A Incrível Mulher que Encolheu

Lily Tomlin has so many comedic talents. And they are all here in this film. Dry wit, dual roles (she's good at that), Ernestine the operator, Edith Ann, the little brat (in a deleted scene). Pure enjoyment. I remember seeing this as a kid. Now as an adult, I enjoy it again, being able to catch little pieces of the humor I never understood as a child. An adorable comedy is all this is. I read so many of these user comments and find too many people looking for some sort of message or spiritual enlightenment or an answer to the meaning of life. Get real. It's cute. Just enjoy it.

12 and under cinema.

I saw this in the theater when I was 11, liked it, and filed the memory of it under "good movie" in my mental cache. All of it's socio-political subtext --endless stabs at Madison Avenue, mass marketing and gross consumerism: Pat is a pimped-out product whore in the merciless clutches of her scAmway-pushing neighbor, and it eventually begins eating away at her, quite literally-- these bits of 'wink-wink' adult humor sailed right over my Bazooka gum-chomping, 11 year-old head.

The fun in "Incredible Shrinking Woman" was the ignorance to the script's so-called message. What tickled us kiddies in the audience was the sight of a pocket-sized Lily Tomlin sporting plastic Barbie sneakers, bedding down at night on a cot in the Barbie Dream House, and cruising down the hallway carpet in an out-of-control Barbie Dream Car. And when the 10-inch version of Pat attempts to perform her daily chores, such as washing the dishes...hee hee... fun stuff if you're a kid.

This flick resurfaced on cable recently, I was reminded that most of what we liked as 11 year olds is pretty cringe-worthy to us as adults. But I went ahead and watched it anyway because it has 3 things working for it:

-Lily Tomlin

-the nostalgia factor

-& that irritatingly catchy "What would we do without Galaxy Glue?" tune

Veteran comedic actress Lily Tomlin really gets to show off her chops here by playing no less than three roles. The principal role is that of Pat Kramer, a suburban wife & mom who mysteriously starts shrinking one day due to overexposure to an abundance of chemicals. In short order, she becomes the talk of the town, even going on the Mike Douglas show. She also comes to be exploited by evil scientists who are bent on world domination. Charles Grodin is cast as the harried husband struggling to accept his wifes' diminishing size as a fact of life; Ned Beatty is Grodins' sleazy boss.

Partly a spoof of the classic Richard Matheson story "The Incredible Shrinking Man", this wacky 1980s fantasy functions mainly as a satire of rampant consumerism. As such, it's far from being subtle, and is a little hard to stick with at first due to it being so chaotic. But Tomlin, never more appealing, is the glue to hold it all together. She's terrific; her other roles are neighborhood busybody Judith Beasley and her classic telephone operator character. Grodin is in fine form, and Beatty is a hoot. The villains are played by the likes of Henry Gibson, Elizabeth Wilson, and John Glover, and they're all good. Shelby Balik and Justin Dana are cute as Pats' kids. But the man who deserves a special shout-out is makeup effects ace and multiple Oscar winner Rick Baker, who hilariously, endearingly plays a gorilla named Sidney.

Written by Jane Wagner, and directed by Joel Schumacher (his feature filmmaking debut), this was admittedly never quite as funny as this viewer would have liked, but it was still hard to dislike. It does work towards a priceless, farcical finale. The special effects are quite amusing throughout, and those color schemes in Pats' house are offbeat, to put it one way.

Reasonably entertaining, overall.

Six out of 10.

Not-so-funny satire of American compulsive consumerism society, based partially on Jack Arnold classic 1957. movie, with several scenes knowingly re-acted completely close to original.

Instead of Grant Williams, here we have Lily Tomlin as everyday housewife slaving for her family and shrinking away, to the delight of media hungry for sensations. Besides being more or less ignored by her family, used that Tomlin simply have to take care of them, she has other serious threats that don't involve cats and spiders but something far more dangerous - humans. Along with quite inane plot, everything is exaggerated: this is not a kind, loving family but a bunch of spoiled brats throwing tantrums, husband and his colleagues are more concerned with profit, Mexican maid is non stop dancing and even neighbors are more concerned about giving interviews than actually giving Tomlin support. Any normal person would pack her bags long ago and run away, but Tomlin - being good wife and self-sacrificing mother - totters on, even as her steps became smaller and smaller. It sounded as a good idea on the paper but is not really funny, perhaps because main character is simply not likable enough - Tomlin is great comedian when given chance to be wicked but as a perpetually serving housewife she is simply annoying (only once, she appears as rude telephone operator "Ernestine" and that minute lightens up the screen). Perhaps great fun for teenagers who delight in obvious jokes but not particularly involving as movie experience and sadly, very far from thrill of 1957. original.

Pat Kramer (Lily Tomlin) lives in the suburbs of Tasty Meadows, California. She's a suburban housewife with two bratty kids. Her husband Vance (Charles Grodin) is an advertising executive and Dan Beame (Ned Beatty) is his boss. Her maid is Concepcion. Her neighbor Judith Beasley (Lily Tomlin) is a cosmetics saleslady. She faces a barrage of chemicals and consumer products including an experimental glue from her husband's work. Her doctor discovers that she is slowly shrinking. A dark mysterious organization wants her blood for a shrinking serum to shrink masses of people.

This is a satire and a dark comedy. Problem is that it annoyed me much more than it humored me. The kids are annoying. Every character is annoying in some ways. The in-your-face style is annoying. The production is annoying. That puke pink is annoying. The only appealing aspect is the split screen, the enlarged sets, and the forced perspective. The simple visual of a tiny Lily Tomlin in the everyday world is fun. It pushes a dark worthwhile narrative on modern consumerism. It would work better if the first part is more real and less in-your-face. The movie can build to the surreal later on as she shrinks and they throw in a gorilla. The start is too off-putting and it gets too silly.