Um jovem deve impedir que o Senhor das Trevas destrua a luz do dia e se case com a mulher que ama.Um jovem deve impedir que o Senhor das Trevas destrua a luz do dia e se case com a mulher que ama.Um jovem deve impedir que o Senhor das Trevas destrua a luz do dia e se case com a mulher que ama.
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 12 indicações no total
Ian Longmur
- Demon Cook
- (as Ian Longmuir)
Michael Crane
- Demon Cook
- (as Mike Crane)
Avaliações em destaque
I've read a lot of opposing views here and there are valid views on both sides. I guess it boils down to what your imagination can be hopefully transfered to film for you enjoyment.
I've seen my fair share of fantasy films in my life and Legend probably reached to that part of me quicker than any film of that genre than has been done before and since. Lord of the Rings surpasses it on many levels...but Legeng still has the ability after all these years to make me think of pure fantasy, and that's what I believe this film is about. Good vs evil is what most films are about, but Legend is what fairies and goblins and a mystical forests are!
Visually I doubt you can find much better even 20 odd years later! Good vs evil in a setting that is set in a purer forum. Character development here are not too strong, but they're not meant to be. They are strong enough to portray love vs evil vs good and bad, and they do it well in the context of the story. Tom Cruise did a good Job as the Nieve and yet courageous Jack, Lily was a the prize of his longing and it came across as undeniable. Mia Sara as lily is the stuff of youthful longing.
Tim Curry played the spoiler and he did it to the point of stealing all of the film. He is the stuff of fantasy. The costume was spectacular, and his portrayal of the character was commanding...And over the top cause that what he does well!
I enjoyed the directors cut film more as it is longer and tells the story just a little better, but I enjoyed Tangarines Dream's score more as it captured the mood of fantasy ( for me) as set in a mystical place! Jerry Goldsmith had some very good moments, but TD for me layed out a fairytale with my eyes closed better.
But at the end you either see this for the pure fantasy it is about or you see it as something deeper that it doesn't pretend to be. It's much purer in it's view on good vs evil and to my taste it hits on every level of that platform. And not to mention it's ability to make for a great dream filled with hope and danger.
Pure fantasy...and should be viewed with that intent.
I've seen my fair share of fantasy films in my life and Legend probably reached to that part of me quicker than any film of that genre than has been done before and since. Lord of the Rings surpasses it on many levels...but Legeng still has the ability after all these years to make me think of pure fantasy, and that's what I believe this film is about. Good vs evil is what most films are about, but Legend is what fairies and goblins and a mystical forests are!
Visually I doubt you can find much better even 20 odd years later! Good vs evil in a setting that is set in a purer forum. Character development here are not too strong, but they're not meant to be. They are strong enough to portray love vs evil vs good and bad, and they do it well in the context of the story. Tom Cruise did a good Job as the Nieve and yet courageous Jack, Lily was a the prize of his longing and it came across as undeniable. Mia Sara as lily is the stuff of youthful longing.
Tim Curry played the spoiler and he did it to the point of stealing all of the film. He is the stuff of fantasy. The costume was spectacular, and his portrayal of the character was commanding...And over the top cause that what he does well!
I enjoyed the directors cut film more as it is longer and tells the story just a little better, but I enjoyed Tangarines Dream's score more as it captured the mood of fantasy ( for me) as set in a mystical place! Jerry Goldsmith had some very good moments, but TD for me layed out a fairytale with my eyes closed better.
But at the end you either see this for the pure fantasy it is about or you see it as something deeper that it doesn't pretend to be. It's much purer in it's view on good vs evil and to my taste it hits on every level of that platform. And not to mention it's ability to make for a great dream filled with hope and danger.
Pure fantasy...and should be viewed with that intent.
