Diva: Paixão Perigosa

Diva is a movie that seems just as stunning and unique to me today as it did when I first saw it 20 years ago. One of those movies that you will remember forever.

On the surface, it's an exercise in pure style, combining exciting, "hip" visuals with great music (opera as well as some great atmospheric incidental music). But there are hundreds of movies like that. What makes Diva so memorable to me is the way it combines this stylish cinematic eye candy with a suspenseful plot, good acting, a touch of romance and sex, and even a smattering of philosophy (as the title character explains her reasons for not allowing her voice to be recorded, not to mention the immortal bread-buttering scene).

It sounds like a recipe for a boring, highly stylized "European" movie, but this is a film where the excitement never flags for a minute. One of the true gems of 80s cinema. As a friend said "If you wanted to be hip in the 80s, you had to have seen 'Liquid Sky', 'Repo Man' and 'Diva'". But even today, you should see it just because it's a great movie.

I can relate to the star (Frédéric Andréi as Jules) in this film, as i have had a love affair with an opera star. Ever since I heard and saw Julia Migenes in Carmen, I have loved her, but not to the extent that Jules loved Cynthia Hawkins (Wilhelmenia Fernandez).

Jean-Jacques Beineix who won a César for this, his first job as director, really presented two stories. First, the obsession that Jules had for opera and for Cynthia; and a second story of being in the wrong place at the wrong time.

This is actually a police drama in the middle of a love story. It will be slow to those who do not like opera as it frames the story. The music is divine as Wilhelmenia Fernandez is truly an artist of note.

A superior French actor, Richard Bohringer, and an enchanting Vietnamese actress, Thuy An Luu, provide support to Jules as he evades capture by those who want a pirated tape of Cynthia's concert that he made, and another group that wants a tape that fell into his lap that revels the head of a prostitution ring between Africa and Paris.

He is just trying to spend time with Cynthis, but wherever he turns, someone is waiting.

All's well that ends well, and this ends well, but how it gets there is suspenseful and full of twists and turns.

Diva was very influential on me as a young college student. Diva represented the archetype of a foreign art film. Sure it was new, strange, and unpredictable as Avante-Garde films tend to be. But it was more than that.

I've seen Diva three times -all in the 1980's. Twenty years later, what I remember most is not the plot and the message, but the rich texture of the film. As a viewer I was submersed in a new and different reality; one that was visually stunning, intriguing, and edgy. The submersion was achieved both visually and with the hauntingly beautiful soundtrack.

The colors man, the colors... Diva included many beautiful shot scenes with intense colors and dramatic lighting. There are several shots the stills of which could be turned into farmable artwork. At the time I was thinking they would make great dorm-room posters.

I think Diva has had a lasting influence on cinematography. You may have noticed that movies, TV shows and especially advertisements have moved to be very color intense. Dramatic lighting showing sharp contrasting hues, are the norm. Diva was the first film I can remember with rich color saturation made intentionally to make this type of artistic impression.

Another movie whose cinematography was likely influenced by Diva is Betty Blue (1986).

A wonderful combination of many genres - Action / Drama / Mystery / Romance / Thriller / Music/Art, this tale of two tapes may actually change the way you think about opera.

Wilhelmenia Fernandez as Cynthia Hawkins (Diva) who always refused to be recorded - is a revelation; her voice, a magic mixture of melted pure gold and crystal is a miracle.

There are so much more in this absolutely unique film - just to mention a certain shoplifting technique, or the coolest chase which started in the streets of Paris and ended in the subway's car.

The most fascinating thing for me is that Diva was released about twenty years ago in Moscow, I remember the title - but I never saw it back then. Better later than never.

Highly recommended - 9/10

Two tapes, an opera lover, thugs, and a corrupt official are the center of "Diva," a French film from 1981.

When a woman being chased drops a tape into a mailman's pouch, an opera-loving postman, Jules (Frédéric Andréi), finds himself involved in murder and mayhem.

Jules has recently secretly recorded his opera idol, Cynthia Hawkins (Wilhemina Wiggins Fernandez) in a concert. She has never been recorded and refuses to make any.

Apparently she only sings one aria in this concert, "Ebben! Ne andro lontana" (I will go far away) from La Wally, or at least that's all we hear her sing and all Jules listens to on tape.

Jules becomes a target for men who want the tape the woman put into his mailbag, which incriminates a government official in prostitution. Fortunately, before his place is trashed; he asks a new friend, Alba (Thuy An Luu) to keep the Hawkins recording for him.

Really excellent film with great chase scenes, including an exciting motorcycle chase which even involves the French subway.

The Paris location adds an atmospheric layer.

Fernandez is a stunning diva, and a good actress, but I had some trouble with her vocal production. It's a beautiful voice, but I've heard the La Wally aria sung better. She did a much better job on the Ave Maria and the part of "O patria mia" she sang, which were easier and more lyrically sung.

Highly recommended for the acting, its intricate plot, its dark Parisian streets, and beautiful music.