AVALIAÇÃO DA IMDb
5,3/10
7,4 mil
SUA AVALIAÇÃO
Um grupo de amigos e um estranho ficam presos em uma ilha turística, onde são perseguidos por um assassino canibal desfigurado que está rondando a ilha depois de matar seus moradores.Um grupo de amigos e um estranho ficam presos em uma ilha turística, onde são perseguidos por um assassino canibal desfigurado que está rondando a ilha depois de matar seus moradores.Um grupo de amigos e um estranho ficam presos em uma ilha turística, onde são perseguidos por um assassino canibal desfigurado que está rondando a ilha depois de matar seus moradores.
- Direção
- Roteiristas
- Artistas
Serena Grandi
- Maggie
- (as Vanessa Steiger)
Margaret Mazzantini
- Henriette 'Rita'
- (as Margaret Donnelly)
Joe D'Amato
- Bearded man exiting the cable car
- (não creditado)
Avaliações em destaque
A group of young adults go to a Greek island, where things go from bad to worse when they find that everyone on the island -- with the exception of a blind girl -- has been killed. Clearly, they didn't see the exploitation film "Island of Death" to learn why Greek islands are bad. What they encounter is a man who is more beast than anything, with an insatiable thirst for human blood and flesh.
This film has floated around under various names -- "Grim Repaer", "Man Eater" and the misspelled "Antropophagus" to name a few -- for quite some time, gaining notoriety for its banned status in England and two scenes which had to be cut when it was finally released (one involving a man eating his own intestines and the other with a baby being ripped from a womb and devoured). The hype is more than enough to get people to see the film, though it's tame by today's standards. (I hate to reference "Island of Death" yet again... but if you want to be shocked, the goat scene in that one easily outdoes anything shown here).
I enjoyed this one. There's something about older horror films, even those with poor film quality, that have a value to them modern films lack. And the cannibal, played by George Eastman, is a disgusting creature in his own right. Even without the publicity or the previously cut scenes (now restored in many versions) Eastman is convincing and works well. (For what it's worth, the blind girl is also pretty cool -- on par with the blind girl in "Castle Freak" -- and I'm very glad they scripted her in to this one.) Decent plot, decent characters, decent blood and gore. Unless you're impatient with older films, this is one that is worth your time and I can see myself seeing it again and again if the opportunity presents itself. Make sure you get an uncut copy. You don't need those extra scenes to enjoy this film, but if you're going to view it, you may as well get the full effect and see what lead to the banning in the first place. You'd be surprised what gets people riled up.
This film has floated around under various names -- "Grim Repaer", "Man Eater" and the misspelled "Antropophagus" to name a few -- for quite some time, gaining notoriety for its banned status in England and two scenes which had to be cut when it was finally released (one involving a man eating his own intestines and the other with a baby being ripped from a womb and devoured). The hype is more than enough to get people to see the film, though it's tame by today's standards. (I hate to reference "Island of Death" yet again... but if you want to be shocked, the goat scene in that one easily outdoes anything shown here).
I enjoyed this one. There's something about older horror films, even those with poor film quality, that have a value to them modern films lack. And the cannibal, played by George Eastman, is a disgusting creature in his own right. Even without the publicity or the previously cut scenes (now restored in many versions) Eastman is convincing and works well. (For what it's worth, the blind girl is also pretty cool -- on par with the blind girl in "Castle Freak" -- and I'm very glad they scripted her in to this one.) Decent plot, decent characters, decent blood and gore. Unless you're impatient with older films, this is one that is worth your time and I can see myself seeing it again and again if the opportunity presents itself. Make sure you get an uncut copy. You don't need those extra scenes to enjoy this film, but if you're going to view it, you may as well get the full effect and see what lead to the banning in the first place. You'd be surprised what gets people riled up.
