Há vinte anos atrás, Harry Warden fez um massacre na mina da cidade de Valentine, deixando um aviso: que ninguém celebre o Dia dos Namorados. Agora, um grupo de jovens prepara-se para afront... Ler tudoHá vinte anos atrás, Harry Warden fez um massacre na mina da cidade de Valentine, deixando um aviso: que ninguém celebre o Dia dos Namorados. Agora, um grupo de jovens prepara-se para afrontar o que pensam ser só uma lenda. Será assim?Há vinte anos atrás, Harry Warden fez um massacre na mina da cidade de Valentine, deixando um aviso: que ninguém celebre o Dia dos Namorados. Agora, um grupo de jovens prepara-se para afrontar o que pensam ser só uma lenda. Será assim?
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- Mike
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Better than your average slasher-horror, not that this says much. Reasonable set up, and a decent amount of intrigue. Does fall back on many horror clichés, and the performances are so-so. Plot is ultimately fairly formulaic, but has its moments.
From the outset, we're introduced to the small mining town of Valentine Bluffs, which hides beneath its fun loving exterior a best-forgotten secret. Twenty years ago the supervisors at the mine were so eager to get to the annual Valentine dance that they didn't bother to check the levels of the methane gas. There was a massive explosion and five workers were trapped underneath the rubble and debris. The only survivor was one Harry Warden, who never mentally recovered from the accident. Exactly a year later he returned and brutally killed the two who were responsible for the tragic mishap. He cut out their hearts, stuck them in candy boxes and sent them to the authorities. Fortunately he was caught before he carried out any more killings and was put into Eastfield Asylum for the insane. Now in 1981 the happy go lucky residents of the usually tranquil town are preparing themselves for the first Valentine dance to be held since that fateful night two decades ago. Memories of Warden's murders have passed and a group of fun loving kids are thinking about nothing else but the anticipated party. However the night before the event the town mayor receives a blooded heart in a candy box with a poetic warning. It seems Harry has returned
MY BLOODY VALENTINE is certainly a fine example of eighties splatter at it's best. Although the acting isn't remarkable, I found that the three leads were competent enough and the script gave us enough time to get to know them. There's an interesting sub-plot that builds between T.J. (Kelman), Axel (Affleck) and Sarah (Hallier). Apparently T.J. was with Sarah before he went away for a while without telling anyone where he was going. Now he's returned and his buddy Axel is with his old flame. Cue the flying sparks! The rest of the wacky cast members are so cheery and carefree that you just know something dreadful is going to happen to them! There's a practical joker (who surprisingly isn't the fat guy), a couple of overly randy teens and even a hammy old guy who tells the kids that they're doomed just like Ralph over at Camp Crystal Lake!
Credit has to be given for the effort from all involved. The movie began filming in September 1980, but the set designer took the time to make sure that everything was decked out in hearts and banners and they made things look like it actually was Valentine's Day. Mihalka makes good use of the spooky mine as a setting and most of the murders are imaginative and well thought out. In one scene a victim is trapped in a room where miner's uniforms are dropping from rails and surrounding her. In panic she tries to find a way out of the claustrophobic and threatening setting (all courtesy of the killer), before bumping into a costume that actually has the murderer in it! If that isn't bad enough, he kills her in a most gruesome fashion! His disguise is arguably one of the best of the eighties and the gas mask sure helps make the traditional heavy breathing' - sound much scarier. There are also one or two jumps that'll probably get you if you haven't seen this before and it's all accompanied with a satisfactory score from Paul Zaza.
The plot is actually pretty smart for a slasher film. I wont go into too much detail because I can't say anything without spoiling it all for you, but watch how they manage to keep you guessing toward the end. It's also worth noting that James Mangold borrowed that classic body (or in his case, head) in a tumble dryer scene for his part-slasher, IDENTITY in 2003. In 2001 George Mihalka went to Paramount with a script for MY BLOODY VALENTINE 2 but they turned him down because the original didn't do brilliantly at the box office. Just proves how annoying they really are doesn't it! They've already said that they'd have no interest in seeing the director's cut of this movie released, even though fans around the world are begging for it. Recently the company asked people to give them ten films that we want to see unleashed and apparently one of those ten was MY BLOODY VALENTINE UNCUT; so we'll just have to wait and see if they come round to our way of thinking. Just imagine if they gave us the full works: The first four FRIDAY THE 13THs and this movie all uncut on special edition discs with commentaries where available and all the trimmings. If Raimi can do it for EVIL DEAD then someone can do it for us! Come on Paramount, lighten up and get on the case!
All in all this is a great little horror movie. It's smartly directed with a likeable cast and a really tense finale. The only problem lies with the shameful editing in the kill scenes where 9 minutes was savagely removed. I'm beginning to think that old Harry Warden should take a trip to the Paramount office, pickaxe in hand, to get revenge on these brutal spoilsports. Still, a few niggles aside, this is a decent little movie from Canada that deserves to be remembered, as one of the best of it's kind. And that's a sure fire compliment!
The scenes filmed in an actual mine - where the protagonists are trapped with the killer lurking around with a sharpened pickaxe - are expertly filmed with plenty of style and a menacing atmosphere. The acting is decent and although some of the characters act like jerks they are likable and human enough for the viewer to care about them. They are all working class stiffs and just want a good time and relief from the reality of their everyday situation. You want them to have their valentine party that has been denied them for obvious reasons.
