Shao Lin yu Wu Dang

I liked the classic plot of this one and didn't find it too convoluted or forced. There's not much elaborate choreographed kung-fu through most of the movie (you get little snippets and teases throughout), but the end fight sequence is elaborate (they saved all their choreography for here) and quite good and exciting to see the two styles get combined to overcome the main baddie. You can really feel the chemistry between the two opposing stars, friends with conflict, and when they fight, it's a lot of fun.

I'd love to see a better print of this, as I watched an old VHS copy with lots of scanlines and cropping that I'm sure take away from it all.

Grab it and see it if you have the chance and like kung fu movies.

5.7 stars!

An excellent martial arts movie. My favorite part is the beginning sequence where the lone wu-tang warrior fights against a squad of monks. The beginning fight scene is worth every penny it costs you to buy the movie.

It's safe to say that almost any movie Gordon Liu has ever appeared in is a classic. You can probably watch the intro of this movie (about four minutes) over and over and over and never get bored, it's that good. The movie itself is about two people from two different groups (the Shaolin and the Wu-Tang) and how they must unite to fight for one common cause. The fighting sequences are great, the storyline is easy to follow, and... well, just go out and see it.

Using the classic martial arts storyline of the villain who wants to learn the secret style of fighting, SHAOLIN v WU TANG is dope! In this one, we get two friends, one from Shaolin school and the other from Wu tang. After a foul up that results in the murder of the Wu tang master, the two friends soon become enemies, then on a mission to seek acceptance to become monks and challenge one another.

The only disappointing thing about this flick is that it's fight scenes don't compare with the beginning of the film, And that's just a training sequence!!!! Still this is one of the masterpieces of Kung Fu film. Keep an ear out for some of the dialogue that was sampled on Wu Tang Clan's CD "36 Chambers".

This 1983 actioner marks kung fu superstar Gordon Liu's directorial debut. Unfortunately, it also commemorates the moment at which the Shaolin trend in Hong Kong cinema became a schtick. Several of the training sequences from "The Thirty-Sixth Chamber of Shaolin" are re-enacted (Li Hai-sheng even returns as the contentious monk who, with his butterfly swords, challenges Gordon Liu's character), but they're divorced from the emotional impact they had in the earlier film. "Thirty-Sixth Chamber" was a martial arts movie, yes, but also a story about the triumph of the human spirit; "Shaolin and Wu Tang" is just a series of fight scenes woven together by a thin plot. Great fight scenes, certainly, but only that.

Gordon Liu plays the senior pupil of a Shaolin-style master. His best friend, the senior pupil of a master of the Wu Tang sword, is portrayed by Adam Cheng. A treacherous Manchu lord (Wang Lung-wei) pits the young friends against one another: Liu's resolve takes him to Shaolin Temple, where he becomes a monk, trains in the Buddhist fighting arts (first-hand this time) and vows to wipe out the Wu Tang school; Cheng, meanwhile, is detained at a Taoist monastery and learns the finer points of his sword style from the priests there. Will the two friends realize that they have been manipulated by the Manchu lord before they injure or even kill each other?

Characterization is sketchy, the drama almost entirely unconvincing. People die, but no one ever seems particularly distraught about it. Because the tragic events in the film are handled so awkwardly, I couldn't shake the feeling that I was watching mediocre community theatre. Granted, this isn't going to bother most viewers...but, on the basis of its reputation, I expected something more from "Shaolin and Wu Tang." Six stars for the fight scenes, dazzlingly choreographed by Liu Chia-liang.