Quem Matou Rosemary?

THE PROWLER maybe isn't a milestone in the slasher-genre, nor is it innovating in any way, but it certainly is one of the better teen-slasher-movies of the 80's. It has what it takes: Tension, a high body count, gore, nudity and a decent (though not really original) story. I'd say it even is almost on par with Friday THE 13TH PART I. Almost, I say, because Friday THE 13TH had an original twist in the end. In the case of THE PROWLER you'll probably guess the identity of the killer way before the final 'unmasking'-scene.

The plot is straightforward and easy to follow (like almost every slasher-flick). The prologue is a bit strange (black & white documentary footage of soldiers coming home from the World War II), but it's necessary to provide the killer's background-story. The first killing takes place in 1945 during a homecoming-party. It appears the killer had personal motives. He was never caught. Then, almost 40 years later, a new town's party is being organized and the killer picks up his old habits (and weapons).

On the bright site, THE PROWLER has a lot of killings, and therefore lots of bloodshed. All the make-up & blood-effects are masterfully executed by Tom Savini (with the ultimate high-light being an exploding-head shot). The killer is pretty creepy with his military outfit (including a German-like war-helmet) and uses various weapons (a pitchfork, a big army-knife, a shotgun,...). The fact that he doesn't speak one word during his attacks adds to the scariness. What also raises THE PROWLER to an effective and above-average slasher-level, is Joseph Zito's directing, the acting and the over-all atmosphere. Thankfully this movie doesn't include teenagers playing stupid jokes on each-other, a phenomenon slasher-movies too often suffer from. At a few moments Joseph Zito's directing even reaches levels of tension like in Carpenter's HALLOWEEN (no, it's not as good as HALLOWEEN but it has its moments). It's also nice to see that when leading girl Vicky Dawnson for the first time sees the masked killer, she doesn't ask obvious things like "Who are you? What are you doing here?". No, see looks at him, and when the killer stares back at her, silent and motionless, she immediately senses the danger and starts running. Further more, there are at least two jump-scenes that really work (always a good thing in a horror movie, but you might wanna turn up the volume) and I thought the roses were a nice touch.

It was also a nice surprise to see a slasher-movie that knows the rules of the genre and dares to break a few too (you figure out which ones yourself). I applaud Joseph Zito and Tom Savini for a job well done, and I feel sad about the fact that THE PROWLER seems to be a bit under-appreciated. So, come on all you slasher-fans, seek out this movie and boost its rating here on IMDb to a higher level.

I first saw this in the early 90s on a vhs. Revisited it recently. This one is another slasher with a lousy twist but the best part is the eerie settings of that of a sleepy town. Another best aspect is the special effects by Tom Savini.

The second kill is the most gruesome. This film has one of the best head exploding like a watermelon scene.

Ther is a scene where a man shoots the killer and he keeps on staring n smiling at a babe and the babe too keeps staring n smiling inspite of enduring trauma. The same killer survives the bullet shot n it is never shown how he survived.

A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.

"The Prowler" was directed by Joseph Zito, an incredibly nice guy and talented artist, probably better known for his installment in the "Friday the 13th" series. Also notable is that this film features special effects and makeup by Tom Savini, the undisputed horror master of the era. According to Wikipedia, the "film has been praised by gore fans for its brutal and realistic murder scenes." I am not sure about the realism, but the brutal aspect is certainly true, and if there is an uncut version floating around, it must be a bloodbath. Eli Roth also considers it one of his inspirations in the documentary "Fantastic Flesh" (which is a good film in its own right).

Writer Neal Barbera is the odd man out in the mix. While Zito and Savini are horror guys to the bone, Barbera is a member of the well-known cartoon family (you know, with Hanna-Barbera). His credit, going back to the 1960s, are writing dialogue and lyrics for Scooby-Doo, Yogi Bear and the Flintstones. How he came to write a slasher script is anyone's guess.

The movie landed in Zito's lap thanks to a man named Herb. (Exactly who this is I am not sure.) Herb was quite protective of the property; he was even offered a $700,000 advance for the distribution rights, but he feared the film would not make any more than the advance and chose to distribute it himself (which actually worked). And Zito hand-picked Savini based on his work in "Maniac". (It is perhaps no coincidence that Robert Lindsay, the cinematographer of "Maniac", was behind the camera on "The Prowler".)

"The Prowler" is in many ways like the 1981 slasher film "My Bloody Valentine", with the biggest difference being that "Prowler" is American and "Valentine" is Canadian. Both are excellent and both directors (the other being George Mihalka) are fine gentlemen, so I will not pick and choose between them here. Both films take place in a small town with the legend of a murder, where the killer has placed a so-called "curse" on the town where the residents cannot partake in a certain social gathering. Sure enough, the residents disobey the curse and are picked off in many brutal fashions. Must have been a 1981 thing.

I recommend "The Prowler" to any horror fan, and especially to those who love slashers of the 1980s. I think it has seen a bit of a resurgence in recent years, with shirts and posters becoming available. My friend and colleague Timm Horn talked high praise of this one, and was delighted to meet Zito with me. I wish I could have shared Timm's full enthusiasm at the time.

There are some slow moments, and some scenes that make little sense. Exactly why the deputy sheriff and his girlfriend are snooping around inside a house without consent or a warrant is a bit of a mystery. But it moves the plot forward.

