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6,9/10
4,4 mil
SUA AVALIAÇÃO
Empregados de uma fábrica são explorados pelo patrão, que não paga os salários devidos e os obriga a trabalhar a mais. Eles se reúnem e pedem a um ator que se passe por perito em artes marci... Ler tudoEmpregados de uma fábrica são explorados pelo patrão, que não paga os salários devidos e os obriga a trabalhar a mais. Eles se reúnem e pedem a um ator que se passe por perito em artes marciais para intimidar o aproveitador.Empregados de uma fábrica são explorados pelo patrão, que não paga os salários devidos e os obriga a trabalhar a mais. Eles se reúnem e pedem a um ator que se passe por perito em artes marciais para intimidar o aproveitador.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Yeong-moon Kwon
- Yuan Li-hao
- (as Yung-Wen Kuan)
Kara Ying Hung Wai
- Hsiao Hung
- (as Kara Hui)
Il-do Jang
- Erh Kun
- (as Yi-Tao Chang)
King-Chu Lee
- Monk San Te
- (as Ching Chia)
Sae-Ok Kim
- Laborer
- (as Hsi-Yu Chin)
Avaliações em destaque
I thought this would be a sequel to the original "36th Chamber of Shaolin" but actually it's more of a light-hearted "sister" to the original. Gordon Liu still stars as a would-be hero on a quest to learn kung fu to defeat those pesky Manchus... but this time around it's lighter and more comedic. The film centres around the local dye mill, where wages are cut due to the hiring of 10 new Manchurian bosses. Liu plays "Chao", who is able to fool the mill bosses into thinking he is a shaolin monk possessing almost magical kung fu skill. But his luck runs out, he is exposed as a fraud, and he promises the mill workers that he will go to the Shaolin monastery to learn kung fu, and return to protect them.
The comedy really begins at the monastery where Chao makes several bungling attempts to get accepted. This sets up lots of really funny moments, and lots of great fight choreography. Continuing in the "36th Chamber" tradition we see all kinds of neat and interesting (and supremely hokey) training methods at the monastery as well as creative uses of wooden benches as weapons.
Also unique and of note is the blending of kung fu and the craft of bamboo scaffold building. Chao is not accepted as a student at Shaolin but is made to build bamboo scaffolding for the "10 year restoration" of the monastery. On the DVD I bought there is a special on bamboo scaffold building and the inspiration that director Lau Kar-Leung drew from it. This is a craft many hundreds (perhaps thousands) of years old, and in Hong Kong scaffolding is still built of bamboo even on large high-rises, though the West exclusively uses steel tubes and clamps. As a result of his scaffolding work, Chao develops a special style of kung fu... when asked what kind it is, he hilariously replies "scaffolding kung fu!!" which he first tests during a dust-up with the monastery's Abbot. In the final confrontation with the Manchus, there is a dazzling array of creative uses for bamboo poles and ties.
From a comedy perspective, I think it's one of the best of the kung fu genre. As a kung fu film in general, it also stands out... I recommend it to anyone!
The comedy really begins at the monastery where Chao makes several bungling attempts to get accepted. This sets up lots of really funny moments, and lots of great fight choreography. Continuing in the "36th Chamber" tradition we see all kinds of neat and interesting (and supremely hokey) training methods at the monastery as well as creative uses of wooden benches as weapons.
Also unique and of note is the blending of kung fu and the craft of bamboo scaffold building. Chao is not accepted as a student at Shaolin but is made to build bamboo scaffolding for the "10 year restoration" of the monastery. On the DVD I bought there is a special on bamboo scaffold building and the inspiration that director Lau Kar-Leung drew from it. This is a craft many hundreds (perhaps thousands) of years old, and in Hong Kong scaffolding is still built of bamboo even on large high-rises, though the West exclusively uses steel tubes and clamps. As a result of his scaffolding work, Chao develops a special style of kung fu... when asked what kind it is, he hilariously replies "scaffolding kung fu!!" which he first tests during a dust-up with the monastery's Abbot. In the final confrontation with the Manchus, there is a dazzling array of creative uses for bamboo poles and ties.
From a comedy perspective, I think it's one of the best of the kung fu genre. As a kung fu film in general, it also stands out... I recommend it to anyone!
The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin.
Director Lau Kar-leung excels in this action-comedy. When I think Shaw Brothers kung fu, I think of Chang Cheh, which may be very narrow of me (I am still learning). But Lau is every bit as great, and in some ways maybe even greater, because although much of this looks like a Shaw action film, the comedy is excellent, clearly drawing on old-school American slapstick.
Director Lau Kar-leung excels in this action-comedy. When I think Shaw Brothers kung fu, I think of Chang Cheh, which may be very narrow of me (I am still learning). But Lau is every bit as great, and in some ways maybe even greater, because although much of this looks like a Shaw action film, the comedy is excellent, clearly drawing on old-school American slapstick.
I agree with another user here and have to say that this is one of the best Kung Fu movies ever! I watched this as a kid and absolutely loved it! The scaffolding scenes are brilliant and you can really empathise with this guy because he is treated as an outcast. Nice humour and fantastic kung fu this movie rocks! If you like Kung Fu you would love this!!!
An exciting comedy martial arts movie with solid action sequence from Director Chia Liang Liu.Can't judge this is a good sequel yet because I haven't seen the original.Very nice fights at the end,Favorite!!
I was disappointed my this movie. I wasn't expecting it to be better then the first one, but the comedic element definitely hindered it.
Gordon Liu once again stars, but his time he plays an actor impersonating his character from the first one. It is an interesting concept. Basically the plot is the same. The manchus are oppressing a dye factory and hire someone who looks like San Te to fool the manchus. Gordon gets his butt kicked so he goes to Shaolin to actually become a shaolin master. Once he learns kung fu he goes back and frees the dye workers.
Its not a bad film, but all the comedic parts got really annoying. I am a big Gordon Liu fan, but a consider this one of his weakest roles.
Gordon Liu once again stars, but his time he plays an actor impersonating his character from the first one. It is an interesting concept. Basically the plot is the same. The manchus are oppressing a dye factory and hire someone who looks like San Te to fool the manchus. Gordon gets his butt kicked so he goes to Shaolin to actually become a shaolin master. Once he learns kung fu he goes back and frees the dye workers.
Its not a bad film, but all the comedic parts got really annoying. I am a big Gordon Liu fan, but a consider this one of his weakest roles.
Você sabia?
- CuriosidadesWu-Tang Clan member Ol' Dirty Bastard's debut album was titled after this movie, with adding "The Dirty Version" to the end. Ol' Dirty Bastard's album is titled "Return to the 36 Chambers: The Dirty Version".
- Citações
Boss Wang: What style of Kung Fu is this?
Chao Yen-Cheh: Roof-top Kung Fu!
- ConexõesFeatured in Cinema Hong Kong: Kung Fu (2003)
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- Também conhecido como
- Return to the 36th Chamber
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By what name was Regresso à Câmara 36 de Shaolin (1980) officially released in India in English?
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