O Barco: Inferno no Mar

on modern "boats" life isn't easy- but compared to the living hell that the German U-Boats were, modern submariners have nothing to complain about. People in certain professions don't like to watch movies about those professions (Doctors and Nurses shy away from hospital dramas, for example). Submarine sailors are different. We love to watch every submarine movie ever made, from "Run Silent, Run Deep" and "Destination: Tokyo" to "The Hunt For Red October", "Crimson Tide" and "U-571". Why? Because we can always use a good laugh. For those in the know, submarine movies are usually absolutely hilarious. Except this one. After being in the Navy for four years, serving with around 350 different men, and being acquainted with a further 200-300, all of them submarine sailors, I think that I can state with absolute certainty that this film is the ONLY submarine movie that ALL submariners take seriously. And that is the highest praise a movie like this can possibly get.

While it has been a very long time since I have seen this movie, it is one of the very few that I own. Wolfgang Petersen's magnificent accomplishment in "Das Boot" is reiterating the dictum that "war is hell", no matter which side you look at it from and no matter where the battlefield is located.

*** Minor spoilers ***

The plot has been well described by other viewers so I won't rehash it again. But my personal observations, as an ex-submarine sailor, are that Petersen probably portrayed life on board the sub pretty accurately. I say "probably" because todays subs are hotels compared with the German U-boats and American submarines. The commonality between yesterday and today is how the crew deals with being closed up in a "sewer pipe" for weeks at a time. More importantly, you as a viewer become an invisible crew member as the crew lives in very cramped conditions (American WW2 subs used to be called "pig boats"), deals with an unfortunately believable political officer, deals with drills, actual torpedo firings, actual ships casualties, and deals, most frighteningly, with retribution from the "enemy". My own experience watching the depth charging of the U-boat was such that I was thinking "stop it, Stop It, STOP IT, STOPITSTOPITSTOPIT...!!!!!" That's how real it felt to me. For the rest of you, I feel certain you will too be dragged in and know what it is like to live on board a WW2 U-boat.

This movie also shows how leadership is so important in keeping the crew (and ultimately the sub) together. Petersen's direction for Captain Lehmann-Willenbrock was masterful because it didn't portray the captain as a god. It showed him as a man who knows how to lead, knows his submarine as if he were married to it (and in many ways he is) but isn't perfect at the job. It also shows that even with great leadership qualities, Captain Lehmann-Willenbrock can not do the job alone: he must have both officers and enlisted men who have the knowledge and skill to not just do their jobs, but to also advise the captain. Petersen also managed to give each member of the crew their own separate personalities instead of the predictable cookie-cutter personalities that Hollywood feels is needed.

I could go on and on. So I will close by saying that with the plot, direction, cinematography, acting, sound, music, editing all being top notch, this is one of the few movies that I can truly rate a 10 out of 10. I also preferred the German version with subtitles.

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I believe that this movie was either the first or one of the first to use Steadicam technology. It was truly amazing for me to see a camera zip its way through a submarine, specifically through the open watertight doors, without a break in the filming. Up until I heard what Steadicam was, I was always wondering how Petersen managed to hide the camera dolly track or the wires the camera hung from.

(It turns out I was wrong: "Bound For Glory" was the first.)

EDIT (12 OCT, 2006): I have been corrected by an observant viewer. Wikipedia has the following comment on what I thought was Steadicam usage:

"Most of the interior shots were filmed using a hand-held Arriflex of cinematographer Jost Vacano's design to convey the claustrophobic atmosphere of the boat. It had a gyroscope to provide stability, a reinvention of the Steadicam on a smaller scale, so that it could be carried throughout the interior of the mock-up. Vacano wore full-body padding to minimize injury as he ran and the mock-up was rocked and shaken."

So, literally, a Steadicam was NOT used in the filming of "Das Boot". However, a camera that resembled Steadicam in function (in the way it gyroscopically leveled the filming platform) was used.

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Even though todays submarines are far cleaner then their predecessors, and we have refrigerators, freezers, air conditioning, are able to take showers, etc., there is one aspect of living in an enclosed space that still lives on: the smell. While the smell of the "pig boats" of WW2 was truly atrocious, even with todays ability to clean the atmosphere, you can not escape the fact that any smell that is created, from burned toast in the galley, from the smell of the "sanitary gasses" (to be kind), to gasified hydraulic oil and diesel fuel, all these particulates will eventually become absorbed in your clothing. You, as a sailor, may get used to it, but when you get home, your wife will most likely declare that you smell like a submarine and demand that whatever you are wearing get thrown in the wash ... immediately!

I spent 17 years of my life in Royal Navy submarines. 'T' class, 'A' class and 'R' class. Das Boot is the only submarine movie that shows exactly how it was. It could be a documentary. Bouncing around in the Bay of Biscay with the sea too rough to be able to dive safely and get away from it. 'Goffers' pouring down the conning tower and the control room deck ankle deep in the green stuff. Going down backwards at 500ft and you know there is 10,000ft below you, with seawater pouring in through a burst cooling pipe and one main motor out of action. Existing for two weeks on kai or oxo because your stomach is rebelling against the elements. Laying in your bunk in ultra quiet routine with the sweat just dribbling down. When the sweat starts to dribble upwards you know it's a cockroach crawling up your body. And that Klaxon. 'Hunt for Red October', 'Crimson Tide'. They are just adventure films.

My late father served in the Royal Navy in WWII and was torpedoed by a U Boat, so when I sat with him to watch this in 1986, I fully expected him to be filled with hatred for them. Nothing could have been further from the truth. He told me that seamen, even those on opposite sides, share something unique. He told me that his ship picked up some U Boat survivors from a ramming. They were just ordinary men doing the bidding of their masters, just like he was. They were put down at Scapa Flow as POW's after being at sea for 5 weeks. Many of them had formed friendships with the Royal Navy men, including my father. He formed a friendship with a submariner called Gotz Stiffel and they remained friends until Gotz passed away. My father attended his funeral in Duisburg and he was welcomed as an old friend by the survivors of that U Boat sinking. My father said that film bought tears to his eyes. They were just ordinary men caught up in extraordinary times and this film captured everything from fear to boredom and relief. He said, and I utterly agreed with him this was just about the finest anti-war film ever made.

Das Boot (1981)

Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.

But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.

Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.

What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.

But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.

For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.