This film is best seen on the version available from Blue Underground. The choice between DVD and BD probably matters little, as the BD is rather grainy on larger screens (you can only clean up a film like this so much). The Blue Underground disc has audio commentary with Zito and Savini, which is priceless for their banter and tidbits about where they acquired coffins, and a nice ten minute behind-the-scenes featurette showing how the gore and kill scenes were done. Very interesting.

Added fun fact: Peter Giuliano, who more or less started his career with "The Prowler" as assistant director and playing the man in the mask, went on to produce dozens of successful films and TV shows, as well as working as assistant director on such notable works as "Ghost Busters". Although not a well-known name, he may be the most successful person to have worked on this film.

Rosemary sends a "Dear John" letter to her boyfriend while he is serving in WWII then is mysteriously slaughtered with her new beau at a graduation dance. Flash-forward to 1981 and the current class of graduating collegiates are throwing the first dance in many moons and a killer pops up looking like a storntrooper from hell and dropping roses everywhere. 80's slashing is in the house.

This rather predictable and slow slasher is saved by the gore set-pieces by effects maestro Tom Savini. That really is the only saving grace and highlight of "Prowler". Everything else on display is a bit bland and rather standard.

By far my favourite of the early eighties dorm slashers, THE PROWLER is an excellent and exciting film brought to the screen with finesse by Joseph Zito. He also directed arguably the best of the FRIDAY THE 13th sequels - The Final Chapter. He shows us his love for the hack and slash cycle here, by renewing a few scenes from two of the genre's pioneers. You've got the 'murder in the shower' fresh out of Hitchcock's renowned classic PSYCHO. Here Zito makes it a lot more brutal, with some realistic and visually stunning gore effects from horror maestro Tom Savini. And then there are various references to Carpenter's HALLOWEEN, including the assassin digging up the grave of the victim he killed some 35 years earlier. Michael Myers steals his sister Judith's headstone from her grave when he escapes from his 15 year spell in Haddonfield's asylum. But although there are brief nods to his obvious influences, Zito also manages to supply some originality and some genuinely scary sequences. Back in the day it was thought that he was going to be the next Tobe Hooper after his flawless work within the horror genre. But sadly he went on to work with more action-orientated films such as Missing in Action, Red Scorpion and Invasion USA.

The plot is believable and also extremely well written. It opens with black and white footage of GIs returning victoriously from WW2. Cut to a letter from a girl named Rosemary to an unseen receiver, stating how she 'does not want to hurt him, but could wait for him no longer...' In other words someone's been dumped and it looks as if a few people are going to have to suffer because of it! Again cut to Avalon Bay Graduation dance 1945 and we're shown the lady Rosemary for the first time with her new 'fella'. While the host merrily talks about Glenn Miller's death, Rose and her cocky boyfriend head out under the stars for a spot of good old harmless (or extremely harmful in these films!) huggin' and a kissin'! They choose a spot at the end of a brightly laminated pier and continue to smooch the night away under the stars, unaware that a somewhat unfriendly looking guy disguised in GI garb and brandishing a bowie knife is watching their every move! Suddenly the lights go out, and Rose and her partner are brought a little bit closer together...Both impaled on a pitchfork!

Skip 35 years and Avalon Bay is preparing for the first graduation dance since the fateful events that occurred before. While the young enthusiastic teens are shown getting ready to find romance at the dance, it looks as if a certain unknown someone is preparing for another bloody massacre. One girl unknowingly predicts the events that follow while she's getting dressed for the party by saying to her sulky looking friend "Hey you're not gonna mope about tonight are ya? Some of us will never see each other again..." Her remarks prove to be surprisingly accurate!

THE PROWLER is often pipped in the popularity stakes by the same year's similar slasher MY BLOODY VALENTINE. Many reviewers also find the latter to be the slightly better of the two. However I beg to differ, because even though MBV is a decent enough movie, I find this to be a scarier and for the most part more sinister attempt with a much stronger cast. Zito's spooky direction is superb and Savini's 'almost too realistic' gore touches just round it off perfectly. There are a few jumps to increase your heartbeat and I strongly wouldn't recommend any young femme fatale who's trying to grow her finger nails to watch this flick alone, because there are a couple of scenes when I guarantee you'll be biting them off!! One of my favorite ever murder scenes is also in this flick, the excellent swimming pool killing. A female teen who is bathing by herself under the moonlight paddles over to the ladder to climb out of the pool. She reaches the steps and begins to ascend them when all of a sudden she is brutally kicked in the face. She finally comes back to her senses and looks around to see who attacked her, but no one is anywhere to be seen! The silence is broken when the killer jumps out of the water behind her and gorily slices her throat in amazing detail. Watch for the blood that leaks out of her wound as her lifeless body sinks in to the murky depths of the cold water; it's Savini at his best...Excellent! The cast are also superb, which, must've helped the general production no end. Veteran actors Farley Granger and Lawrence Tierney have small roles, but the real 'round of applause' goes to fresh faced newcomers Goutman and Dawson who actually steal the show. It's only a shame they never went on to do much worth noting in the movies after this.

All in all THE PROWLER is everything a slasher should be dark, scary, gory while at the same time fun. It's incredibly underrated so I would most definitely recommend it, try and hunt down a copy if you can and I guarantee you will not be disappointed!