Enfeitiçados

Sex, horror and exploding bats are the main ingredients for this early 80's Shaw Brothers thriller from director Kuei Chih Hung, the man who brought us the fantastic horror film, Hex, The Boxer's Omen, Killer Constable and many more. It stars Ai Fei, from the Shaw classics House Of Traps, Human Lanterns and Death Duel, as a man arrested for the murder of his daughter, having claimed that she was possessed, and that he himself, had a spell put on him after meeting a Thai girl and leaving her jilted. The first shock of the film comes pretty quick as a kid playing ball comes across the grossly, realistic body of his daughter in the woods - complete with 6 inch nail driven into the top of her head that forcefully gets removed. Its the first of many moments that will make you wince through the atmospheric and fun, Bewitched...

Told in flashback (in part) from the jail cell to officer Melvin Wong, Ai Fei's stories convince Wong to head to Thailand to learn more about the black magic rituals, leading to a crazy run of events, leaving him with much more than he bargained for!

I like Bewitched! It's something a little different and has some pretty cool tricks going on that keeps viewers entertained right through. These include graphically disturbing corpses, a séance with floating skulls and twigs that write alone, evil wizards versus good wizards, reanimated bodies, a possessed child munching down on raw meat, brutal car accidents, levitating knives and much, much more.

Director Kuei keeps things tense as the story rolls along with some incredible visuals and darkly wild atmosphere throughout. There's a rawness to Bewitched that just seems to keep you gripped, along with its ominous music and sound effects that just add to the experience. Its beautifully shot for the most part, capturing some wonderful shots of Thailand (including its fantastic, giant movie posters on the buildings), with some incredible lighting which makes it look amazing and very nice to watch. This is also aided by the incredibly clean, crisp and colourful print, 88 Films have provided here allowing us to see the ultimate version of this classic...

The great Melvin Wong does a wonderful job, as do most of the cast, with real-life wizard Hussein Hassan playing the dark villain of the piece. He gets to take part in an extended battle with a good wizard, attacking each other with spells that gets violent and bloody, that leads to the evil wizard drinking the blood from a (shockingly graphic) barrel of dead babies and internal organs for more power!

It's really quite disgusting.

The final half hour sees Wong return to Hong Kong to follow-up his case. Its here that he finds his Ai Fei in the prison hospital, wrapped from head-to-toe in bandages, violently throwing-up worms, and slashing his stomach open! And it only gets worse for him, with the detective now finding himself suffering the same problems and pains that first plagued his prisoner...

Bewitched certainly isn't boring, and I'd go as far to say that it definitely put a lot of people off going to Thailand upon release. With some great use of practical FX for its time, solid direction, and plenty of WTF moments to keep you entertained, this little gem should please any fan of horror. Kuei Chih Hung was one of the finest horror directors in Hong Kong of that period, so I'd suggest checking out some of his other titles and giving this one a go.

Overall: Mad, gross, shocking and beautifully made, Bewitched is a crazy piece of Hong Kong cinema that deserves a watch!

The first film of Kwei Chih-Hung I ever saw was the indescribable Mo (Boxer's Omen) so working backwards I just had the chance to watch his previous outing into the world of Thai black magic.

A policeman investigating the horrid death of a five-year old girl is led to Thailand where he encounters black magic and eventually a series of horrible curses are placed on him to prevent his solving the mystery. That description makes the film sound reasonable if not a bit boring but believe me it's not boring! We are witness to lots of sights including, a six inch nail being pulled from the corpse of a five year old girl, an extended spell battle between a monk and a sorcerer, a séance with floating skulls and twigs that write plus exploding bats. We also learn many useful things such as how to extract oil from the rotting corpse of a pregnant woman, or that eating maggots gives you super evil powers, or that if you discover a loved one is eating raw pork liver at night, all may not be well. All this commotion is because a callous Hong Kong tourist didn't come back to his Thai lover by a certain date. She happily causes the death of several people and is willing to kill more so her ex-lover dies a protracted death. And strangely she somehow convinces a black magic priest to go along with this despite the pain and danger he goes thru when a Buddhist priest volunteers to fight back.

It's quite an experience but it falls apart by the final third and the ending looks like they ran over budget and Mona Fong said, "You have one night to finish this film and send those Thai actors back!". So they shot the ending in a HK airport terminal. Regardless, the film looks quite good at times with interesting art direction and photography. There's a bit of nudity when the Thai girlfriend goes for a slow motion swim, but most of the film is just silly looking but gross effects.

Fun but "Mo" is more fun.

I saw this for the first time few days back. Got enticed aft reading glowing reviews. I shud hav been careful regarding the only four reviews as of now. This film is ridiculous with unnecessary gross scenes. The lead villain is always shown in bat-like/Dracula-like attire, he sneaks in n out of places as if he is some sorta ninja with high skills. The effects r laughable n why does the poor bat always has to be the epitome of evil? Ther is some nudity, the initial police investigation is kinda intriguing but it all boils down to what did I jus watch. Without any sex operation, a man suddenly turns into an old hag. Now that is some super duper mumbo jumbo technology.