This is a pretty cool movie, although I do reckon that you need to be a little sick in the head in order to truly enjoy Joe D'Amato's wicked imagination. "Antropophagus" (LOVE the title!!) is a notorious video-nasty because it contains shock-sequences that ...well...aren't exactly for the squeamish! The pivot figure is a savage and bloodthirsty man that prowls a Greek island (Greek islands are dangerous tourist places apparently...anyone remember 'Island of Death'?) and devours pretty much everything and everyone that crosses his path. The film focuses on the encounter between this maniac and a group of young tourists that coincidentally strand on the island. Apart from the downright nauseating gore (he eats a fetus, for Christ's sake!), this is a rather suspenseful and atmospheric Italian horror film that surely ranks among D'Amato's best work, alongside "Beyond the Darkness" and "Death Smiles at Murder". In case you're a fellow Italian horror fanatic, you'll love the cast that includes George Eastman, Tisa Farrow and Serena Grandi. True, there are some really tedious moments to sit through but the gore is rewarding and the music is terrific. There equally is some gratuitous sleaze to enjoy, as well as some nice photography. Due to its violent and raw nature, "Antropophagus" is one of the most cut films ever. Avoid any version that says "Grim Reaper" on the cover because that's the version that leaves out all the sweet nastiness you're so desperately looking for :)
Antropophagus from director Joe D'Amato is a pretty notorious movie, mainly for making it's way onto the infamous UK "Video Nasty" list. When your hear about this movie you probably hear about its gore, mainly 2 infamous scenes that cemented its place in the list. I think this reputation hurts the film though because, in all honesty, the gore in this movie is pretty weak (except one scene that I will get to). People go into this movie expecting a very nasty and extremely gory horror movie but come out pretty disappointed at the shoddy gore effects and extremely slow pace...Well, that's because they overlooked all the great and more subtle things that the movie DOES deliver on.
First off, this movie is creepy, a combination of atmosphere, music and a wonderfully over-the-top performance from George Eastman make this movie one of the spookiest Italian slasher flicks I have ever seen. Scenes of characters exploring darkened corridors by candle light are some truly creepy scenes and sort of remind me of more classic horror movies from decades before. There are also some really great jump-scares too. The cat is cheap, but effective, the girl popping out of the wine barrel is definitely effective and lastly, the scene at the end where Eastman's character emerges from the well nearly stops my heart every time I see it! There is some fantastic atmosphere in this movie as well, the deserted Greek town is beautiful but haunting, whether they are walking through the halls of a house or the streets of the town there is always a feeling of something not quite being right.
The Music heightens the creepiness of all the scenes so well. Some might consider it to be annoying but I would call it nerve-wracking. Finally, and most important, is Eastman's character... this man is disgusting, disturbed and definitely somebody you would NEVER want to meet in real life. He towers over everyone with his immense stature, the make-up is excellent in giving him a monster quality. His performance is so over-the-top but it provides the energy the movie needs to keep it going.
If there is one thing that I think sets Joe D'Amato apart from the rest of the Italian horror directors, it's the way he ends his movies. All his movies I have seen contain a wonderfully shocking and over-the-top climax. I think Antropophagus has the best climax of all too. I will try not to give too much away but basically Eastman's character reveals how truly mad he really is (as if he could be any madder) and in a fit of insanity we finally get rewarded with the one truly excellent and extremely disturbing gore effect that wont leave your mind for days to come.
Everything else is pretty standard when it comes to Italian exploitation but I do think it's worth mentioning that there are some above average performances from Tisa Farrow (Zombi 2) and Zora Kerova (Cannibal Ferox) that make the characters a little more likable than your average slasher.
In the end, I think Antropophagus is a really great Italian horror that should be appreciated for it's scares, not its gore. Don't listen to the hype, cause it's misleading.
First off, this movie is creepy, a combination of atmosphere, music and a wonderfully over-the-top performance from George Eastman make this movie one of the spookiest Italian slasher flicks I have ever seen. Scenes of characters exploring darkened corridors by candle light are some truly creepy scenes and sort of remind me of more classic horror movies from decades before. There are also some really great jump-scares too. The cat is cheap, but effective, the girl popping out of the wine barrel is definitely effective and lastly, the scene at the end where Eastman's character emerges from the well nearly stops my heart every time I see it! There is some fantastic atmosphere in this movie as well, the deserted Greek town is beautiful but haunting, whether they are walking through the halls of a house or the streets of the town there is always a feeling of something not quite being right.