When I first saw this movie,on DVD, I was like wow! This movie is gorgeous to look at, a famous trademark of Ridley Scott. The main flaw in this movie is Tom Cruise. He looked confused throughout the movie, but he was still likable. The other flaw, is that the storyline takes a while to get going. But all this actually managed to pick itself up, and do bear in mind it is theme driven film. I was impressed with Mia Sara. She started off a little uncomfortable, but when she turned evil, she came alive. In fact, the personifications of good and evil were one of the main reasons why I like this movie, other than Tim Curry, who is one of my favourite actors. The performance of Tim Curry is what makes this movie. He was unrecognisable, underneath all the Oscar-nominated makeup, but what a performance, it blew me away, in perhaps the most definitive portrayal of Satan ever on screen, both frightening and sexy at the same time! Even more amazing was that he is only 5'9 or so, and he had to wear stilts, also that he was in his late 30s when he took on this role, and I am glad he did. I felt as though I was in a different world when I saw this movie. The supporting actors David Bennent and Alice Playten offered solid support. I also liked the script, a little inappropriate with the goblins perhaps, but not that bad. The outstanding music score by Jerry Goldsmith is without doubt one of his finest and most underrated works. This was evident in the dress scene, Lilli's song, the final underwater scene and the very end. Magical! I liked the American version, but I much prefer the version I have on DVD, the European version, somehow I like less the score by Tangerine Dream . One definite thing that I liked about the American version was Darkness's "Mother Night" speech, in the European version he is a lot more mysterious. When this is on TV, it always shows the American version, but my personal opinion is that the European version is better (this is the one I have on DVD). If you are a fantasy fan, watch this movie, and either version. It is just beautiful, and definitely under-appreciated! 8/10. Bethany Cox
The Lord of all that is Darkness (Tim Curry) tries to take over the world by slaying two unicorns. He is distracted by the temptation of innocence, which comes in the form of pretty little Princess Lily, played by Mia Sara in her film debut. The Dark Lord decides he would like to have his way with virgin princess, while her true love Jack (Tom Cruise) tries to rescue her and save the world.
Long, dark, murky, loaded with black humor and undeniably well crafted. A beautiful film to look at that is hopelessly chopped up in the American version which replaces Jerry Goldsmith's original music with music by Tangerine Dream.
Cruise is alright as the hero, as alright as he's ever been anywhere else. Mia Sara is very lovely as the virgin princess whom this film revolves around. Curry sounds like he's having fun as the villain.
Long, dark, murky, loaded with black humor and undeniably well crafted. A beautiful film to look at that is hopelessly chopped up in the American version which replaces Jerry Goldsmith's original music with music by Tangerine Dream.
Cruise is alright as the hero, as alright as he's ever been anywhere else. Mia Sara is very lovely as the virgin princess whom this film revolves around. Curry sounds like he's having fun as the villain.
Legend (1985)
2.5/4
A lot of 80's fantasy movies focus on hero's trying to save the world, the universe, their love, their home, and so much more. 'Legend' follows that formula, with the hero (Tom Cruise) saving the world AND his love. It kind of works, to a limited degree. But it's not very good, and mostly doesn't work this time. The movie's fatal flaw is no compelling story. But what does work are the visuals. Beautiful, complex, and strangely fascinating, its own style kept me engaged. The story is lackluster; but the visuals are some of the best I've ever seen for a fantasy film. But unfortunately, the story gets in the way of a positive review, which is why I'm giving it a mixed negative review.
The movie follows a young man named Jack (Tom Cruise), who sets out to stop the evil Lord of Darkness (Tim Curry) from completely obliterating daylight and from marrying the woman he truly loves (Mia Sera).
As with a lot of director Ridley Scott's work, the style eventually overrules the substance. In 'Legend' there's little to no substance, but excellent doses in style. For years, this film tried to be made, but Scott couldn't get the proper conditions. He's finally working off an original screenplay from William Hjortsberg, who doesn't provide good groundwork for the picture. It's kind of a mash of 80's fantasy scenes, and all stringed together by a relatively basic plot. The film is also famous for having its sets burned completely to the ground during filming, and Tom Cruise's father dying during the production of the film. It's no wonder this movie is such a mess.
The visual style is exhilarating; beautifully thought and wonderfully calculated. The sets are just as fantastically produced. But the story, at its best, represents other fantasy movie plots; and at its worst, represents a lousy movie. It's a very complicated picture; but it all comes down to a very basic solution: there's more style over substance, something Scott is sometimes known for.
2 ½ STARS (OUT OF 4)
2.5/4
A lot of 80's fantasy movies focus on hero's trying to save the world, the universe, their love, their home, and so much more. 'Legend' follows that formula, with the hero (Tom Cruise) saving the world AND his love. It kind of works, to a limited degree. But it's not very good, and mostly doesn't work this time. The movie's fatal flaw is no compelling story. But what does work are the visuals. Beautiful, complex, and strangely fascinating, its own style kept me engaged. The story is lackluster; but the visuals are some of the best I've ever seen for a fantasy film. But unfortunately, the story gets in the way of a positive review, which is why I'm giving it a mixed negative review.
