Bergerac

I felt, after reading the ONE other review that I had to stick up for this show.

I remember reading that this show was coming to our screens and really wanting to watch it and absolutely adored it from the first moment, the beautiful locations, the gorgeous car (Triumph Roadster) and totally fell in love with John Nettles! (I was only 13) I even begged my folks to take me to Jersey - and we found a good deal and went! I read about other reviewers commenting on the ridiculously high body count but please remember that Jim worked for the Bureau Of Strangers, and most of the fatalities were visitors, course, he also appeared to investigate a lot of local crime...

Anyway, I loved this show and happily watch it during UKTV Gold re-runs and yes, its dated, but for me it brings back the old magic. Wonderful stuff.

I really love watching old episodes of this and think it's a shame that UKTV are not showing every episode. I think the first series was great and although the show lost its way a bit for the next few series, it did pick up again in the late 1980s with a few standout shows. I agree with a previous reader that the episode with the mercenary is good, as is the flashback one to WW2, and the one where he goes to London and has a great scene in St paul's cathedral with that Scottish actor who used to be in everything. Also good are the later episodes in France. Strange to see Bergerac's girlfriend from series 1 turning up nearly 20 years later with Sean Bean in Sharpe! Also the production values in the later series were so much higher. All in all great nostalgia and interesting social history of the 1980s, Jim always wakes up with Terry Wogan's breakfast show for example, possibly the only detective to do this. But the fact remains that John Nettles as Jim Bergerac was and is a surprising success story. I like it and so do millions of others but i feel that no one has really ever explained quite why.

Bergerac is one of the few shows which, on many occasions, had unique plots or plots that had unique twists. It resisted the temptation to jump on any particular bandwagon. The 'hero', Bergerac, was neither hero nor the still-popular anti-hero. The writers often back-referenced with regard to the ongoing arc which took Bergerac from recovering alcoholic to lucky in love, unlucky in love, lucky in his job, unlucky in his job, and eventually back to the bottle again, without twisting him out of character to do it.

In my opinion, this show still stands the test of time and is more watchable than too many of the newer shows on TV today.

Before (and in some cases after) Bergerac BBC dramas were pathetically low budget and often set in over-lit and wobbly studio-sets that were a throwback to a theatre tradition that television needed to take a step, a cinematic step indeed, away from.

Bergerac was instrumental in changing that. What makes it take this leap is that every scene is outside broadcast. If the scene is in an office in a police station, then it is filmed in an office. It may seem a small thing, but compare it to other BBC dramas of the time, like Juliet Bravo, and you will see how Bergerac stands the test of time and they fail.

John Nettles is superb in the lead role, but as ever, for a series like this to work, it is the supporting actors that make the difference and these are in two categories. Firstly, the regulars who are good and fun, especially Charlie Hungerford, a more subtle and plausible Arthur Daley character, and Barney Crozier, one of the world's most grumpy men, but one who you still are able to have a little time for. Secondly, the guest actors, and these read like a checklist of British dramatic talent, either classic stars making guest appearances (Beryl Reid, Sir Norman Wisdom, Richard Griffiths) or a host of younger actors who were on the cusp of being household names (Ray Winston, Resse Dinsdale, Louise Jameson, Lisa Goddard).

A decade is a long time, but the quality of Bergerac never failed throughout its ten years (which almost mirrored Mrs Thatcher's term as PM; it makes the series interesting social history for that golden decade as well as drama). Outstanding.

Bergerac established John Nettles as one of the most famous television actors in the 1980s, something that he has continued to this day, although more recently in the considerably more pedestrian Midsomer Murders.

Bergarac certainly benefited from some excellent input from a remarkably broad range of quality TV figures like Robert Banks Stewart, Robert Holmes, Tristan DeVere Cole, Chris Boucher, Dennis Spooner, Tony Dow, Matthew Robinson, Bob Baker and Geoffrey Sax etc, and location filming on Jersey was regarded as rather exotic at the time.

I think I ought to correct Scooby-57's comment that this show made Louise Jameson famous. She was already very famous from her regular role in Doctor Who when the show regularly attracted about 13 million viewers and also her role in Tenko.