Kessler

However, would he have really made a fresh start in Germany rather than flee to South America?

The creators of this series originally intended to set it in an earlier decade - the 1960's - but the BBC objected on the grounds that this would cost more than a contemporary setting. The writers were told that it was deemed too expensive to hire 'period-appropriate' clothes, cars, props and locations; when they pointed out that the Kessler character would be quite ancient by the dawn of the 1980's (not to mention further removed from the events of "Secret Army"), the BBC executives apparently replied:"who cares, nobody will notice". Thus the cast and those behind the camera began the project with legitimate misgivings.

In "Secret Army", Kessler had a romantic relationship which made the character three dimensional and showed that even a cruel Nazi bigot had human dimensions. At the time, some people at the BBC felt that this factor might inspire too much sympathy for Kessler. Perhaps the Corporation's fear of the SS man being hero-worshipped explains why his loving companion makes no appearance in the subsequent series?

The first episode of the "Kessler" mini series is a re-worked version of the (unbroadcast) final episode of "Secret Army" (1977-79), "What Did You Do In the War Daddy?", which the BBC management had refused to broadcast in 1979.

As such, the first episode features the surviving cast of "Secret Army" - Albert, Monique and Natalie. This is great, but they only appear in the first episode (which sets up this series).

Overall, "Kessler" was disappointing. It didn't have the strong dramatic tensions which had made "Secret Army" such a success. Removed from his Gestapo post, and on the run, Kessler was no longer the sinister menace that had given the character such strength in "Secret Army".

And it was, of course, impossible to present the character sympathetically. This was a serious drawback to the series. The main character must have the audience's sympathy if we are to care what happens to him.

"Secret Army" had very successfully characterised its two Luftwaffe officers - Major Brandt and Major Rienhardt - sympathetically, by their contrast to the evil Kessler. But it was impossible for the writers to do anything with Kessler himself other than demonise the character. This seriously undermined the "Kessler" series, as there was never any chance for the audience to like the lead character.

The presence of the well-loved Resistance heroes of "Secret Army" might yet have saved the day. But that was made impossible by the decision to set the sequel mainly in South America, and to give it a completely new cast (for all but the first episode). Only Kessler himself continued from "Secret Army".

I was particularly surprised by the absence of Madelaine (Hazel McBride), Kessler's only friend in the earlier series, who might have stood at least some chance of showing up a human side to him.

As the follow-on from Secret Army, Kessler lacks everything Secret Army had, tension, drama, good storylines and plotting and well-drawn characters. Alan Dobie's role as Richard Bauer is poorly developed and you never manage to find out why exactly he is pursuing Kessler or why. Nitza Saul's role, as the young Israeli chasing Kessler and helping Bauer, lacks any definition at all. Alison Glennie, as Kessler's daughter Ingrid, is little more than a cardboard cutout pretend Nazi. Not one of Gerald Glaister's better efforts

I remember watching this when it was first shown on the BBC. It takes the story on, post-war, of what becomes of Gestapo chief Kessler. Hopefully UK Drama will show this - as they are now showing Secret Army.

All the superlatives about Secret Army apply equally to this. It may be a cliche, but drama like this makes the BBC license fee worthwhile!