Notorious for being one of the most censored films by the MPAA at the time of release to avoid an 'X' rating, it is now available in an uncut form on Lionsgate DVD. The death scenes are much more detailed and graphic, but either version is worth watching for the flourish that the director and his cast and crew have imbued into this little horror gem.
By the time 1981 had rolled around, the horror genre had gained much momentum with holiday-themed slasher flicks such as "Halloween" and "Friday The 13th." Never ones to shy away from a good cash-cow, Paramount (the same company to bring you "Friday The 13th") hired George Mihalka to direct the Valentine's Day themed "My Bloody Valentine." Pre-dating much of the camp and excess of the 80's, "My Bloody Valentine" is a pretty innocent film in it's own right, a glimpse into a time before the genre was completely saturated with masked killers and dumbed-down teenagers. It's simply a well-paced, well-oiled little horror movie. It's got a surprising amount of suspense, matched only by the outrageous and often over-the-top visual effects which -- thanks to a newly restored print of the film on DVD -- have finally seen the light of day.
With his film, Mihalka injects a good dosage of suspense, as well as some subtle stylishness. The grimy and grungy setting -- a dumpy mining town in Canada -- gives the film an unmistakably realistic look and feel, which only helps to drive home the authenticity. Sure, the film has it's fair share of clichés; in fact, some of the dialogue and plot-points appear to be ripped straight out of the original "Friday The 13th." The story of a deranged killer returning home years later to exact his revenge on a town is hardly re-inventing the wheel. But when stacked up against it's competition, "My Bloody Valentine" holds it's own. It's one of the few films from the much maligned (and yet, enjoyable) era to actually hold up to today's standards (for the most part). Truth be told, even if you are viewing the heavily edited theatrical cut, the film works just as well without the heavy special effects, which is a testament to the overall quality of a film that was conceived, created and released in under half a year's time.
Sure, it's got it's flaws, but nothing fatal. If you can stomach bad characters, even worse actors and a few clichés here and there, it's a pretty satisfying experience. At the very least, it pre-dates a lot of more successful films and has had a subtle influence on the genre as a whole. Fans of the genre should be aware of it not just as a fun way to kill time -- which it is -- but also as a perfect example of a slasher done right. With a remake currently in theaters and a DVD that treats the film right, "My Bloody Valentine" is finally having it's day in the sun. Even if you've "seen it all," you'll still have a good time with it.
Director George Mihalka brings us another holiday-themed slasher, riding the success of "Black Christmas", "Halloween" and "Friday the 13th"... and paving the way for "April Fools Day". But George is a nice guy and I don't want to say he's just one among the crowd. There were hundreds of 80s slashers, but only a few stand out today. "Bloody Valentine" is, of course, one of them.
Even in its original, neutered glory (anywhere from three to nine minutes were cut) the film stands as a good film. Without any really notable actors or actresses (okay, so Neil Affleck had a brief role in "Scanners"), and being Mihalka's one big mark, the film carries itself on story, acting and blood. The blood, while lacking a times, comes gushing through in others. And like any good slasher, the killer's identity is not revealed until the end... leaving us guessing until the last twist of the knife (or ax).
Slasher fans need to pick up the Lions Gate special edition. While the double-disc with "April Fools Day" is cheap and still worth watching, you don't really know this film until you've seen it uncut. The gore, oh my, the gore! It's actually a shame that it took so long for a company to come along and save this film because it was even better than we once assumed... Mihalka could have been one of the 80s greats (and, in my mind, he still is).
If you've been a horror fan and avoided this one, please see it. Sure, it's mostly mindless fun -- kids drinking and making out, getting hacked up -- but I can watch variations of this formula dozens, scores or hundreds of times. There's something fun about a simple stalking film that you can't always get from other films that try too hard to be clever. And I like thinking films, but a night with buddies and booze... you need a slasher. And this is the one you should pick.
Você sabia?
- CuriosidadesIn an interview with TerrorTrap.com director George Mihalka said that the shooting location at Sydney Mines, Nova Scotia was chosen because of its rustic atmospheric appearance, but when the locals found out that a movie was to be shot there they decided to spend tens of thousands of dollars to have the mine painted and cleaned. This, of course, diminished the reason that the production wanted the location to begin with. Mihalka said that $75,000 of the film's budget was then used to return the mine to its original state for shooting.
- Erros de gravaçãoWhen riding down into the mine, Howard drinks a beer. When he tips the can up, you can see holes from a church key type can opener on the bottom of the can.
- Citações
[last lines]
Axel Palmer: Hanniger, I'll be in Hell waiting for you! Harry? Harry, I'm coming! This whole FUCKING TOWN is going to die! We're coming back, you bastards! Sarah, be my bloody Valentine! Daddy's gone away, Harry Warden made you pay...
- Cenas durante ou pós-créditosAt the beginning of the rolling credits, you will hear the evil-doer miner (Harry Warden) laugh.
- Versões alternativasThe original British cinema print was also the pre-cut version. However, it did restore the ending. The footage was obviously from a different source and cut back into the film.
- ConexõesEdited into 365 days, also known as a Year (2019)
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Detalhes
- Data de lançamento
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- Também conhecido como
- Aniversario de sangre
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Bilheteria
- Orçamento
- CA$ 2.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.672.031
- Faturamento bruto mundial
- US$ 5.673.343
- Tempo de duração1 hora 30 minutos
- Mixagem de som
- Proporção
- 1.85 : 1