Dois amigos de infância são forçados a se tornar inimigos.Dois amigos de infância são forçados a se tornar inimigos.Dois amigos de infância são forçados a se tornar inimigos.
- Prêmios
- 1 vitória e 3 indicações no total
Mickey Rooney
- Tod
- (narração)
Kurt Russell
- Copper
- (narração)
Pearl Bailey
- Big Mama
- (narração)
Jack Albertson
- Amos Slade
- (narração)
Sandy Duncan
- Vixey
- (narração)
Jeanette Nolan
- Widow Tweed
- (narração)
Pat Buttram
- Chief
- (narração)
John Fiedler
- Porcupine
- (narração)
John McIntire
- Badger
- (narração)
Richard Bakalyan
- Dinky
- (narração)
- (as Dick Bakalyan)
Paul Winchell
- Boomer
- (narração)
Keith Coogan
- Young Tod
- (narração)
- (as Keith Mitchell)
Corey Feldman
- Young Copper
- (narração)
'Squeeks' the Caterpillar
- Self
- (narração)
Billy Bletcher
- Squeeks
- (sonoplastia)
- (não creditado)
Linda Gary
- Lucy the Butterfly
- (não creditado)
James MacDonald
- Bear (growling)
- (narração)
- (não creditado)
Clarence Nash
- Bear (snarling)
- (narração)
- (não creditado)
Avaliações em destaque
This has got to be one of the most underappreciated Disney classics yet. The Fox and the Hound is probably the most heartwarming Disney film yet. It mixes humor, action, and romance as well as any other Disney film, except for a select few such as Aladdin, Beauty and the Beast, Mulan, or Tarzan. Nevertheless, I cannot believe this is rated only a 6.6. Several Disney films that are rated above this movie come nowhere near close to it in quality (i.e. Snow White, Bambi, Sleeping Beauty, etc...). I cannot comprehend how it is rated so low...9/10 (Ranks right up there with the likes of Robin Hood and Pinocchio).
10Jecht
Looking back as child having watched this film, it never struck me for anything more than fuzzy/singing/talking animals that pandered to all my childish wants and needs. After all, that's why you watched Disney movies as a kid, right? It's just what you did in your childhood.
Now, watching it again, about to embark on adulthood and all that it entails, it really moved me. How Todd and Copper, a young fox and a hound were the best of friends. Todd having been taken in by a kindly old women and nursed backed to health while right next door, Copper, owned by a mean and bitter old hunter, is being groomed as hunting dog.
Yet, like children, they don't judge. They don't know about the differences between each other and they don't care. They just want to play hide and seek. It is when they grow older that they realize that it was never meant to be. How sometimes societal rules can stamp out the most innocent of ventures. Much like becoming an adult, reality sets in. Life is unfair.
It's a truly beautiful movie, for it's simplistic yet universal message and unlike the vast library of previous Disney inventions, as stated before, it lacks the happy ending. The proverbial feel good formula that is the frame work for all Disney movies. It's because of it's bittersweet delivery and surprising realism, that it's become a lifeline to my childhood that I will carry with me for as long as I live.
Now, watching it again, about to embark on adulthood and all that it entails, it really moved me. How Todd and Copper, a young fox and a hound were the best of friends. Todd having been taken in by a kindly old women and nursed backed to health while right next door, Copper, owned by a mean and bitter old hunter, is being groomed as hunting dog.
Yet, like children, they don't judge. They don't know about the differences between each other and they don't care. They just want to play hide and seek. It is when they grow older that they realize that it was never meant to be. How sometimes societal rules can stamp out the most innocent of ventures. Much like becoming an adult, reality sets in. Life is unfair.
It's a truly beautiful movie, for it's simplistic yet universal message and unlike the vast library of previous Disney inventions, as stated before, it lacks the happy ending. The proverbial feel good formula that is the frame work for all Disney movies. It's because of it's bittersweet delivery and surprising realism, that it's become a lifeline to my childhood that I will carry with me for as long as I live.
This is without a doubt one of Disney's most under appreciated classics. Great animation, fantastic voice acting and lovable characters and before all the PC nonsense that bogs down most newer Disney productions. This is Disney at its best, much better than the likes of Hunchback, Tarzan, Pochonatas, Hercules, Aladdin etc. If you haven't seen this one, give it a try, you'll be in for a pleasant surprise!
Halfway through production, Don Bluth mutinees, taking most of Disney's best animators with him. Another bunch resign. One dies. Drawings are stolen. Production is delayed endlessly. You would think that if ever a Disney feature were destined for disaster, this was it. Instead, 'Fox and the Hound' is probably the best Disney animated feature of its generation. You could clear a space about 10 years either side of it before you ran into something that gave it serious competition.
We start with an orphaned fox kit - pardon me as my jaw doesn't drop in amazement. There have been, what - TWO Disney films where both parents survive? And, well, he is adopted by an elderly widow named Tweed, he develops a friendship with a hunting dog owned by Widow Tweed's crochety neighbor, and he starts to grow up, and life suddenly becomes very difficult, dangerous, and emotionally complicated.
I won't give it away, in case you haven't seen it, but for my money this movie has close to the saddest, most desolate, tear-jerking scene in any Disney film I can think of. But don't worry, it bounces back well and truly. This is a long way from being a morose film. In fact it's an excellent balance of drama, action, pathos and humour. My only minor complaint is that there are a couple of comic sidekicks in this movie that are pretty annoying and contribute just about nothing to the story.
Coming after 'The Rescuers', 'The Fox and the Hound' might have been the start of a Disney resurrection, but perhaps Bluth's departure really was a body blow. As it is, 'Fox and the Hound' is a moment of beauty and brilliance in the otherwise pretty murky first 20 or so years after Walt's death.