Revenge is a dish best served with an extra portion of gastric slime in the Shaw Brothers sordidly Satanic, morbidly maggot-infested Black Magic body shocker 'Gu'. Once holidaymaker, Stephen (Fei Ai) returns from his sojourn in sultry Thailand, he grimly discovers that he brought back more than spicy snapshots of, Bon Brown (Lily Chan), his beauteous, yet bizarrely vengeful, beach-frolicking lover! Plagued with mad visions of his daughter's increasingly malign nature, Stephen is arrested, summarily sentenced to death for the brutal slaying of his child. The once cynical cop, Bobby (Melvin Wong) stoically exposes those cruel instigators of the curse that evilly compelled, Stephen to commit such a monstrous act of infanticide!

Kaleidoscopically garlanded in grisly, dayglo-dripping necromancy, 'Bewitched' remains a hallucinatory, fascinatingly visceral example of vintage HK Body Horror. Director, Chi-Hung proves himself singularly adept at staging nauseating scenes of luridly flesh corrupting sorcery! Mean-spirited, and visually striking,'Gu' is steeped in stomach churningly graphic manifestations of blasphemous Black Magic maleficence! While disturbing, Bewitched is aesthetically sublime, the exquisite Thai locations are dazzling, and our Black Magic beleaguered protagonist's gruesome travails climaxes in a hyperbolic, mythically mental, monk vs sorcerer showdown. Far-flung, far out, but far from formulaic, the queasy far Eastern shocker 'Bewitched' casts a wickedly captivating spell that cannot be broken!

This is a strong contender for the strangest film that the Shaw Brothers ever produced, and in some ways, maybe one of the least polished. One must note straightaway that this immediately comes off as more than a little gawky and clunky in its lot development. It's extraordinarily swift and curt generally in its editing, a quality that is continuous throughout its length, and even in how individual scenes are orchestrated. In the first ten minutes or so it blazes through a substantial number of plot points in exposition, so many that there is quite literally a risk of blinking and missing a great deal. Yet all that is but prelude for a lengthy flashback that constitutes the meaningful beginning of the plot, a flashback that will round out the rest of the first thirty minutes. Meanwhile, many other scenes to follow are very long and drawn out, a variability in pacing that belies how curiously thin the story actually is. The connective threads between certain characters and story ideas are frail and barely cohesive; if one does actually miss the underlying motivations for the plot, bewildering as they seem to be, our assumptions are confirmed at the very end when a voiceover imparts the morals of the tale. Then, too, at the same time that blunt dialogue seems to indicate at times that the characters know exactly what is going on, there are other points when there is no specific explanation for the precise course of events, such as who a person is and why something associated with them is critical as a spell component.

That latter point is an important one where 'Bewitched' is concerned, and not just because the premise portends black magic. For all the rough patches in how the story is told and the footage spliced together, these aren't even the most significant oddities of this 1981 flick. Nor are the present-day setting (as opposed to the period pieces the Shaw Brothers are best known for), or the unremarkable sets and costume design. Nay, what really sets this apart is an element that is so unusual that it took me half the runtime to realize that the foremost facet of these 100 minutes was just that, and not a diversion. Where the average title from this studio would give us narrative advancement adjoined to or interspersed with kung fu action, the core factor of this picture is the preparation and conduction of spells and rituals, and to a slightly lesser degree, the resulting effect on the person they target. All those minutes that would elsewhere give us a flurry of martial arts wizardry instead gives us, in this case, a wizardry meeting the more typical definition. Once one realizes what it is that writer On Szeto and director Chih-Hung Kuei are doing here the inclusions go from sluggish sidesteps to a fascinating centerpiece, and one wishes they had become aware of their nature sooner - indeed, may other viewers be more wise than I am. With that being said, though, I still think one needs to be a patient and open-minded viewer to indulge in these long scenes that broadly have less going on in them than one expects.

In fairness, those practical and special effects that we do see look pretty swell, including blood and gore, special makeup, and some gruesome props; would that, perhaps, we got more of all of these, and more visualization of what the spells achieved than how they were cast, for that would have distinctly helped to give the proceedings a shot of adrenaline. Those stunts and action scenes that we do get come off well, and overall this is well made. I'm also a fan of the original music of Jen-Hou Su and Eddie Wang, a collection of far-out themes that in their own way match the peculiar tenor of the movie. And while 'Bewitched' is in no small measure not what I was expecting, I did enjoy it, and I think the concept is unique, imaginative, and worth exploring. I also think this was in considerable need of more careful craftsmanship and writing, for the initial headlong rush turns into a bit of a slog, and all the while the plot itself is less than convincing or satisfying. True, the writing isn't necessarily the most integral aspect of many Shaw Brothers productions, but it seems extra weak here. With this, and more of a gnarly spectacle taking advantage of the dark tone and potential for special effects, the end result could have been more memorable, and more of an achievement. I still think that 'Bewitched' is worth checking out if you come across it, but one maybe shouldn't go out of their way for it, and it's best suggested for those viewers who are open to all the wide possibilities of cinema and who will be best equipped to endure the more stagnant or undeveloped parts of the film.