Toque de Recolher

"Taps" presents a twist in the way students in a military academy of certain reputation perceive how honor is, above all, the thing to live for, even over all other qualities a man could possess. The teachings of this military institution, molding young men 12 to 18 years old, have a profound effect, especially in the intense Brian Moreland, who is a clear favorite of the academy director, General Bache.

Harold Becker directed "Taps", which is based on a novel by Devery Freeman. The action of the film takes place in the fictional Bunker Hill Military Academy, that has just been sold to private investors who want transform the site into condominiums.

With a history of having molded young minds during its distinguished history, Gen. Bache is horrified by the mere thought of losing the academy and the young people he has helped to involve in the rich life of the military. After a tragic incident that involves the killing of a townie, Bache suffers a heart attack, leaving the academy in the hands of people that are seen trying to undermine the fallen leader.

Brian Moreland, the serious minded young man, takes it into his own hands to take care of what he thinks would be Gen. Bache's reaction in saving the school by getting the rest of the students left at the academy to hold it hostage and not give in to the upcoming changes, or to other people who don't have the same purpose in mind.

Timothy Hutton is about the best thing going for the film. This young actor brought the right amount of seriousness, courage and valor to the role. This film is basically the big screen debut for Sean Penn and Tom Cruise, who went to build spectacular careers of their own. George C. Scott, another excellent actor is seen as Gen. Bache, but unfortunately, he doesn't have much to do and only appears in the opening sequences. Other familiar faces in the cast, Billy Van Zandt, Giancarlo Esposito.

"Taps" is a film that shows how some young minds will act when they follow to the letter things they have learned in theory in the classroom. It also recognizes how honor could get a well meaning person to do things that he will regret later on and how it can cause harm to innocent young men that go along with these new leaders.

A story often overlooked for less-than-stellar acting and direction, Taps brings into question if classical military leadership and the traditional honor of fighting men has a place in the modern age.

Providing a springboard for young actors into future careers, the film showcases a number of actors ranging in ages from pre-teen to late teens with varying results. Some perform predictably while others really shine (particularly Brendan Ward as Charlie Auden).

The film holds up well after 30 years, feeling more like a story SET in the early 80's rather than being burdened by its age. Cinematography is dramatic, though not always dynamic, and makes GREAT use of the borrowed setting of actual Valley Forge academy.

The story is paced well, though some may feel it to be kind of slow. This is NOT an action movie, and is far from a traditional military movie either. Those who are looking for something along the lines of We Were Soldiers or even the first half of Full Metal Jacket will be very disappointed. Those with a more open mind for classical story-telling will find a surprisingly detailed portrayal of life in a military academy and a deeper story than may be seen on the surface.

Atypical for the theme and maybe not for everyone, but definitely worth a shot.

Hold the fort seems to be the slogan of these military cadets when they decide to rally behind TIMOTHY HUTTON who wants an armed defense of the school from authorities who want to shut it down after an accidental shooting by the presiding General Bache (GEORGE C. SCOTT). Aiding and abetting are TOM CRUISE and, in his film debut, SEAN PENN.

The tale seems highly improbable but is played so earnestly, is scripted so well, and directed so competently that it manages to hold the attention until the more or less predictable outcome.

The cadets are all extremely well played, from the very young boys to those who appear to be in their early twenties. When the authorities are unable to take back the school, the parents appeal to the children through loud speakers. "Sometimes being accepted by your friends, isn't worth the price," says one mother.

Unfortunately, the stalemate phase of the movie lasts much too long to sustain interest. But it's interesting now to watch the very young Hutton, Penn and Cruise show why they became superstars. I agree with Maltin who says it "plays its cards too soon, leaving a lot of dead weight before the outcome."

Summing up: Improbable story, but entertaining in a curious way.

Memorable line from Hutton's father resonates today: "They think you're home grown terrorists."

I first saw Taps when I was only 11 and I loved it. But at eleven I liked it for its militaristic attributes rather than its 'fight for honour' motif.

I recently, aged 31, saw it again, and, predictably, liked it for entirely different reasons. Firstly, as someone else on this sight mentioned, the film is quite beautiful to look at. The cinematography is quite stunning actually, and if you don't believe me, watch it again. Secondly the direction, writing, and editing is tight, controlled and technically fairly solid.

But what made this film for me was the impressive, inspired acting by the, at the time, young cast. I was captivated by the core trio of Cruise, Penn, and Hutton. If charisma were a concrete substance these three would have garbage bags of the stuff stowed in their cupboards.

The script was thoughtful, and, importantly, believable. The ending was very powerful......when I was eleven, but once seen, lost it's effect on subsequent viewings.

The biggest kick I got was seeing Hutton, Cruise, and Penn as teenagers turning out amazing performances at such a younger age. I guess some actors are just destined to rise to the top.

George C. Scott also turned in a great, believable performance as an old wartime General. However I find it interesting, after seeing this movie over 20 years later, how it's context has changed for me personally. While in '81, the story was perhaps designed to generate sympathy for the General and his plight, I look at his situation today and feel nothing but pity for him, as I would for any Shakespearean tragic hero, who because of their narrow-sightedness, could not see the bigger picture. And in this case, their consequences caused a chain of events that took on an uncontrollable life of their own. Funny how the years can sometimes dictate understanding and perspective.

The previous review mentioned for this flick is 100% bang on.