and grandchildren. It is also an incredible look at a time when the world was trying to blow each other up and it shows that people everywhere just want the same things. A brilliant film.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Francis Lai: The composer appears as the blind accordion player.
    • Erros de gravação
      (at around 1h 21 mins) The soldiers are playing cards on the train and the game they are playing changes between shots.
    • Cenas durante ou pós-créditos
      The grand majority of the opening credits are spoken by the narrator. The narrator stops after crediting the choreographer. Only the film's production company, title and the name Claude Lelouch appear in writing before the Bolero dance at the opening (when the writing is onscreen, the orchestra is warming up). Also, a quote by Willa Cather appears at the very beginning.
    • Versões alternativas
      Presented on French television in a 6 hours version quite clearer then the shortened American release. Richard Bohringer and Fanny Ardant's characters, for example, are better developed.
    • Conexões
      Edited into Les uns et les autres (1981)
    • Trilhas sonoras
      Folies Bergère
      Music by Francis Lai

      Lyrics by Boris Bergman

      Performed by Catherine Russell and Ginette Garcin

    Principais escolhas

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    Perguntas frequentes15

    • How long is Bolero?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de maio de 1981 (França)
    • País de origem
      • França
    • Centrais de atendimento oficiais
      • Les Films 13 (France)
      • StudioCanal International (France)
    • Idiomas
      • Francês
      • Inglês
      • Alemão
      • Russo
    • Também conhecido como
      • Bolero
    • Locações de filme
      • Garancières, Yvelines, França(Railway crossing and station scene)
    • Empresas de produção
      • Les Films 13
      • TF1
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      3 horas 4 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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