The Music heightens the creepiness of all the scenes so well. Some might consider it to be annoying but I would call it nerve-wracking. Finally, and most important, is Eastman's character... this man is disgusting, disturbed and definitely somebody you would NEVER want to meet in real life. He towers over everyone with his immense stature, the make-up is excellent in giving him a monster quality. His performance is so over-the-top but it provides the energy the movie needs to keep it going.
If there is one thing that I think sets Joe D'Amato apart from the rest of the Italian horror directors, it's the way he ends his movies. All his movies I have seen contain a wonderfully shocking and over-the-top climax. I think Antropophagus has the best climax of all too. I will try not to give too much away but basically Eastman's character reveals how truly mad he really is (as if he could be any madder) and in a fit of insanity we finally get rewarded with the one truly excellent and extremely disturbing gore effect that wont leave your mind for days to come.
Everything else is pretty standard when it comes to Italian exploitation but I do think it's worth mentioning that there are some above average performances from Tisa Farrow (Zombi 2) and Zora Kerova (Cannibal Ferox) that make the characters a little more likable than your average slasher.
In the end, I think Antropophagus is a really great Italian horror that should be appreciated for it's scares, not its gore. Don't listen to the hype, cause it's misleading.
I originally watched this on SKY a few years back and I enjoyed it then as I did this time around.
That's right I said I enjoyed it and judging by low scores on IMDb and Rotten Tomatoes, I think I'm in the minority.
The worst thing about this film is the soundtrack. To say it's dreadful would be doing an injustice to the term understatement. There are a couple of scenes where the music sets the mood perfectly... but it is only a couple. The rest of the time the audience is assailed with a manic Wurlitzer pianist - I actually had a vision of an old time theatre (back in the silent movie days) and a man, half-crossed between The Phantom Of The Opera and The Joker, going insane of the ebony and ivories... all it lacked was a maniacal laugh.
Apart from that what the writers Joe D'Amato (Director) and George Eastman (Actor) give the audience is a new take on both the Cannibal and Zombie legends, by giving you Nikos Karamanlis, a man turned beast who is something other than alive and with a penchant for human flesh. He acquired this evil and unnatural taste after he and his family were shipwrecked... when you're miles from anywhere and starving you have to eat.
This is so much better than his follow on movie Absurd, which also fell foul of the dreaded Video Nasty title and banning.
The acting is above average. Tisa Farrow (Mia Farrow's sister) who gave a well-disposed portrayal of Julie, a student on her way to a Greek island and summer job. Along with Saverio Vallone who gives an affable portrayal of Andy, the unheralded leader of the group, these two hold the film together. Even the mostly silent Eastman as The Beast does a decent job of being menacing and actually uses his size and facial features to add power and unease (wish he'd done the same in Absurd)
For the time the effects are more than passable, the only let down is Eastman's "Beast" face as it looks like somebody has spilt cold porridge over him. Most of the dead look nasty enough, with decaying skin and maggots writhing in eye sockets. The scene with the rats would have looked more realistic had they not covered a skeleton in spam... they could have added more blood to disguise the fact - go Herschell-Lewis on them.
One thing that did impress me is most of the scenes are shot in daylight and D'Amato still builds a sense of tension and unease. The scene where Arnold is looking for his pregnant wife Maggie and stumbles into a clearing by a ruinated abbey sent a shiver down my spine. You can actually feel something watching him.
There is more to this film than I originally thought and I would recommend it to all horror fans who haven't seen it yet. And I will be watching this again in the future.
That's right I said I enjoyed it and judging by low scores on IMDb and Rotten Tomatoes, I think I'm in the minority.
The worst thing about this film is the soundtrack. To say it's dreadful would be doing an injustice to the term understatement. There are a couple of scenes where the music sets the mood perfectly... but it is only a couple. The rest of the time the audience is assailed with a manic Wurlitzer pianist - I actually had a vision of an old time theatre (back in the silent movie days) and a man, half-crossed between The Phantom Of The Opera and The Joker, going insane of the ebony and ivories... all it lacked was a maniacal laugh.
