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6,1/10
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Adicionar um enredo no seu idiomaIn 19th-century Oklahoma, two teen girls who love stories about outlaws are on a quest to meet and join up with them. They find a shadow of a former gang and, although disappointed, still tr... Ler tudoIn 19th-century Oklahoma, two teen girls who love stories about outlaws are on a quest to meet and join up with them. They find a shadow of a former gang and, although disappointed, still try to help them escape from a vigorous Marshal.In 19th-century Oklahoma, two teen girls who love stories about outlaws are on a quest to meet and join up with them. They find a shadow of a former gang and, although disappointed, still try to help them escape from a vigorous Marshal.
- Prêmios
- 1 vitória no total
Kenny Call
- George Weightman
- (as Ken Call)
Avaliações em destaque
Amanda Plummer and Diane Lane are perfect complements in the title roles. Cattle Annie, as played by Plummer, is assertive, questioning, and somewhat rambunctious. In contrast, Lane's character is a lot like Barbara i One Day At A Time. The two young ladies get in the middle of Legendary Marshal Bill Tilghman's attempts to take the gang led by Burt Lancaster. The dialogue is sensational, and the acting, including terrific performances by Scoot Glenn and John Savage, could not be better. This is one to savor.
"Cattle Annie and Little Britches" is, believe it or not, based on real characters. Yes, two weird women, Cattle Annie and her friend, Little Britches, were actually members of the famous Doolin Gang and were responsible for a short reign of terror in the latter days of the old west.
Apart from casting the way too elderly Burt Lancaster as the gang leader, Bill Doolin, the movie is good...though also not especially memorable. The biggest problem is that in the film, these criminals don't do a whole lot and they also aren't very sympathetic. I don't know about most viewers, but I just found I didn't care about anyone in this movie. It's competently made but curiously uninvolving as well.
Apart from casting the way too elderly Burt Lancaster as the gang leader, Bill Doolin, the movie is good...though also not especially memorable. The biggest problem is that in the film, these criminals don't do a whole lot and they also aren't very sympathetic. I don't know about most viewers, but I just found I didn't care about anyone in this movie. It's competently made but curiously uninvolving as well.
This typical early eighties western, shot in the shadow of HEAVEN's GATE, is made in a different way from the Gordon Douglas's version of 1949, DOOLINS OF OKLAHOMA,thirty years earlier, but it matches it. I like both, this one shows tenderness and light heart too. Lancaster is as usual excellent as the aging outlaw.
In her film debut, Amanda Plummer took on a bold, strong role and declared herself as a force to be reckoned with. She and Diane Lane play the title roles, two little girls in the Wild West who idolize outlaws. Caught up in the drama of paperback novels, they leave their small town and "loving" environments to catch up with a gang led by Burt Lancaster. Burt, as usual, has his larger-than-life energy that attracts both girls and makes it difficult for even the audience to think it's a bad idea for pre-teen girls to run around with guns and grown men.
Parts of this movie are cute, like when Diane confesses her crush on Burt. Amanda's invigorating speeches are charming and pick up where True Grit left off. But some of the movie feels inappropriate, and I was unsure at times if it was supposed to be a comedy or a drama. It's not the best western out there, but I did appreciate that it starred an actor who made a few westerns in his day. What's missing is simple: the tried-and-true heart-stirring feeling that all westerns from the golden age had. If you're uncertain whether the good guys are going to win, or if you're not even sure who the good guys are, it's a sure bet the western was made post-1965.
Parts of this movie are cute, like when Diane confesses her crush on Burt. Amanda's invigorating speeches are charming and pick up where True Grit left off. But some of the movie feels inappropriate, and I was unsure at times if it was supposed to be a comedy or a drama. It's not the best western out there, but I did appreciate that it starred an actor who made a few westerns in his day. What's missing is simple: the tried-and-true heart-stirring feeling that all westerns from the golden age had. If you're uncertain whether the good guys are going to win, or if you're not even sure who the good guys are, it's a sure bet the western was made post-1965.
Two teen girls (Amanda Plummer & Diane Lane) hook up with the Doolin-Dalton Gang in 1890's Oklahoma Territory, but Bill Doolin (Burt Lancaster) is tired and the gang's heyday is behind them. Meanwhile Marshal Tilghman (Rod Steiger) is intent on putting the kibosh on the wild bunch. Scott Glenn and John Savage are on hand as members of the gang.
"Cattle Annie and Little Britches" (1981) is similar in tone to "Butch Cassidy and the Sundance Kid" (1969) and, like that film, was based on the real-life account, albeit loosely. "Young Guns" (1988) and "Young Guns II" (1990) did the same with the Billy the Kid story. The film starts off like "Bad Company" (1972) mixed with the fun spirit of "Butch Cassidy," but becomes weightier as it moves along with some pretty moving moments.
Plummer was 23 during filming while Lane was only 15. The former is utterly convincing as the sassy Annie and Savage is notable as her taciturn quasi-beau. The superb folk songs by Sahn Berti & Tom Slocum are stirring and sometimes profound. It's an inexplicably obscure Western, hardly promoted and barely released. I guess studios were gun shy after the devastating failure of "Heaven's Gate" (1980).
The film runs 1 hours, 37 minutes, and was shot in Durango, Mexico, about 1200 miles southwest of the real-life events.
GRADE: B
"Cattle Annie and Little Britches" (1981) is similar in tone to "Butch Cassidy and the Sundance Kid" (1969) and, like that film, was based on the real-life account, albeit loosely. "Young Guns" (1988) and "Young Guns II" (1990) did the same with the Billy the Kid story. The film starts off like "Bad Company" (1972) mixed with the fun spirit of "Butch Cassidy," but becomes weightier as it moves along with some pretty moving moments.
Plummer was 23 during filming while Lane was only 15. The former is utterly convincing as the sassy Annie and Savage is notable as her taciturn quasi-beau. The superb folk songs by Sahn Berti & Tom Slocum are stirring and sometimes profound. It's an inexplicably obscure Western, hardly promoted and barely released. I guess studios were gun shy after the devastating failure of "Heaven's Gate" (1980).
The film runs 1 hours, 37 minutes, and was shot in Durango, Mexico, about 1200 miles southwest of the real-life events.
GRADE: B
Você sabia?
- CuriosidadesJohn Wayne had been offered the film in 1978, but said he felt too ill.
- Erros de gravaçãoWhen Bill Doolin hands a shotgun shell to the kid who wants to watch the approach to the town for him, he hands him a standard red 12-gauge shotgun shell that any 12-gauge owner today would know well, but it was only in the late 1960s that manufacturers began using a color-coding scheme, originally red for 12-gauge, gold for 20-gauge. In 1890s Oklahoma it would not have been the color shown on screen.
- Versões alternativasHaving been discarded by its distribution company, Universal Pictures, the movie has only received one English-language video issue since it arrived in theaters c. 1981: a UK release on Picture Time Video. This version is truncated by 7 minutes; instead of the full 95-minute cut, the film runs only 88 minutes.
- Trilhas sonorasCattle Annie and Little Britches
Written by Tom Slocum, Sanh Berti, Dehl Franke Berti
Performed by Mary McCaslin, Jim Ringer, Tom Slocum, Beverly Spaulding
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- How long is Cattle Annie and Little Britches?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La leyenda de Bill Doolin
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.100.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 534.816
- Fim de semana de estreia nos EUA e Canadá
- US$ 115.679
- 26 de abr. de 1981
- Faturamento bruto mundial
- US$ 534.816
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