The movie follows a young man named Jack (Tom Cruise), who sets out to stop the evil Lord of Darkness (Tim Curry) from completely obliterating daylight and from marrying the woman he truly loves (Mia Sera).
As with a lot of director Ridley Scott's work, the style eventually overrules the substance. In 'Legend' there's little to no substance, but excellent doses in style. For years, this film tried to be made, but Scott couldn't get the proper conditions. He's finally working off an original screenplay from William Hjortsberg, who doesn't provide good groundwork for the picture. It's kind of a mash of 80's fantasy scenes, and all stringed together by a relatively basic plot. The film is also famous for having its sets burned completely to the ground during filming, and Tom Cruise's father dying during the production of the film. It's no wonder this movie is such a mess.
The visual style is exhilarating; beautifully thought and wonderfully calculated. The sets are just as fantastically produced. But the story, at its best, represents other fantasy movie plots; and at its worst, represents a lousy movie. It's a very complicated picture; but it all comes down to a very basic solution: there's more style over substance, something Scott is sometimes known for.
2 ½ STARS (OUT OF 4)
I finally got to see Legend in its entirety from start to finish in one sitting. Previously I had only seen bits and pieces. Sad to say this is a film whose parts are greater than the whole.
Technically it's a stunning masterpiece. I don't think there was a film like this since Paramount took most of it's players in 1933 and put them all in makeup for its version of Alice in Wonderland. In fact the only two in the film who go without any make up because they're the only humans in the film are woodsman Tom Cruise and princess Mia Sara.
Tom looks a little lost in this part. Fantasy certainly is something he never tried again in his career. Probably he was wise not to. Mia Sara comes off a bit like a spoiled Jewish American Princess. If her dad the king was around, she'd have just ordered him to buy her those unicorns.
However the rest of the cast looks like they're having a grand old time. Especially Tim Curry who steals the film. He overacts with relish his role of the Lord of Darkness, he's the main reason to see Legend.
Legend is photographed well and the makeup is in a class by itself. Why it didn't win an Oscar in the only category Legend was nominated in, is beyond me. Still it's a film best consigned to the juvenile audience.
Technically it's a stunning masterpiece. I don't think there was a film like this since Paramount took most of it's players in 1933 and put them all in makeup for its version of Alice in Wonderland. In fact the only two in the film who go without any make up because they're the only humans in the film are woodsman Tom Cruise and princess Mia Sara.
Tom looks a little lost in this part. Fantasy certainly is something he never tried again in his career. Probably he was wise not to. Mia Sara comes off a bit like a spoiled Jewish American Princess. If her dad the king was around, she'd have just ordered him to buy her those unicorns.
However the rest of the cast looks like they're having a grand old time. Especially Tim Curry who steals the film. He overacts with relish his role of the Lord of Darkness, he's the main reason to see Legend.
Legend is photographed well and the makeup is in a class by itself. Why it didn't win an Oscar in the only category Legend was nominated in, is beyond me. Still it's a film best consigned to the juvenile audience.
Você sabia?
- CuriosidadesTom Cruise reportedly wasn't happy with the film; in a Rolling Stone interview from 1986, he called his performance "another color in a Ridley Scott painting," and declared, "I'll never want to do another picture like that again."
- Erros de gravaçãoThroughout the movie, the Unicorns have mismatched genders. It can clearly be seen when the animals rear up in the air. One example of this is when Brown Tom is guarding the "mare", and Lily trudges through the snow, frightening the horse.
- Versões alternativasThere are at least four different versions of this picture: the original European release (94 min.), the American theatrical release (89 min.), a network TV version (94 min.) and a director's cut (113 min.)
- ConexõesEdited into The Nostalgia Critic: Garfield: A Tail of Two Kitties (2017)
- Trilhas sonorasIs Your Love Strong Enough
Written and Performed by Bryan Ferry
Produced by Rhett Davies and Bryan Ferry
Mixed by Bob Clearmountain
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Leyenda
- Locações de filme
- Silver Springs - 5656 E. Silver Springs Boulevard, Ocala, Flórida, EUA(underwater sequences)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 24.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 15.502.112
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.261.154
- 20 de abr. de 1986
- Faturamento bruto mundial
- US$ 16.838.493
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
- Proporção
- 2.39 : 1
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