Noite do Espantalho

Everybody seems to generally love this film and I am no exception. I have not viewed it since it aired in 1981 but, like everyone else who is leaving comments here, it creeped me out. It is a pretty heavy-handed movie for being made for television. The themes are intense, as is the violence, although I don't remember much gore. What does stick in my mind is the slow crawl camera shot when Bubba is hiding in the Scarecrow, up to the eye hole in the scarecrow. We see a single, trembling eye before Charles Durning and co take justice into their own hands. Very creepy! The other thing that I remember is Larry Drake's brief performance. He was so convincing as a semi-retarded man that it wasn't until I saw him in Darkman years later, that I discovered that he wasn't retarded. I had only seen him in this movie and on LA Law where he played mentally challenged characters. Great film. Hopefully, it will be released on DVD one of these days.

Dark Night of the Scarecrow (1981) is a very good entry into the horror genre from the 1980's particularly given it is made for television - so many entries that made it to screen were outperformed by this film. It is also an example of horror that is not reliant on overdoing violence and gore while still making it a good thrill.

The movie is greatly supported by uniformly strong performances with Charles Durning displaying his talent well (as usual) and Larry Drake (Benny Stulwicz from L.A. Law) providing a believable and sympathetic character in the same vein as the one that would made him famous 6 years later. Jocelyn Brando and young Tonya Crowe round out the main characters and both were well done.

This is a movie which is clearly a bit derivative and follows a slightly standard path, particularly for the era, but is done well enough that you really don't care. It is engaging, entertaining and thrilling if not al that horrifying. The short and sweet twist at the end is an added bonus which adds to the thrill as well.

"Dark Night of the Scarecrow" is an effective TV horror film. A Halloween viewing would be totally appropriate. Charles Durning plays a bigoted, evil character, who happens to be the local mailman. Obviously he loves his postal job, as he never seems to take off his uniform. Along with three local rednecks they set the story in motion by hunting and killing a mentally challenged man. After the lynch mob mentality has prevailed, they learn they have killed an innocent man, who happened to be hiding inside a scarecrow. The movie is extremely atmospheric, has good acting, and has become somewhat of a cult item. Recommended. - MERK

I remember watching this when it first aired, as well as having trouble sleeping many nights afterward. This was particularly effective for me, since I grew up in a setting much like the one depicted in the film.

The sense of dread and terror is very heavy throughout the movie. What would normally be a typical idyllic rural setting is transformed into a place where fears are realized. The wind is always blowing leaves across a lonely road, the shadows seem especially deep, and as the title states, the night seems especially dark.

There is minimal blood and special effects - the film relies on the setting and the performances of the actors to deliver the goods. If you can find it at the video store, then you are certainly in luck. Highly recommended.

Frank DeFelitta, who also happened to write the novel Audrey Rose, turned to directing for this 1981 horror fantasy. The film opens with an eerie credit roll set on a pastel-colored windmill backdrop, and this is when we first hear the film's unforgettabley chilling score. Twenty years after seeing this film for the first time, I can still play it over in my head. The film soon progresses to its undeniably clever storyline, which I won't bother describing in detail as that has been done for me by previous reviewers. The atmosphere of this film is almost unbearably suspenseful at times, and the fact that we never see even a far-off image of the murderous culprit during the film adds to the creepiness. Charles Durning gives one of his best performances as the selfish, provincial mailman who is stalked by a vengeful killer. This film is best viewed alone late at night!