Apart from that what the writers Joe D'Amato (Director) and George Eastman (Actor) give the audience is a new take on both the Cannibal and Zombie legends, by giving you Nikos Karamanlis, a man turned beast who is something other than alive and with a penchant for human flesh. He acquired this evil and unnatural taste after he and his family were shipwrecked... when you're miles from anywhere and starving you have to eat.
This is so much better than his follow on movie Absurd, which also fell foul of the dreaded Video Nasty title and banning.
The acting is above average. Tisa Farrow (Mia Farrow's sister) who gave a well-disposed portrayal of Julie, a student on her way to a Greek island and summer job. Along with Saverio Vallone who gives an affable portrayal of Andy, the unheralded leader of the group, these two hold the film together. Even the mostly silent Eastman as The Beast does a decent job of being menacing and actually uses his size and facial features to add power and unease (wish he'd done the same in Absurd)
For the time the effects are more than passable, the only let down is Eastman's "Beast" face as it looks like somebody has spilt cold porridge over him. Most of the dead look nasty enough, with decaying skin and maggots writhing in eye sockets. The scene with the rats would have looked more realistic had they not covered a skeleton in spam... they could have added more blood to disguise the fact - go Herschell-Lewis on them.
One thing that did impress me is most of the scenes are shot in daylight and D'Amato still builds a sense of tension and unease. The scene where Arnold is looking for his pregnant wife Maggie and stumbles into a clearing by a ruinated abbey sent a shiver down my spine. You can actually feel something watching him.
There is more to this film than I originally thought and I would recommend it to all horror fans who haven't seen it yet. And I will be watching this again in the future.
A lot has been said about Anthrophagus' excellent special effects and for good reason. The film comes to life when it's showcasing decapitated heads in buckets or scalps being ripped off. When it's just following around our cardboard characters, it suffers and can't muster any suspense or even decent character drama to keep us invested until the next inevitably gruesome death sequence.
The silly music score doesn't help much in conjuring a mood or sense of dread and, in fact, the U.S. version (under the title The Grim Reaper) has a much more effective score that uses various library cues. I'd recommend on the U.S. cut if it weren't for a lot of the special effects being trimmed (including the infamous fetus eating scene).
If you're only here for the guts, Anthrophagus is worth your time, but if you want a little more substance, look elsewhere.
The silly music score doesn't help much in conjuring a mood or sense of dread and, in fact, the U.S. version (under the title The Grim Reaper) has a much more effective score that uses various library cues. I'd recommend on the U.S. cut if it weren't for a lot of the special effects being trimmed (including the infamous fetus eating scene).
If you're only here for the guts, Anthrophagus is worth your time, but if you want a little more substance, look elsewhere.
Você sabia?
- CuriosidadesLuigi Montefiori, aka George Eastman, who wrote, and portrayed the disfigured cannibalistic serial killer Klaus Wortmann stated that when he went to the premier at the old Cinema Metropolitan in Rome with the producer, only a few people were in the theater watching. During the film people kept walking out until only a single couple remained. Later, during the scene where the pregnant woman was strangled and had her foetus ripped out of her, the couple got up and walked out offended. (In real life the effect was achieved using a skinned rabbit, and was something new and very disturbing for the time.) Montefiori and the producer ended up the only ones left watching the rest of the film.
- Erros de gravaçãoWhen Julie confirms that she wouldn't have met them when they talk about the islands before going on a boat, her mouth doesn't move while saying "right".
- Versões alternativasThe only version ever submitted in the UK is the heavily edited R-rated print known as "The Grim Reaper". This version is missing the sequence where the creature devours the fetus plus the climactic scene where he attempts to eat his own entrails (the film ends abruptly after he is stabbed with the axe).
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- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Grim Reaper
- Locações de filme
- Atenas, Grécia(location scene)
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By what name was O Antropófago (1980) officially released in India in English?
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