Adicionar um enredo no seu idiomaThis is a serious attempt to look into the lives of three different woman that come together as roommates in New York. Each of them were attempting to step out of their old, abused selves an... Ler tudoThis is a serious attempt to look into the lives of three different woman that come together as roommates in New York. Each of them were attempting to step out of their old, abused selves and start new lives. Although they try to support each other's goals, their old lives creep ... Ler tudoThis is a serious attempt to look into the lives of three different woman that come together as roommates in New York. Each of them were attempting to step out of their old, abused selves and start new lives. Although they try to support each other's goals, their old lives creep back into their work, relationships, and apartment. They meet abusive men just as before. ... Ler tudo
- Prêmios
- 11 vitórias e 2 indicações no total
- Ken
- (as Phil Smith)
- Girl at Party with Meg
- (as Patricia Dale)
- Lou De Sapio
- (as Fredrick Foster)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Set in New York City, "Roommates" follows the intertwining lives of three young women, each navigating the complexities of love, lust, and self-discovery. The film's premise is intriguing, offering a glimpse into the sexual awakening of its protagonists as they grapple with their desires and insecurities. However, the execution falls short, primarily due to a lackluster script and uninspired performances from its cast.
The film's three leads, played by Veronica Hart, Kelly Nichols, and Samantha Fox, struggle to convey the emotional depth needed to elevate their characters beyond mere vessels for sexual encounters. While all three actresses possess undeniable physical allure, their performances are largely one-dimensional, lacking the nuance and complexity required to engage viewers on a deeper level.
Chuck Vincent's direction, while competent, fails to elevate the material beyond its adult-oriented trappings. Scenes of explicit sexual content, while technically proficient, lack the artistry and sensuality found in the work of contemporaries such as Gerard Damiano or Radley Metzger. The film's pacing suffers as a result, with long stretches of tedious dialogue punctuated by perfunctory sex scenes that feel more obligatory than arousing.
The cinematography, courtesy of Larry Revene, is serviceable but unremarkable, with little to distinguish it from the myriad other adult films of its era. The film's soundtrack, a mix of synthesized disco and soft rock, is similarly uninspired, serving as little more than background noise to the on-screen action.
In terms of its adult content, "Roommates" offers a veritable smorgasbord of sexual acts, ranging from traditional heterosexual couplings to lesbian encounters and even a brief foray into BDSM. While this variety may appeal to viewers seeking a diverse range of erotic experiences, the film's relentless focus on carnal gratification ultimately detracts from its narrative coherence and emotional resonance.
As an artifact of its time, "Roommates" serves as a reminder of the limitations of Golden Age adult cinema, a genre that, despite its aspirations to the contrary, was often more concerned with titillation than storytelling. While the film may hold some historical interest for fans of the era, it fails to deliver a satisfying viewing experience, either as a work of erotica or as a piece of narrative cinema.
While the film's premise and cast hold promise, its execution falls short, resulting in a tepid and unmemorable viewing experience. For those seeking a more satisfying adult cinema experience, it may be best to look elsewhere.
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- ConexõesFeatured in Wrangler: Anatomy of an Icon (2008)