Although it didn't cause much of a stir at the time, it has developed a deserved base of loyal fans in the twenty-three years since it was made.
The film tackles themes of conflicting loyalties, friendship, love, identity, and somehow does it with a minimum of schmaltz and a maximum of heart. It's one of Disney's best, and you owe it to yourself to see it.
9 out of 10
Historical Note: Mickey Rooney plays the adult Tod, the fox in 'Fox and the Hound'. According to Rooney's 1991 autobiography, when he was 5 years old he wandered into an office at Warner during breaks between shooting in one of his child-star films, and introduced himself to a bloke who turned out to be Walt Disney, and who was in the process of drawing a new mouse character, who he decided on the spot to name after Mickey. It just tops it off nicely, doesn't it?
We start with an orphaned fox kit - pardon me as my jaw doesn't drop in amazement. There have been, what - TWO Disney films where both parents survive? And, well, he is adopted by an elderly widow named Tweed, he develops a friendship with a hunting dog owned by Widow Tweed's crochety neighbor, and he starts to grow up, and life suddenly becomes very difficult, dangerous, and emotionally complicated.
I won't give it away, in case you haven't seen it, but for my money this movie has close to the saddest, most desolate, tear-jerking scene in any Disney film I can think of. But don't worry, it bounces back well and truly. This is a long way from being a morose film. In fact it's an excellent balance of drama, action, pathos and humour. My only minor complaint is that there are a couple of comic sidekicks in this movie that are pretty annoying and contribute just about nothing to the story.
Coming after 'The Rescuers', 'The Fox and the Hound' might have been the start of a Disney resurrection, but perhaps Bluth's departure really was a body blow. As it is, 'Fox and the Hound' is a moment of beauty and brilliance in the otherwise pretty murky first 20 or so years after Walt's death.
Although it didn't cause much of a stir at the time, it has developed a deserved base of loyal fans in the twenty-three years since it was made.
The film tackles themes of conflicting loyalties, friendship, love, identity, and somehow does it with a minimum of schmaltz and a maximum of heart. It's one of Disney's best, and you owe it to yourself to see it.
9 out of 10
Historical Note: Mickey Rooney plays the adult Tod, the fox in 'Fox and the Hound'. According to Rooney's 1991 autobiography, when he was 5 years old he wandered into an office at Warner during breaks between shooting in one of his child-star films, and introduced himself to a bloke who turned out to be Walt Disney, and who was in the process of drawing a new mouse character, who he decided on the spot to name after Mickey. It just tops it off nicely, doesn't it?
This is a film that both delighted me and deeply upset me, because it seemed so happy, and yet, so unfair at the same time. The two best friends, the "Fox and the Hound", meet again after they are fully grown adults, or, when they are old enough to face the fact that their friendship was never meant to be. That broke my heart, because it was such a beautiful friendship, unfairly tarnished by a cruel world. If only our world was a happy place, where races and cultures didn't matter, and if only we could recognize those characters as our friends, and not our enemies simply because of our ethnic differences. Years later, Spike Lee's "Do the Right Thing" brought up that same point with a vengeance. And, like "The Fox and the Hound", it shows how much that beautiful friendship between people won't last because of how society determines our friends and enemies. It makes no sense, and it's unfair. What's more, Tod, the fox, endures more than any other character in the film. Other characters, and especially the hunter, discriminated against him without thinking. And we the audience had to endure seeing him go through this misery, all because he was born a fox! It's insane! Sadly, it's true to life. And that is the main reason it was made for kids, to point out how wonderful a friendship is, and how ridiculous it is to tarnish it because of a racial or ethnic difference! And although this film runs on the standard Disney formula, with the songs, the comic relief, the love interest, and the villain, this film really touched me, because I wanted to see their friendship go on. And although it did go on in some form, there is always that feeling of "he doesn't belong" being uttered by many of the other characters. Why? Well, this film asks children and adults alike, that very question.
Você sabia?
- CuriosidadesThe final Disney animated feature to simply end with a "The End; Walt Disney Productions" credit, as with all previous Disney animated films after Alice no País das Maravilhas (1951). (All of the credits were at the beginning.) The next Disney animated feature, O Caldeirão Mágico (1985), which was also directed by Ted Berman and Richard Rich was the first one with closing credits.
- Erros de gravaçãoWhen Chief runs after Tod, he is dragging his barrel after him, but when the shot goes to Copper, still tied to his own barrel and barking, Chief's barrel is next to his.
- Citações
Widow Tweed: We met it seems, such a short time ago. You looked at me, needing me so. Yet from your sadness, our happiness grew. Then I found out, I need you, too. I remember how we used to play. I recall those rainy days, the fires glowed, that kept us warm. And now I find, we're both alone. Goodbye may seem forever, farewell is like the end. But in my heart's a memory, and there you'll always be.
- Cenas durante ou pós-créditosAnd "Squeeks" the caterpillar.
- ConexõesFeatured in Disneylândia: Disney Animation: The Illusion of Life (1981)
- Trilhas sonorasBest of Friends
(1981)
Music by Richard O. Johnston
Lyrics by Stan Fidel
Performed by Pearl Bailey (uncredited)
Principais escolhas
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- How long is The Fox and the Hound?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El zorro y el sabueso
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 63.456.988
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.819.215
- 27 de mar. de 1988
- Faturamento bruto mundial
- US$ 63.456.988
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 1.75 : 1
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By what name was O Cão e a Raposa (1981) officially released in India in Hindi?
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