Grito de Horror

Most of my favourite horror movies of the 1980s were small, indie movies made outside the major studio system e.g. 'The Evil Dead', 'Maniac', 'Basket Case'. Most of the "big" horror movies then (like now) were pretty lame. 'The Howling' is a notable exception. Watching it over twenty years after it was originally released is quite an eye-opener. It not only holds up well, it is in fact, a damn fine movie. Joe Dante must take the credit for this. For me in the 1980s Dante was like a smarter, more inventive Spielberg. Dante, who learned his chops working for Roger Corman as an editor, writer and director, is a knowledgeable horror buff (Universal, Hammer, Bava movies) with a sly wit and great sense of fun. 'The Howling' is full of in jokes and ironic nods, but never goes all the way into comedy. Dante takes the material seriously. This is a pretty scary movie and the werewolves are some of the best ever seen. Dee Wallace ('The Hills Have Eyes', 'The Frighteners') is a TV reporter who is traumatized after a close encounter with a serial killer (Dante regular Robert Picardo). Dr. Waggner (Patrick Macnee of 'The Avengers' fame), a charming psychiatrist she knows and trusts suggest that she and her husband Bill (Christopher Stone) join him at his therapeutic retreat "The Colony". I won't spoil the movie by going into detail about what happens next, but it's creepy and entertaining. Wallace is very good and Picardo, who usually plays comic roles, is convincing as Quist the psycho nut job. 'The Howling' was co-written by John Sayles, who pops up in a cameo, as does Roger Corman, and super fan Forrest J. Ackerman, former editor of 'Famous Monsters Of Filmland'. Dante is a loyal guy who always likes to acknowledge where he is coming from, so as well as Corman and Ackerman there are roles for horror legend John Carradine, Kevin McCarthy ('Invasion Of The Body Snatchers'), Kenneth Tobey ('The Thing From Another World'), Slim Pickens ('Dr Strangelove') and Dick Miller (as "Walter Paisley" his character in Corman's 1950s b-grade classic 'A Bucket Of Blood'). 'The Howling' is sure to be enjoyed by every horror buff and for me is one of the all time best werewolf movies along with Universal's 'The Wolf Man' and Hammer's underrated 'The Curse Of The Werewolf'.

The Howling

Easily one of the most historically popular werewolf films out there deserves some attention, right? Well of course. And since lately I'm getting more and more into werewolf films, I figured it was high time I actually bought this one and reviewed it. This, along with American Werewolf in London, were the two films that revolutionized werewolf movies and transformed them from just some guy running around bein' all hairy and strangling people. On top of it all, we have Joe Dante (Piranha, Gremlins) directing. Good times will be had by all!

This film revolves around a news anchor-woman who is helping the police track down a serial killer, made all the easier by the fact that he's taken an interest in her. Well, everything goes just awful and she ends up traumatized. Her shrink suggests she and her husband take a comfortable, soothing vacation in a community that he's a major part of. Of course, the movie is helped along by the fact that the town just happens to be chock full of werewolves who can't seem to decide whether to eat these new people or have them join up.

Here's the breakdown:

The Good:

--We've got some beautiful and unique looking werewolves here. The first one we have a very clear view of, in the doctor's office, almost resembles some creature that's part wolf, part man, and part cat. It just kind of had that feel--not that it's bad, I liked it.

--Interesting story, one of the better ones in the world of werewolves.

--The acting is pretty good, one has to consider the fact that a lot of actors just don't take these kinds of roles seriously enough. So finding a movie like this where they do is quite nice.

--Naked transforming werewolf sex scene by a campfire. Hmmm... maybe this should be the Memorable Scene....

--Average amounts of violence--more a suspenseful werewolf film than a visually disturbing one. The gore, while only occasional, is really good.

--Nice mystery story wrapped up in here.

Didn't Hurt It, Didn't Help:

--Decent music, somewhat average for these kind of movies.

--Dee Wallace-Stone's acting occasionally isn't quite up to par, shall we say...

--One werewolf transformation sequence is actually animated--like with cell animation and it doesn't look very good. It's brief and small, and doesn't detract from the film's overall quality.

--Dee Wallace's friends in the movie really seem to adopt the notion of werewolves rather easily--I would think it would be hard to accept that idea... oh well...

The Bad:

--Some two-dimensional characters.

--This film is in a series notorious for it's much crappier releases, but that's really about all there is that's not to like.

The Ugly:

--Robert Picardo (the hologram doctor from Star Trek: Voyager) plays the ultimate bad-ass werewolf--and boy, his face doesn't look good all charred with acid...

Memorable Scene:

--Robert Picardo's werewolf in the Doctor's office. Oh, and that werewolf transformation sex scene. That was pretty hot.

Acting: 8/10 Story: 9/10 Atmosphere: 9/10 Cinematography: 8/10 Character Development: 8/10 Special Effects/Make-up: 8/10 (some less than fancy stop-motion, and one bit of obvious animation) Nudity/Sexuality: 4/10 Violence/Gore: 8/10 (Average amount, but very high quality) Sets/Backgrounds: 9/10 Dialogue: 7/10 Music: 7/10 Writing: 8/10 Direction: 9/10

Cheesiness: 1/10 Crappiness: 0/10

Overall: 8/10

A horror must-see. One of the classic werewolf films. Personally, I think Dog Soldiers may still be a little better, but that's just me. For horror fans and a great piece for non-horror fans to find out what a good werewolf movie should look like--sans CG werewolves.

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I never understood why joe dante's movies are so unfairly rated here. Not even a 7? Most of his movies are great, they show how passionate he is about cinema, how he wants the viewer to be engaged and fascinated about what he's seeing. The special effects are great in general, and we're talking about 1981. It starts slowly, not in a boring way but a bit slowly, and it builds the atmosphere throughout the first hour. The last half an hour it's just pure fun that you see with a smile in your eyes, laughing and being scared at the same time.

It's just that type of movie where you get what you're waiting for, and your expectations are in place. Joe Dante knows how to build an amosphere, how to make the characters scary but not terrifying and mostly what i really love about it is how he's committed to the amusement of the audience. I liked this one as much as an american werewolf in london. It's not my favourite joe dante movie (i think matinee still wins) but it's cinema gold. Go and check it, it does deserve it. Dante is one of the most underrated directors ever,

Joe Dante is a great fan of the horror genre, and most of his films are dedicated to that passion directly, as in his film creations, and indirectly, with his use of inside jokes and references and his use of beloved figures from the genre itself in small roles. It is this passion and love that makes his films special, and The Howling is no different. It is a boost for the relatively weak sub-genre of lycanthropy. It has marvellous special effects which are still quite good by today's standards, some good humour, well-choreographed chase scenes, and some good acting. The script is weak and laden with cliches, but remember it is a parody in ways. Dante names characters using the names of great horror directors(his idols I imagine) such as Terry Fisher, Freddie Francis, and Erle Kenton. Forrest J. Ackerman, Roger Corman, John Sayles, Dick Miller, John Carradine, Kenneth Tobey, and Kevin McCarthy make appearances. Patrick Macnee is quite good in his role, and Dee Wallace is excellent in her screaming way. Overall a fine film!

A very long build up to the first scare, and even then it's not at all scary by today's standards. But there are still some enjoyable aspects. The storyline is well developed, the acting is pretty good, and the gags work well. The werewolf transformation is first rate, especially for the 80s. A pretty good movie in the end.