Bergerac

This is probably the last comment I'll write from England, as I'm flying back home to America after a year here in a couple of days. Unfortunately, that also means I'll be flying away from Bergerac on the BBC. I discovered this marvelous old detective show a short time ago, and since then I've enjoyed every episode of the programme I've seen. John Nettles is so cool and calm in the title role, and the cast of regulars is fun to watch and full of life. The plots are interesting, though not overly contrived. As much as I enjoy reading Agatha Christie books (and watching BBC adaptations of them), I sometimes find her plots a little too twisty for their own good. Bergerac's plots don't suffer this [ever-so-slight] malady. The scenery on the island of Jersey is beautiful, though I don't know whether it was filmed there or not. One might suspect (and hope!) that the crime-rate is somewhat less than represented in the show, but since watching Bergerac, I seriously want to visit the island and find out for myself. Also, if I do manage to visit Jersey sometime down the road, I have reason to believe I'll be able to pick up the BBC signal and watch re-runs of Bergerac to my heart's content! I recommend this police detective show to anyone who enjoys British television drama or detective shows. One last thing: I really love the tune they play at the end of the show. Hope I can get a recording of that sometime!

Before (and in some cases after) Bergerac BBC dramas were pathetically low budget and often set in over-lit and wobbly studio-sets that were a throwback to a theatre tradition that television needed to take a step, a cinematic step indeed, away from.

Bergerac was instrumental in changing that. What makes it take this leap is that every scene is outside broadcast. If the scene is in an office in a police station, then it is filmed in an office. It may seem a small thing, but compare it to other BBC dramas of the time, like Juliet Bravo, and you will see how Bergerac stands the test of time and they fail.

John Nettles is superb in the lead role, but as ever, for a series like this to work, it is the supporting actors that make the difference and these are in two categories. Firstly, the regulars who are good and fun, especially Charlie Hungerford, a more subtle and plausible Arthur Daley character, and Barney Crozier, one of the world's most grumpy men, but one who you still are able to have a little time for. Secondly, the guest actors, and these read like a checklist of British dramatic talent, either classic stars making guest appearances (Beryl Reid, Sir Norman Wisdom, Richard Griffiths) or a host of younger actors who were on the cusp of being household names (Ray Winston, Resse Dinsdale, Louise Jameson, Lisa Goddard).

A decade is a long time, but the quality of Bergerac never failed throughout its ten years (which almost mirrored Mrs Thatcher's term as PM; it makes the series interesting social history for that golden decade as well as drama). Outstanding.

I really love watching old episodes of this and think it's a shame that UKTV are not showing every episode. I think the first series was great and although the show lost its way a bit for the next few series, it did pick up again in the late 1980s with a few standout shows. I agree with a previous reader that the episode with the mercenary is good, as is the flashback one to WW2, and the one where he goes to London and has a great scene in St paul's cathedral with that Scottish actor who used to be in everything. Also good are the later episodes in France. Strange to see Bergerac's girlfriend from series 1 turning up nearly 20 years later with Sean Bean in Sharpe! Also the production values in the later series were so much higher. All in all great nostalgia and interesting social history of the 1980s, Jim always wakes up with Terry Wogan's breakfast show for example, possibly the only detective to do this. But the fact remains that John Nettles as Jim Bergerac was and is a surprising success story. I like it and so do millions of others but i feel that no one has really ever explained quite why.

I agree with other readers who felt that Bergerac outlived his shelf life, but isn't this typical of the BBC when they realise they've got a hit on their hands? instead of letting a good idea run its natural course they flog it to death, detracting from the originality, which the earlier series certainly had. for all that, Bergerac is a well-crafted piece of TV. there was only one episode which I found truly awful, centring on a faded singer with a drink problem who meets up with his old duet-partner. cue jealous husband, dreadful singing, tragic demise and weak twist to the plot.the rest were either good or outstanding. I have no problem in recommending bergerac. watch, regardlessof the weather. bergerac is available on DVD from may 06 from the bbc shop.

At 16 years old, I am probably the youngest serious Bergerac fan currently in existence. I used to watch it when I was really young, and have watched the repeats ever since. I have recently been enjoying the selected episodes being repeated on BBC 1 which ended today with the penultimate Christmas Episode and will miss watching it after coming home from a morning GCSE, especially since I break up in four days and do not have Bergerac to look forward to. I think that the series' strong points are many but there are some which really made it the great Laviathan of a programme that it was, the predominant example being its guest appearances.

Over the course of the entire saga, celebrities were made and broken, and most appeared in Bergerac. The guest stars made each and every episode immediately watchable and different from the rest, the most memorable episodes being 'Almost like a Holiday' starring the ineffable Norman Wisdom (who bumps his knee on a table within the first two minutes of the episode) and 'My Name is Sgt. Bergerac' with none other than Frank from the Vicar of Dibley, and Tony Robinson, sporting a hilarious perm and chest wig. However, on a personal level, my favourite episode was the one where Bergerac investigates a drug smuggling ring where the main villain is played by none other than Jack Galloway, father of my brother's best friend!

Watching Bergerac, it is easy to let yourself believe that it is a stereotypical police drama, but the beauty of it is, that Bergerac MADE this stereotype. The fact that one knows who the crook is almost from the start may seem to make the show pointless, yet, conversely, it does in fact raise the enjoyment as you shout 'NO, IT'S NOT HIM, IT'S THE OTHER ONE' frantically at Le Crozier.

If anyone can name a better police drama, or indeed, a better BBC drama than Bergerac, post it here and I will happily disagree.